Every Wednesday and Friday
The thing about prom night three, is that it feels like this director watched 1988’s Night of the Demons, and decided to do a version of it grafted onto the prom night series. Mary Lou is back but it’s a much less convoluted story – more of a very straightforward slasher rather than the slow possession that we got from the previous film. It’s a very stylized looking to me, but then again that’s what we come to expect – each entry in the series seems to have its own unique look and feel.
In Prom Night 3, Mary Lou is a ghost who is attached to a young man – trying to do things to help him. Helpful acts like murdering the guidance counselor or changing his GPA. I’m not entirely clear as to how this helps her, it doesn’t seem like her goal this time around is to return to life but rather merely a infatuation with this boy. Nevertheless, the bloodbath ensues and we get treated to some fun and inventive kills ask the story unfolds. If this movie wasn’t direct to video, it really should have been. In most ways it doesn’t feel like it continues the narrative in any significant way. Indeed, the prom itself is clearly a minor component of this film – just a happenstance background for the final act .
That’s not to say it’s a bad film, I actually really liked it – I just don’t know what it’s doing using the name “prom night ” or “Mary Lou Maloney “. I’m definately inclined to pull this out again though in the future – particularly if I ever watch any of these films again, or even if I were to take another look at the Night of the Demons series… This would make a great number four
I see Tony pretty frequently on the convention scene actually, he’s the creator of Black Lightning and has done some of my favorite Star Trek stories. A couple years ago at the very first MonsterfestMania, he was promoting the release of his new Black Lightning collection and handing these out. My daughter excitedly came up and said “free autograph? I want one!”
While I like this picture, I’m really pleased to have his signature on one of my older BL issues, one featuring Superman!
I remember the ads for prom night 2 – this particular poster was plastered everywhere, I believe it was even in some of my comic books back in the day. One of the things that makes Prom Night 2 a much stronger film is that it’s its own thing – you have the recognition of the name with the classic film but it really has an individual sense of identity and is a quintessentially 80s slasher film.
This is a slow burn, a gradual possession flick with a very stereotypical blonde, innocent, catholic final girl at its core. We get some slimy greasy FX towards the end, although the gore is actually surprisingly subdued here.
Still, it’s not really the same kind of film that the original wires – it’s not the 70s gritty cult classic type. That’s okay, because it’s more of an 80s slasher classic type and honestly it still stands that test of time – as well as standing on its own as an individual film. The only thing holding this film back from true cult status, is the lack of a truly charismatic villain. Mary Lou Maloney is adequate, but she lacks the panache of the Freddie or Jason or even a Night of the Demons Angela. Still, this movie is definitely a recommend – it’s a good time and a nice fun slasher that belongs in your collection
I gotta be honest with you. I think this show is just running out of steam.
Last year I was a bit more optimistic. I figured, they’ve just shrunk down to a manageable size, getting ready to reboot and grow in the future. I’m not so sure now. Cleveland comic con is mostly a vendor show. There is an artist alley, and they still make a slight effort to bring in media guests, but it’s all people who have been out this way already. It’s all been done before.
It’s also noteworthy to observe the lack of cosplay guests. Not that this is a big deal per se, but last year they had them advertised. They didn’t follow through, and there were none actually in attendance. This year they didn’t even bother. That’s shrinkage, not growth. Speaking of shrinkage, I couldn’t help but notice sparse crowds. I can’t tell if that’s con fatigue or confusion. There were two other events going on at the same time in different buildings and I personally had a hard time figuring out where to go to get into the comic con.
Still there were friends there to hang out with and a costume contest to play in. Josh and Steph showed up and we wandered the halls as a deadpool group. I found a handful of comics in the dollar bins – nothing discounted any deeper than that. The guys at the lego booth waved me over and took photos before presenting me with a Lego Deadpool figure – the one my costume was based off of.
I’m not sure what to think at this point. I decided to come out this year because I hadn’t secured a Sunday pass for Cinema Wasteland and Sundays are usually a drag there anyhow, with the hotel emptying out and people leaving. The problem is, I’m getting that same vibe here. It’s just one step up from the Harper flea market type shows. Not even panels anymore (though the strange NES gameshow they were doing was fun to watch….at least for a few minuets). I’m not sure how much longer this show survives.
We’ll have fun while it lasts.
I don’t know, something felt different this time around at Wasteland. Maybe it was the weather – sunny and warm, with bright beautiful skies. Absolutely wrong for Cinema Wasteland. This is Cleveland and October is generally cool and overcast. Sometimes rain, occasionally snow. Certainly not blue skies and 80 degrees. Fortunately the hotel noticed the horror of pleasant weather and kept the movie rooms colder than the ninth circle of Hell all weekend.
I managed to kick off the day with Gunga Jim’s presentation of a terrible vampire movie and caught a few of the short films, but the real reason for being here this weekend was the My Bloody Valentine reunion.
God bless the cast by the way, for keeping those autograph prices to $15 on your own item (or $20 on a photo from their table). In this day and age, it’s practically unheard of, and I genuinely feel better about spending on autographs when it’s this reasonable. But even more amazing that this was the directors cut print that Wasteland secured to screen. This particular print managed to restore about 60% of the gore that had been cut out in the theatrical release – that’s the one most people have seen. It’s the one that was on VHS and the common DVD. The added gore makes it almost a completely different film. Sadly, the parts that are still missing, and gone for good. The director revealed that those negatives had been poorly stored by Paramount, and the surviving footage is basically decayed and in shreds.
I managed to find some truly rare items myself. In addition to a couple films from local filmmakers, ones that had screened over the weekend, I came away with a strange “In-Store” reel from the Crow. A great addition to my odd collection of Crow behind the scenes stuff. I also found a beautiful hardbound collection of Shadow pulps with an introduction by Walter Gibson in 1966. It’s been a long time since I really felt like I was finding hidden treasures at a con. It’s good to be back to that.
Wasteland is always my favorite con, with it’s strange screenings and great guests. I’ll recover this week, and can’t wait to go back in six months and do it all again!