A couple more commissions from Angle Lite comics. This one is Mr. Loves, Guardian of the heroine.
I’m sure he’s a far more serious character, but I couldn’t resist throwing in a few fun captions.
Okay, now back to working on Violent Blue.
Hey guys, just a quick reminder, there’s a lot going on this weekend! Saturday is Free comic book day. My girls and I will be hitting a bunch of local venues and trying to complete a set as well and buying stuff at each store to support the retailers. Then that evening is the Cedar Lee theatre’s Sci-Fi fest! This is the first time they’ve tried something like this, but you know we’re big fans of their horror film festivals and are really hoping this is just as much fun. For the innaugral year they are presenting the following four films :
The original “Godzilla (Gojira)” (1954) at 8:00 PM, “The Matrix” (1999) at 10:00 PM, “Total Recall” (1990) at 12:30 AM and “They Live” (1988) at 2:30 AM. Marathon tickets are $16 and available in advance only. Day of tickets for individual films are $5 each.
Seriously, a screening of Godzilla should be enough reason to get out there this weekend! Then come on back here Monday morning for a new Violent Blue!
Chances are, if you were old enough to have one of those games, you’ve grown up a bit now. According to the 2011-2012 APPA National Pet Owners Survey, 62% of U.S. households own a pet, which equates to 72.9 millions homes. Of course a real pet is more than a little different from having a virtual pet. That’s where today’s app comes in.
Pet Minder Lite for Android keeps track of all the needs your pet has. It’s a free app that tracks pet feedings, bathroom breaks and trips to the vet with a tile notification system that is very similar to Windows 8. It even remembers birthdays! The app can show as many as to two feeding reminders every day on the Android notification bar.
It’s a standard puzzle game, match three or more of the same color and they all disappear. It’s wrapped up in the tiniest of stories, that the main character ( the cat like creature at the bottom) has had all of her babies kidnapped and they are trapped in the bubbles. It’s up to you to rescue them! So she stands under the mass of bubbles and throws them up one at a time, trying to match enough to free her babies.
You do have limited energy, lose to many times and you’ll have to wait until the next day to play again, but all in all it’s a fun time waster, with pretty graphics that feel similar to the more kawaii Anime styles. Give it a try, it’s free at the Amazon App store, and while you’re waiting for it to download, head on over to Violent Blue and check out today’s strip!
This review contains spoilers. Get over it.
I was getting ready for Cinema Wasteland. I had taken Friday off from work, I usually do so I can sleep late in the morning and grab a nap in the afternoon, because once Cinema Wasteland starts – sleep is just not an option.
Amy and the girls had left for the morning and I was flipping through Netflix and came across The Ward. This was the latest John Carpenter film. I remember hearing about it a year or so ago…and nothing good. Most reviewers ripped it apart, with a lot of observations like “Carpenter is just in this one for the paycheck” and “uninspired” and “Unoriginal” Carpenter fans in particular wer incensed, acting like this was the worst Carpenter film ever, and wondering if he had lost his touch.
The bad review on Horror Ect. had pushed this to the bottom of my to-watch list, but it was a sleepy afternoon and it seemed like a good time to catch up.
It’s actually a nice ghost story that keeps you on your toes. The gore isn’t over the top and there are some torture elements there for the Saw fans. The monster isn’t particuarly groundbreaking, but sufficiantly creepy. I figured out the twist at the end – almost, I got a slight detail wrong. It’s Sucker Punch for horror fans but I was wrong about who’s dream it was. The jump scare at the end got me too.
The films biggest flaw I think, is that it’s perfectly average. John Carpenter’s name makes us expect a great deal more – and I’m not sure why. Not every Carpenter film can be a masterpiece like The Thing, or Escape for New York, or even the underrated ones like Prince of Darkness or the Fog. The Ward is certianly better than Ghosts of Mars or Escape from L.A.
I do have two small gripes with the film. I am completely at a loss when trying to understand why this is a period piece. Period movies are hard. They require a great deal more attention to detail – it has to LOOK right.
This movie is set in the 60’s and I’ve got to tell you, this chick does NOT look like she stepped out of 1966. That hair is too curly and silky (I remember my friend’s mother telling uys about how she used to take so much time to straighten out her naturly curly hair in the 60’s because no one wore it curly at the time). The makeup isn’t shaped correctly. The colors are wrong. John Carpenter lived through this era, I’d expect him to get it a little better…..or perhaps just set it in modern times. The clothes are slightly better, but really they’re mostly nodescrpit. They could have come from any era. Other than a few shots of the TV and soem referances to Electroshock tharapy being revolutionarly, I just don’t get why this had to be a period film.
My other issue is the monster. Like I said, the ghost is adaquate. That mask really shouldn’t be shown in full light like that though. They try to clean it up with some CG and create a “Crawling ” effect on her skin, but it ends up looking a little to cheap. Cheap isn’t necessarily bad, Carpenter does well with cheap. But he would have done better back lighting this thing, or really giving some harsh contrasting shadows. There are tons of ridges on her face for the light to play on, wrinkles you colud get glistening effects from KY Jelly and really create a creepier atmosphere. I wonder if there just wasn’t time to set up the lighting correctly (still, a couple of strategically placed clamp lamps could have helped immensely)?
All in all, a very average movie. By the way, before I got around to writing this review I was pleased to see I wasn’t the only one who had recently watched this nad had this kind of reaction, BloodyWren over at horrific healing got his review up a couple weeks ahead of me! You can check it out here : http://bloodyrenn.wordpress.com/2013/04/09/the-ward/
and don’t forget, there’s new Violent Blue up today!
So when we last tried to make pins for the pinhead makeup, it was using liquid latex. That experiment failed miserably. This time we’re going straight to the modeling compuound, something I’m reasonably sure will work.
I use a product by Crayola (like the crayons) called model magic. It’s extremely lightweight and the consistency of clay. It dries hard, but still remarkably light, lighter than foam rubber even. The reason I had wanted to avoid using this was because I was going to have to roll each of those nails by hand…and yep. That’s exactly what I ended up doing.
I had counted the pins on Pinheads skull and kept coming up with different numbers. I finally settled on 120. I expected I would end up making a slightly larger grid and not needing all of those, but better to have extras than not enough.
Finally, once enough pins were done, it was time to do a test run to see if they would be light enough to stick on my face. First we draw the grid on my face so we know where to put the pins. this will also serve as a guide for the cotton scars I’ll add later. A dab of liquid latex at the bottom each, then some heat and time waiting for them to connect with my face. In addition, I am planning on using shredded cotton to create the grid on my face. That will have t he added effect of helping to support the pins and hide the wide bottom that is holding it on to my skin.
The grid is going to be achieved by adding shredded cotton to my face. First you draw a line of liquid latex, then you slowly add bits of cotton on top of it. Next you color it to blend in with the skin. When I actually do the pin head makeup, I won’t actually have to color the cotton since my skin will be white anyhow. To get it to look like a slice however, you need blood. The blood mats down the center and makes the edges look torn. For Pinhead, I plan to use blue food coloring instead of red blood.
Since I’m not in full makeup yet, I still did some of the cotton cuts, but colored them flesh tone and added a line of red blood in them so it gives kind of the effect of a pre-pinhead….it is just a test run after all.
The cotton cuts are going to take forever…I can see that just from the preliminary testing I’m doing right now. This is going to be a long makeup application.
Since it’s just a test appliance, I decided not to do the whole face, just half…it’ll save time, and still be proof of concept. I like how it looks, and the pins are working out just fine. The next step is goign to be the bald cap. There’s plenty of Model Magic pins left that I can glue them on to it….
but not tonight. I’ve already spent two hours rolling pins and another hour and a half just trying tout this makeup application. I’m loving the look, you can really see the beautiful symmetry of the pins, but I’m also getting a little tiered and need to do some Violent Blue for tomorrow. We’ll tackle the bald cap on anther night.