I love this con! movie screenings, creators, heroclix tournaments, and admission is free! you’ll find the best deals here and really, it’s always a great time! I’ll have the girls with me (They both got new costumes and I have to recycle my old Spider-Ham outfit. Somehow I don’t think that’s fair) so if you see us, tap me on the shoulder and say hi!
Lake Effect Schedule of Events
- 7:00 – Dealer Setup Begins
- 10:00 – Show opens for general admission
- 10:30 – Scott Pilgrim movie begins
- 11:00 – Door Prize
- 12:00 – Door Prize
- 12:30 – Panel One begins – Small Press discussion
- 1:00 – Door Prize
- 1:15 – Panel Two begins – Original Comic Art discussion
- 2:00 – Door Prize
- 2:15 – Costume Contest
- 2:30 – Panel Three begins – Cosplay discussion
- 3:00 – Door Prize
- 3:15 – Sherlock Holmes Smarter Brother movie begins
- 4:00 – Door Prize
- 5:00 – Show closes
Every Wednesday and Friday
Here’s some characters sketches from another Angel Lite series I’m not involved in, these are the Victorian Roses. The characters seem kind of mystical, but also with a big Posion Ivy influence. Here are our Heroines.
Every Wednesday and Friday
Does anybody else remember going out to see explorers, flight of the navigator, the last starfighter or the goonies as a child? It seems like back then there was an endless stream of adventure films featuring kids for kids arriving at the local cineplexes that we could go to see with their families period it’s not like that any more,today it feels like it’s all franchisees period it’s the latest superhero film, or the latest trend, the craze Harry Potter or hunger games or Twilight. It’s another derivative computer-generated cartoon with the same plan as last five. remember the two Coreys? Could such a phenomena and even exist in today’s cinematic universe? I’m not sure . I can’t imagine seeing something like the Dark Crystal or Dragonworld be created today period and that’s why Tomorrowland is so important period we complain of a lot about the lack of originality of lack of creativity in mannered cinema especially when it comes to genre film the service and horror and sci-fi and fantasy get hit with it the most. But have you looked at children’s cinema today? Seriously, as a father I take my kids to movies on a regular basis and it’s so much of the same stuff and I wonder what happened to the kids movie of my day. And that’s why Tomorrowland is so important. It’s the first time in a very long time that I’ve seen a completely original adventure movie for kids, with kids. Something that isn’t trying to set up a franchise, something that isn’t pulling from the latest teen fad, the hottest new young adult novel or most recent comic book. It’s simply a good adventure film, with an original premise period and that’s something that Hollywood at large and Disney in general is sorely lacking. The trailer covers the plot well enough, although I will admit I was frequently wondering what was going to happen next period it’s not as straightforward as it seems . the performances are well done son George Clooney is on his game here which is nice to see, it’s been a long time since I’ve enjoyed him outside of the Oceans movie. Our young actresses are perfectly competent and while the film is quite indulgent and CGI it fits within this world. It’s justified by the creativity of the story. I want to encourage everybody to go see this, not just because it’s a good film not just because it’s something safe and entertaining to take the kids to. I want to encourage everybody to go see this because it’s a genuine attempt at an original idea which makes it so very different from everything else there is out there right now
Every Wednesday and Friday
Every Wednesday and Friday
Really, he’s been around since the early days. doing makeup as far back as 3. He also worked second unit under Rick Bota who pretty much had complete faith in him – any shot of a hand or a back…anything without the actors face in Deader or Hellworld was Gary. He loves the series and you’ll never find a bigger cheerleader for it.
Revelations was made basically to keep the rights to Hellraiser in house. It is the most slapped together of any of the films. Remember that half a million that they had to spend in Romania (to stretch the dollar even further) for Deader and Hellworld? Revelations got $350,000 AND had to shoot in L.A. They also had to be done in two weeks. As you can see, no one at dimension was taking this film seriously.
No one but Gary. He wrote the script, created some spectacular makeup effects (better actually than we’ve seen in over a decade) and worked countless unpaid hours creating new cenobites and new costumes (we haven’t seen new costumes in ten years) and brilliant new designs so this film would have a chance at being more than just a throwaway. Seriously, look at those. This could be straight out of any of the “respectable” Hellraiser films. All of this and the truth is, they weren’t even sure it would ever be released. It just had to be made to keep the rights.
Besides all of this (as if this weren’t all enough), it immediately had two strikes against it.
First, Dough Bradley wasn’t invited back to be Pinhead. This is a shame, but understandable. Doug is getting older and that collar of his gets bigger with every sequel. But also, there’s no money. He’s not going to play the character just for the love of the game, and dimension wasn’t going to shell out his fee this time. Shortsighted on their part, but then again, on the corporate level, this entire project was.
Second, Clive Barker came out and trashed the movie before it ever hit the shelves. Now THIS pisses me off. In my previous articles, you’ll notice that Barker’s name NEVER comes up as a custodian of Hellraiser. I acknowledge that he created something remarkable in the Hellbound heart, and something just as remarkable in the first Hellraiser movie., But that’s where his involvement stops. He created the premise, but really, Peter Atkins created the mythology when he wrote the second third and fourth films. Most of what we truly love about Hellraiser comes from Atkins, not Barker and I consider him the true father of Hellraiser. I don’t know why Barker was so vocal abut this film. His entire involvement in all of the sequels has been to sit at an advance screening, turn in notes (which may or may not be considered) and cash a check. I wonder if he wasn’t paid off this time.
I truly believe all of this contributes to this film being judged to harshly, certainly by the wrong measure. The film tries hard. It’s not a found footage file as is occasionally reported, though there are some found footage elements. Gary tries to recreate as many elements from the original as he can. One family destroyed by what’s in the box. We get the skinned body coming out of the mattress, we get the darkened torture room again (something they tried to do in Hellseeker by the way, and failed – Bota remarks about how the room disappointed him. This one is a hundred times better), we get candles surrounding the supplicant trying to open the box. We have complicated adulterous relationships and forbidden sex. We have a puzzle guardian. All of the elements are there. The big problem is I’m sure this is a first draft, with no time or money for revisions. Two weeks means no time for rehearsals, not time even while you’re acting to find the characters…and it’s a shame because I can see what this could have been. What it should have been if they’d been given even the meager resources they had on Deader and Hellworld. Over on the Hellbound web, one person remarked “If this were a fan film, I’d be raving about it.” This is a good point, because I know fan films with bigger budgets or at least, more resources and most have far more time.
It’s a shame my biggest defenses are “They ment well” and “there’s worse out there” but that’s really at the heart of it. This is better than any film the Asylum puts out any day of the week. It’s better than the majority of stuff on Sci-Fi, and it has the distinctive flavor of Hellraiser to it.
Half Price books had a sale last week, and I found a bunch of Blu Rays for $1.00! I picked up Spirit of Vengeance because it’s one I’ve been meaning to see but putting off. Truth is I wasn’t a big fan of the first one and I haven’t heard a SINGLE good thing about this one. Still, I was ready to give it a try so Saturday while the girls were at dance I popped it in the PS3 and settled in with a pizza.
It starts off with a surprisingly good action scene featuring the rider himself. Easily as good as anything from the first film and it was good to see the character again. I could see some differences, no spikes (extra animations and cost I’m sure), and a skull that was darker – the entire suit seemed more consumed by Ghost Rider’s hellfire than previously. That’s cool, costumes change with every movie.
It was about half an hour in when I started yelling at the screen. “I thought this was supposed to be a BAD movie!”. It would be my mantra fro the next hour.
Seriously, I’ve heard nothing good bout this, yet I found myself liking this far better than the first one. Nicholas Cage isn’t doing nearly as much of his manic Nicholas Cage thing….it’s more tormented and driven. Danny Ketch shows up and I went nuts! Edris Elba was marvelous as usual and I thought the cuts to the comic style images for backstory exposition to be really effective – it was a look that just appeals to me. Despite the soft-reboot feel (not even that really, or they would have replaced Cage) I really loved the direction they took and the different tone and style really worked for me.
A few things I’ve been told.
“Ghost Rider barely appears in the film.”
To be fair, he appears just as much as he did in the first movie – and we see more of him in this film that we do of Iron Man(in armor) in any of the Iron Man films. I’d like to see more, true, but really, I was led to believe he’s in this way less than the first and that’s just not true.
“It should have been rated R!”
That was never going to happen. Seriously, this isn’t the Punisher and they always said this would be PG-13 and if you were expecting anything else you deceived yourself. Despite the dark nature of the character, the comics I’ve read have never been particular gory or full of language. There’s violence, but it’s comic book violence and the film still manages to be just a violent than most of the comics I’ve seen. Even more violent than many of them. The action was perfectly satisfying to meant this film delivered exactly what it promised.
“I was filmed on location because they had no money!”
Yes, it was. The implication is that this makes it look cheap I guess. Well it looks anything but cheap to me. They build a logical reason for Johnny Blaze to be on the run and they used the foreign locals to great effect. I can’t argue with this choice one bit.
“Christopher Lambert isn’t in it enough.”
Lambert is in semi-retirement. That he’s in it at all is a shock, and a pleasant one at that. I love his character – I love the look, the attitude, everything. Why are we complaining that he’s not in it enough when we should be cheering that he appears at all?
I love this script, I love this style and I kind of wish there was more of this – I still consider Drive Angry to be the spiritual third part to this unfinished trilogy, indeed it would really finish the arc, but sadly that’s not to be. Now that it’s back in Marvel’s hands, if we ever see more Ghost Rider, it’ll be a significantly different version, and that’s not a bad thing, but I’m still happy that I finally got to see this one and I suspect I’ll be spending a lot more time defending this in the future.