The Violent Blue blog***Comics, Horror and Pop Culture***Updates Tuesday through Friday (and occasionally at random)

Population 2

boxftdf4e41c12817663fa8ff085a6e81974fcPopulation 2 is a story about a post nuclear apocalypse told mostly in flashback from the perspective of the sole survivor – a woman who wanders the earths looking for supplies and attempting to stay alive. Ther production values here are extremely good, well lit, well shot. In some ways it feels a bit like a student film, but with real actors – done, say at the end of the semester.

There is a good story here somewhere, but it gets lost in the form – the way that the story jumps back and forth between present day and it’s flashbacks can sometimes be a little bit jarring. While all the characters are extremely well performed and giving a compelling narrative, I spent about half the film A little confused and off balance – I get why now that I know the story, but as I was watching I frequently found myself not totally certain what’s going on or why – the set up is occasionally too vague, but the payoffs generally explain away my confusion.

The CG is the most daunting part of the film, the cutaways to the bomber aeroplane that occur in between just about every flashback and flash forward to the present. The plane itself is a compently constructed CG model, but it never feels right to the eye – the movement and the shadows are off, it just doesn’t work. Inside the plane, we have an equally CG cockpit – obviously a guy on a flight suit shot against a green screen and we cut back and forth between angles of him and a cockpit dashboard that again has obviously been created by computer. I understand the limitations of budget, but they use this sequence so much – and it’s the same footage again and again and again, with voices overdubbed to give the impression of the pilot in a casual conversation with whoever is on the ground. It does nothing to drive the story, and you can’t even find any sympathy for these characters as you’re still not sure what the deal is. I genuinely wonder if the sequences want inserted just to inflate the running time and get a respectable distance past 60 minute mark. This is a perfect example of how this film loves its stock footage. We also get stock of the Holocaust itself, as well as bits and pieces introducing talk shows and such – it all becomes a little over the top. The film earns its beats, the drama that we feel is absolutely justified, but undermined by those aeroplane sequences. Even the framing sequence is poorly paced – it’s too long to really be considered just framing sequence, but too short to really contribute anything other than some interesting imagery.

This film would probably work far better as a short feature – trimming the stock, trimming the present day, dropping the aeroplane stuff altogether to bring it down to a tight 35 to 40 minutes – I think we’d feel the drama and engage with these characters far better then.

It really is the perfect kind of film for a collection like this… I’m glad I saw it, and if I’d watched it at a film festival, it would’ve stuck with me just like it does now. But I don’t think it be too happy if I plunked down $10 for a DVD. Great get a collection like this and definitely worth a watch, but not worth the buy by itself.

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