The Violent Blue blog***Comics, Horror and Pop Culture***Updates Tuesday through Friday (and occasionally at random)

Archive for July, 2017

618

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

618


Hatchet 2

directorsa220px-hatchet_ii_posterI really enjoy Hatchet 2. A lot of it has to do with the cast. In the first film we had a quickie cameo from Robert England (and really what’s up with that? I realise it’s just the name recognition, but it’s the most useless scene in the film ). This film really stars Tony Todd. I’ve always got a soft spot for voodoo Masters, and Todd is doing a great job chewing the scenery here, we get a much better feel for this character.

Todd is at reprising his character from the first film (which was basically a cameo). This time he is in the thick of it, front and center – leading the chase back into the bayou to discover Victor Crawly.

Danielle Harris shows up in this one as well, taking over the role of Marybeth. I realize that in a lot of ways this role was written with her, or at least with her in mind, but scheduling conflicts prevented her from starring in the first film, this time Green was delighted to be able to bring her in . Maybe it’s just the conservative in me that doesn’t like change, but I actually find I prefer the previous actress – Harris is a little more confrontational and for some reason the little bit less likeable in the role. Danielle is a lovely person, and a lot of fun, but I’m just not a huge fan of her in this role. Still, it’s a return to familiar stopping grounds, as Kane Hodder hacks and slashes his way through the cast, again giving a stellar performance as Victor Crawley and actually flexing his acting muscles in the flashback scenes. There is a real sense of terror and peril every time you go back into that bayou. It’s also amusing to see Perry Shen back as a completely different character – this will be a running joke in the series and one that I really enjoy, but we’ll talk about that more next time as we explore Hatchet 3.


617

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

617


Tub of Terror pitch

commissions So, my friend Angelique was throwing around an idea for a terrible movie, and the more I heard of it, the more I though this really should be done up as a Tub of Terror comic. Even though Violent Blue is over,  I still had the templates and threw this together as a kind of back-handed pitch.13062295_1166506843393737_1631142334182346014_n


616

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

616


LaVar Burton

AutographsSome folks are worth waiting for. LaVar Burton is definately one of those. It took almost two years to get this back and I had long ago given up hope!

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615

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

615


Autumn

boxdw096009173043On to our next set – also a zombie collection with a very Walking Dead cover.

Autumn has some good ideas. I genuinely like the concept where we see the evolution of the Zombie.

It starts off in urban England which gives it an initial 28 days later feel, but soon moves out to the country and we gt far more of a Night of the Living dead vibe. Forget the cover art by the way, it’s not the sci-fi epic about a plague that the cover would suggest. We don’t really see alot of it, we see more of that first shelter that the survivors are huddled in. We see the first zombies, wandering aimlessly…not eve noticing other people…..not hungry. Not yet.

As the film goes on, we se the zombies start to develop senses, becoming  triggered by sound and light. as time passes, the hunger kicks in and they become the real threat autumn_xlgwe’re used too. The progression is original and fascinating.

If this movie has a real problem, it that it’s too long, and WAY too talky. It’s a melodrama in the extreme and would really benefit from some judicious cutting of some of those dialogue scenes. I understand how we got here, the film is based on a book and there’s a LOT of ground to cover. From everything I’ve heard, it’s really true to the source material. Still I think it could have been streamlined into something a bit better paced. This is definitely one to watch, but you need to be prepared for a long somewhat PBS style zombie film and be in the mood for more philosophy than horror.

 


614

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

614


The Punisher

definitive

My personal definitive way of drawing iconic characters

I knida wish I drew him more like Jim Lee or Mike Zeck, but really my Punisher always ends up looking more like Whilce Portacello.

I insist that we not have the cylendars on the front, the flat teeth going flush with the belt just looks better to me, though I always loved the cylendars on the belt. I like him as a superhero, and that’s why I always kept the white highlights on the gloves and boots. It’s not the most popular way, especially nowadays, but it’s still my favorite look.

punisher pencils punisher inked punisher color