Every Wednesday and Friday
This is really a case I think, of tossing a bunch of stuff out there to see what works. Topps always had mixed results with thier comics and this is one of the more mixed I can think of.
On the surface these two franchise seem somewhat compatable. Silent masked killers, somewhere out in the middle of nowhere, however, the georgraphy is a bit daunting. Texas is nowhere near Crystal Lake (whether it’s in New Jersey, New York or somewhere nearer to Ohio) but somehow they make this find a way.
What really stood out to me in this series is how well thought out things were and how logical it was that Jason would be embraced into the bosom of the murderous TCM family (named “Sawyer” here – curious, because that’s the only reference to any of the sequels we get here).
My biggest problem is actually the Sawyer’s themseves. TCM is hard to translate to comics in the first place and in this they are presented as almost cartoonish, their illustrations done one step down from caricature. Jeff Butler is a capable artist who I loved on Mike Baron’s Badger series, but I think he just wasn’t sure what to do here.
Ultimately it feels like a good idea executed poorly. They had a good concept to start off from, but just didn’t know where to go with what is essentially a one-note gag.
Pick this up if you see it in the quarter bins. It’s worth a look for the novelty if nothing else.
Every Wednesday and Friday
I have a thing for trailer compilations – no matter how racy the cover may be. I actually didn’t even notice when I got this at the secondhand store, that scream queen Debbie Rochon had signed it.
With one autograph already in place, I wanted to make sure to have it on hand the next tiem I met Troma creator Lloyd Kauffman. He always has to deface things a bit and when Tiffany Shepis saw it she absolutely screamed, and didn’t have the heart to charge me for the autograph!
For the next few weeks we are going to be focusing on the Prom Night franchise. I chose this one because I’ve actually only seen one of these films – and it’s the second one. That may seem like a strange place to begin, but prom night two was released in the late 80s and targeted firmly at my generation, whether they knew the source material or not! It’s the one I remember commercials for, it’s the one that I think at first. The Prom Night series is particularly important because it solidifies Jamie Lee Curtis has a scream queen; perhaps even the first modern scream queen (One could arguably contest that the earliest scream queen was in fact, her mother Janet Leigh). That original prom night film is one of those cult classics that I feel guilty for not having seen – it’s one of those I certainly should have, and I don’t have any excuse. Back in the UHF days, channel 43 played it every Halloween. The thing is, I was too busy watching Nightmare on Elm Street to bother with A slasher about a prom queen. Time I rectified that.
Looking over IMDb, I noticed there is are actually five of these! I never would’ve guessed that. A direct to video part three doesn’t surprise me, but I’ve never even heard of part four. The poster for the remake hung in my library for a short while, and I’m particularly interested in seeing how that one stacks up.
Here’s the thing though, we’re going to approach this one just a little differently. I’m saving the original, which I’ve never seen, for last. I want to watch all the sequels first, with only the reputation of the original to judge them against, and then will conclude by saying if that original film lives up to its own reputation, and it’s progeny.
So join me for exploration of the prom night films – I suspect this is going to be an interesting ride
Every Wednesday and Friday
“Dude, looks like Metal arms are in this year!”
I looked in the direction the voice was coming from. A Winter Soldier was pointing to the prosthetic Borg arm being passed back to me by security after their examination. I slid it on and nodded.
“Sure are,” I replied. “Just look over there!”
I pointed to the Sinister Six group. Doc Ock and his four static robot arms turned and smiled at us.
There were scheduling conflicts last year and I missed HOF, though I heard glowing reports from friends that attended and I really dug the cons first year (when it was MY turn to be Doc Ock!). It’s good to see that the show is growing at a steady, healthy pace. not too fast, not to slow. They’ve figured out a better way to maximize thier space too. It wasn’t shoulder to shoulder the way it had been in 2016.
I decided to try and hit the line for Kevin Eastman first. I’m not really a Turtles fan, but I respect the property and love the success Eastman became because of it. I found my friend Eric wearing his Jurassic Park outfit and waiting in Eastman’s line so I swung by to say hello. He expressed shock at me not being in costume yet and tried his best to convince me to do the costume contest. I wasn’t sure how long I was going to hang out and the contest was still five hours away. Still, waiting in this line would kill a good chunk of that time. It was a prodigious queue, curving down the end of the hall and I tried to find the end of it, only to be stopped by security. I was informed that the line had been capped at 150 people ( which they hit in the first 45 minuets of the show) and that I’d have to come back in three hours for the second signing. This situation was just a little too reminiscent of the confusion and poorly run ticketing system for George Perez the last time I was out here, but perhaps I shouldn’t have been surprised. The convention schedule, released about a week in advance, had shown two specific “Signing” times – a weird thing for a comic convention like this (I see it regularly at anime cons, but not at comic cons), and It had spooked me. I decided to head elsewhere. After all, I wasn’t REALLY here for Eastman. I was here for Peter David.
Back in the 90’s, David was instrumental in shaping the the direction of DC’s Star Trek line, having taken it over from Mike W. Barr. This is my favorite era of Star trek and those comics have always been special to me. From there I migrated over to his novels – Rock and a Hard Place is my favorite TNG book ever. I took my place in line right behind one of the guys I knew from Panels:The Comic Club.
Approaching his table I pulled out a gift I had brought him. He picked up the furry blob and looked at it.
“What is it?”
“A Borg Tribble.”
He rolled his eyes in disbelief.
“I don’t know how I’m getting this through airport security…’what’s that in your bag sir?’ ‘um, it’s an assimilated tribble….?’ ‘OUT OF THE LINE!’ ”
He confirmed my suspicions about the Stone character in Rock being a prototype for the hero of his New Frontier books, though he has no idea what my have happened to him afterwards. I followed him to his panel and was fascinated by his stories of how he got into comics, and the way he kind of drifted into different assignments. It’s been an interesting kind of career.
I popped out of the panel a little early to go get into costume. I had decided to do the first half of the show in normal clothes since it was so hot and my Borg suit wouldn’t fare well in the end of summer weather. I applied the makeup in my car (God bless the guys at Rubber City Cosplay by the way. They offered to let me suit up and do my makeup in by their booth where they had a station set up. I had to decline because I was using latex and needed my car heater vents to dry it). I was trying something new this time – instead of just drawing sick green veins on my face I built them up using cotton and latex, THEN drew the green lines on the swollen veins. It ended up being the first time I found myself truly happy with this look.
Because I resent being charged for parking, my car was half a block away, parked in front of a house. Suddenly the door burst open and a slightly scary looking man stormed out staring at me.
“DUDE! I just had to run out here to see this,” he exclaimed in amazement. “That thing is off the HOOK! What’s going on?”
I explained about the con around the corner and waved goodbye. A car load of kids drove by headed to the Wendy’s across the street from the Canton Civic Center. They yelled at me from their windows and asked what my character was called. I told them I was a Borg and waved, trying hard not to squint. The heat was making the white greasepaint run down into my eye. I crossed the street with one good eye, and fished the napkin out of the hidden compartment in my belt, then cleared the tears and makeup from under my cowl. Outside the doors was parked the greatest vespa scooter EVER, painted red with decals to look like the bike from Akira. I reapplied some white as I wandered back in, thankful for the cooler temperatures in the convention hall.
This time out, I made one more upgrade to the Borg suit. I added a borg tribble of my own (with more lights on it that the one I presented to David) who would sit on my shoulder (magnets in the tribble and my costume). One of my favorite moments was a family coming up to me and asking for a picture. The little daughter, riding on mommy’s hip wasn’t too sure about my robot in corpse paint. I plucked the furry little ball off my shoulder and asked if she’d like to hold the Tribble. “He’s soft,” I explained as she snatched him from my hand. The camera got a big smile from her.
Across the hall, I spotted my friends Rocky (also dressed as a Winter Soldier, but also carrying around Rocket Raccoon) and Chris (Appropriately garbed as Casey Jones), who had just arrived. I let them know about the early lineup for Kevin Eastman and we headed that way. It wasn’t quite two yet, but the line was already the length of the civic center. As we stepped into the queue, I saw Ben from comic club rushing from the Eastman’s presentation and heading down the hall. I waved him over.
“Man, this is crazy,” he exclaimed. “It never occurred to me that people would actually duck out of Kevin Eastman’s panel to start lining up early!”
I introduced Ben to Chris and Rocky, and explained comic club. We all made a little nest in line. The guys chatted about new costumes, Infinity War and Turtles while Rocket and my Tribble got into fights.
“I was heading into the parking lot,” Rocky told us. “Rocket Raccoon was in my passenger seat. The guy at the gate took my money then looked in and said ‘You guys have a good time’. So apparently Rocket counts as one of the guys…”
To quote A Christmas Story; “The line stretched all the way to Terre Haute, and I was at the end of it”. Still, it was good to be with friends and we eventually got our stuff signed. I noted the “No posed photos” sign and slipped Rocky (ahead of me in line) my camera to snap shots of me meeting Eastman. Kevin drew “Casey Jones Doodles” all over Chris’s hockey stick, and loved my outfit as my borg arm handed over my comic using it’s claw. His assistant asked for a photo.
“There’s a LOT of cosplay at this show isn’t there?” Eastman asked. I acknowledged that Ohio has a lot of interesting costume culture.
There was just enough time after we got out of the endless Eastman line for me to plow through the 3-for-$1 bins, scoring about thirty books as well as a handfull of small pokemon for me to bring home to the kids. My backpack sagged on my shoulders, heavy with comic books as I headed backstage for the costume contest.
My name rang out. I was late and Spider-Man was looking for me.
“Coming! Coming! I’m here!” I panted as I shuffled off my backpack and stowed it under a backstage chair. Spidey pointed to the second line.
“Okay! Line up right here.”
I walked over and pointed at the floor.
“Right here? Here. Right THIS spot?”
Spidey gave me an exasperated smile and swatted me away. Looking around I found myself next to my friend Jason, who was ready with a quick change Clark Kent/ Superman costume (much like the one Maddie wore to NEO). Seems like I had friends to keep me company in every line I found myself in. Cassie and Vito were too far away for me to reach, but Dwayne snuck up behind me and greeted me – I hadn’t even recognized him in costume!
HOF is a good con, and consistently brings in top talent like no other convention its size. If they could just figure out how to handle the crowds for those guests, it would be a near perfect show. That and ditch the charge for the convention hall parking lot (Akron comic con, and Geekfest both managed to provide free parking, Heck, CONCoction MOVED so they could). Still, it’s good vendors, exceptional guest and good times with friends. Barring further schedule conflicts I expect to be back next year!
Every Wednesday and Friday
It’s hard for me to really look at John dies at the end objectively… The film in of itself is a nice little bit of low-budget creepy horror… The thing is, the source material happens to be one of the best horror novels that I’ve read in ages, with way too much material to put on screen – indeed they only managed to get about a quarter of it if that. The book greatly expands on A number of the characters, ones that play key roles that are almost forgotten in this movie, and our main characters are more deeply explored as well. There are horrors beyond description in the book, although the film certainly does its best to translate these things literally – the monster made out of meat, The flying mustache, a lot of the fiendish thingies that go bump in the night, it’s a valiant effort, even when it falls short.
Like I said it’s a good film, but hard for me to look at without comparing it to the book… and I wonder if I’d have the same interest in this movie without the book – indeed I wonder if I would even found it without the book. It’s a tricky balance.
Still, in the end I enjoy this tale of otherworldly forces trying to reach our universe and being thwarted by a couple of losers. If nothing else it really showcases the weird taste that Coscarelli has – and that’s a good thing, I enjoy seeing his tastes lineup so well with mine and I really like to see a little bit more from the subject. This needs a sequel, and one that expands more on the first book (There’s still so much there that could recovered before hitting the second or third ones!).
Slowly the metal tentacle slid around Rhonda, getting in position to take a candid photo. She looked over at the click, startled, then paused.
“I know that arm!”
She whirled around and hugged the zombie Doctor Octopus behind her…and that’s how this fall’s zombie walk started out for me.
The Five O’Clock is kind of home base for Cleveland Zombie Walks. Familiar faces and a neighborhood that still likes poking thier heads out the windows to see the zombies shamble.
This was a special walk for me because the wife came along to help us raise money and food for the Second Harvest food bank. Ryan was back in his old Sgt. Cunningham fatigues and in the back of the bar, performers from the Legion of Terror (of the local huanted house at Bloodview) ate fire and blew streams of fluid to create huge fireballs.
We got started about twenty minuets late. In an open field the little clowns and ghouls chased a drone filming the whole thing. Undead Doc Ock menaced Lakewood and the bloody day wore on.
These days, I’m seeing fewer zombie walks around the area, but as long as the dead haunt Lakewood, I’ll be joining them.
Every Wednesday and Friday
Ever since I first saw clips of it in Zacherly’s Horrible Horror, King of the Zombies has been one of my favorite zombie films. And the heart and soul of this movie is Mantan Moreland.
These days his kind of performance in both this and the follow-up Revenge of the zombies is considered racially charged, politically incorrect. But I never saw a racial stereotype here. I always saw a comedian, a goof whose charm and zany antics rivaled the talents of Lou Costello. His wit, his bulging eyes and frantic energy never failed to make me laugh.
It’s more than that, in a lot of ways, he felt like the everyman to me. As the postman in Spider Baby, I certainly relate to him, the ordinary guy who’s just doing his job, and in King of the zombies he’s not the statuesque heroic dude like our stars. no indeed, he’s the poor slob who actually does the leg work. He uncovers the plot and his fearful reaction to the
zombies is perhaps the most reasonable of them all!
King of the Zombies is a regular selection here at Argo city, and it’s not unusual to see Spider baby or Revenge on my TV as well. Check these out the next time they come up on something like Svengoolie and let Mantan Moreland make you laugh all over again.
The first time I tried They Live aliens, I didn’t have the bubble eyes. It just didn’t work. I came much closer on my second pass, except the eyes are still off….too big this time. They were also really hard to see out of, but it was close enough to be recognizable. part of me wants to revisit this one more time and get it right, another part feels like it’s too much trouble. We’ll see what happens.
Every Wednesday and Friday
Right off the bat, let’s get something straight – The Predator is not a remake. It’s not a re-imagining, It’s really only a reboot in that they are hoping to reignite the franchise with this movie. This is a sequel, and a proper one at that… there were references to previous films, and we definitely know where this movie stands in the continuity. We get homages although they’re not beating you over the head with them and yes somebody does utter the words “Get to the choppas!”
But it’s definitely a sequel another remake.They get points for that. Then they lose those points for casting Olivia Munn as a scientist.
They get docked couple more for Jake Busey the same role. Seriously, while Brent Spiner could pull off the slightly cracked scientist in government isolation, Busey just doesn’t have the chops for it. He’s too goofy in a Shaggy and Scooby kind of way. Then there is Olivia Munn. Munn doesn’t smile once in this entire film, and she doesn’t know how to run – heroically or otherwise (don’t they have some sort of superhero school training in the X-Men films?). Seriously, those dainty little steps she’s taking are doing nothing for her performance. She spends the entire film with a shocked and confused look on her face – I can’t blame her for that one though, because I’m pretty confused as to why she was cast here. She lacks their gravitas for this sort of role, I just don’t buy her as an intellectual (was Kate McKinnon not available?) Moreover, she just isn’t an action hero. Yet they’re not exploiting her looks with a clingy T-shirt or something equally crass, so quite frankly I don’t understand what she’s doing here.
It’s not a bad film though – Boyd Holbrook does his best as the hero of the piece. Arnold has big shoes to fill, and they’re doing their best. I’m actually quite surprised at how much I enjoy Keegan Michael Key in this as well. His comic relief could very easily tip over into the annoying – and I’m betting a lot of people are still going to call it that- but I actually found him funny and doing some of his better work here. I wasn’t alone either, I could frequently hear laughter in the theater I was at whenever he’d be delivering outrageously offensive humor at the worst possible times.
The Predator wants to be Independence Day without the buildings exploding. It wants that sort of underground government investigation and involvement attempting as it does, a great scope in its storytelling. It’s particularly apparent in the first act. Things narrow down and get personal on the second act as our hero’s autistic son gets involved in the danger, and then we’re back to the big picture by the third act with the government tracking down the monster. I get the impression that there may have been a bigger story originally, and that it was cut down in certain places (more likely for pace rather than cost. This movie looks expensive). Indeed, I’m not sure if that was to the films benefit or detriment.
Gore hounds will be happy, this is easily the most violent predator film I’ve ever seen – and let’s face it, this franchise set the bar pretty high. Still, it’s usually stabbing or lasers through the chest in these movies. With this installment we get tons of severed bodies, blood and organs flying all over the place – and far more intestines than I’m used to seeing, even with my film watching habits. I’m digging the way they push the mythology as well. We get a little bit more insight as to why the Predators take the sort of trophies they do, and when the Predator brings out his hunting dogs, it’s actually a great moment. The creature designs are beautiful and they’re a perfectly fitting addition to the predator mythos. It’s a shame they have to be completely CGI, because they do have that FX fake sheen sometimes. Indeed, the ships here have the same problem, though this film probably gives us the best look at the Predator vessels that we’ve ever seen. Someone to put some thought into this, both with the shapes that they have integrated into the hull as well as the brushed metal coloring that shows up all over them.
Overall, it’s a solid film – and if it were the first movie in the franchise, I think would be guaranteed a sequel. Because it’s part of a legacy series, it’s judged a lot more harshly, but it’s definitely a Predator film rather than a derivative knock off. In fact it’s definitely the sort of film that couldn’t be anything else, and I’m looking forward to any follow-ups Fox has in store for us.
The Predator opens in Theaters September 14.
It dismays me that this is marketed as a horror film. It’s got some thriller elements – certainly some violence, but it’s really more of a soap opera. He loves her, but she loves him instead and lets kill this guy to steal his fortune….It’s really neither bloody nor maniacal and even the opening credits push a horror element that really isn’t here.
This isn’t Nightmare on Elm Street, it’s closer to Basic Instinct. I think I would have liked it better if I’d know what I was going in for.
Every Wednesday and Friday
Right from the start you can tell Black Cobra four is going to be bad. It’s weird and grainy and the sound feels awkward– the music sounds like it comes from a 1940s film, despite being filmed in 1991.
I use the term “filmed” loosely by the way, considering this film was patched together from outtakes and redubbed clips from previous films with a little bit of new footage added. Williamson himself didn’t even know this movie existed until somebody confronted him about it at the grocery store – he didn’t shoot any new footage for it.
His Detective Malone has always been a bit of a one note character as it is – very standard action cop but in this overdubbed patch job, he feels even less developed than ever before. Because of all the useded footage, he ends up not having a lot of dialogue – and those long stretches of silence, add a far more brooding feel to him. It’s out of character, and we end up completely losing all of the charm that makes Fred Williamson a star. Williamson’s Detective Malone ends up entering a scene from the side, then vanishing for long stretches – almost disconnected… Like Bella Lugosi in plan nine from outer space.
The villain and the gang from the first movie are back (though now, there Islamic terrorists screaming “Allah is with us! “) kidnapping a brilliant computer programmer help them make better weapons. I suppose I should be relieved to see the return of the studded black leather, but really I’ve been enjoying the sequels a lot more than the original and this feels like a step backwards – a desperate step. At least they’re not so rapey in this film. The dialogue is clumsy, the music is canned, The dubbing is awful, and everything here is just a misfire.
It’s not just the dialogue, it’s the delivery – Fred’s side kick in this movie never shares the screen with him – although he does telephone him at one point. We only have the sidekick’s side of the telephone conversation because of course, Fred didn’t actually film this movie. We have the detective wander in the room again when he hears a blender or a TV go on, and the dramatic acceptance when the witness offers him a milkshake. It makes for a rough viewing. By the halfway point, I was ready to give up but stuck around because sometimes the third act will make all the difference.
It didn’t, but at least it was least talky so I could use the fast foreword more often. We have our rescue missions that thematically should be run by the hero… But again, Fred Williamson isn’t an actually here! at 12 minutes to go, I was just watching the clock. Even for mediocre low-budget action series like this, I wanted better for it.
Shockingly, it may just be that this entry didn’t completely kill the series! IMDb reports a new production, the Black Cobra Returns in preproduction right now! We’ll see if this actually happens, I think I might just be down for that!
It’s a new take on my general vampire look..more pointed teeth. It was a big hit at Horrorhound last year!
Every Wednesday and Friday