Lost Nation Comic Convention
Lost Nation Comic Convention premiered in Willoughby this weekend, a small show with big ambitions. The promoter of this show has been around the con scene for a while and knew the lay of the land long before trying to throw his own show. The big ambition shows in his choice of Guest of Honor, bringing in the legendary Jim Shooter.
This may have been the wrong weekend for such a show, with Colossalcon siphoning off a great deal of potential attendees. The venue at Lost Nation Sports Park was confusing and I found myself not sure where to go in at. A Soccer tournament was going on at the same time, further confusing and complicating traffic. Fortunately I spotted Deadpool by a door adorned with yellow balloons and rushed over there where I was ushered in. As you go in you had to go down a short hallway, past the restaurant and into a large empty antechamber before finding the path to the basketball court (adjacent to the indoor batting cages) where the show was located at. I wondered the entire time if I were in the wrong place, only slightly reassured by occasional signs for Lost Nation Comic Con.
Once inside though, I was greeted by a nice smattering of vendors and artists. I was really digging the toy vibe here, grabbing a figure from the NEO-TACC booth as well as some Nintendo game figurines for my arcade cabinet. Heroes United had set up both a green screen and a Star Wars backdrop for people to take photos at with props and their characters. Son of Ghoul set up in the center, the R2 builder club had an R2D2 on display while another vendor brought a video game system. in another corner, a DJ spun tunes (light rock – office music). Jim Shooter was over at his table, talking endlessly with guests. CBCS graded items and a small but steady flow of people filtered through the area. When the Ghostbuster theme came on, Tracy the Ape ran over to dance.
The panels were intimate. Jim Shooter sat in a comfy chair while a dozen or fewer people gathered around him on bleachers. He shared stories about breaking into the industry, working for Mort Wisenger and his time on Superman. At thirteen he was sending stories to DC, figuring if he could write like Marvel, it was something DC didn’t have and would want. He recalled this drawing ire from Batman creator Bob Kane and others at DC – but not Mort. Mort rode him hard, but behind his back would tell everyone how Shooter could take any story and turn it into something usable.
Towards the end of both days, there was a costume contest, but the low turnout made it a small lineup. Each person had a minuet or two to pose, then the whole line paraded around the con floor. Back at the lineup the DJ spun the Cha-Cha Slide for the contestants to dance to while the judges deliberated. By the time 4:00 rolled around, Lost Nation made an announcement letting 
vendors know they could tear down a little early. As I was getting ready to leave, someone tapped me n the shoulder and asked me to visit JCW Graphix booth and that they had something for me. Confused, I wandered over with my monkey head in my hands. The artist greeted me and gave me a sketch that he had drawn of me during the convention.
“When you see a monkey dressed in a Ghostbuster costume, you HAVE to draw that!” I was blown away. It’s one of my favorite take-aways from a con, ever.
There were several vendors that didn’t make both days and this hurt the con as much as the date and confusing venue. Hopefully this can all be chalked up to first year growing pains, and I really dug the vendors who were there both days. Good artist and good vendors make for a fine show.
The promoter has already announced plans for next year. Personally, I’d like to see the show move to a smaller venue that can better support them and perhaps reduce it to a one day show instead of a Saturday and Sunday. I’d liek to see more flyers and more networking to get he word out. It’s a small show and will grow best if it embraces that (for the time being). I’m eager to see where Lost Nation goes from here.
Argo City Comics 