The Tailor of Panama much wants to exploit the James Bond image of Pierce Brosnan. We open at MI6 where Brosnan, a disgraced agent is being retired to Panama.
I do wish these credits weren’t in comic sans. There’s some great names here, Jamie Lee Curtis, Geoffrey Rush, even Jon Pilato… But all that expensive talent looks cheap when written up in Comic Sans! Geoffrey Rush is the titular Tailor of Panama, married to Curtis and very much the subject of Brosnan’s attentions. Rush is actually an old con who learned tailoring in prison and fled to Panama start a new life. Unfortunately he’s in debt and all this knowledge makes him prime material for Brosnan to be able to leverage. It’s actually a really fun role for Rush, a nervous gentleman, in thrall to Brosnan’s bully, as he helps us make connections into the intrigue of the area surrounding a back channel sale of the Panama canal.
Brosnan’s got an interesting character this time around, he feels like a grizzled old New York detective, smoking and blunt, but it’s really Geoffrey Rush’s movie. He gives a fascinating preformance, and even though I’ve seen him in such different and varying roles before, I never doubt him.
The entire plot keeps you on your toes, wondering what is real and what is not, culminating in and clever ending that totally manages to satisfy. Despite being a little on the long side, the film is still a good recommend, but pick a night that you are committed to watching this – it’s not background noise or for casual viewing.