This may be the first time in a Jackson Film that I literally don’t have a clue what I’m looking at . A figure clad in black, with one of the pointy Roller Blade hoods dances in front of a yellow tent. No, not a tent, a teepee; complete with Native American drawings on the sides. he’s got a purple cape on and a bow in one hand and dances in a manner that, given the context, feels like a medicine man dancing to bring rain or end a curse.
We go to quick cuts. Flashes of images. A plastic smiley face. A robotic Groucho Marx (We’ll see more of him later – this prop actually gets his own credit at the end . Another static puppet- a classic Jackson flourish). An attractive young African American woman comes in, addressing a penitent monk named Cruisader Blade .
“My name is sister Valjean. I was sent here by the cosmic order of Roller Blade to help”
Oh my God. This is another Roller Blade movie isn’t it? And not just a Roller Blade movie, it’s a Black Roller Blade movie. It’s unclear exactly when this was filmed, definitely sometime around 1999. It’s likely it was around the same time as Legend of the Dead Boyz, since it shares much of the same cast. Cruisader Blade is John Duvernay, a holdover from Deadboyz in his only other film role. I recognize the Blade sisters we are about to meet as the Church ladies from that film
Sister Valjean hands Cruisader Blade her sword, and removes her hood, then begins to dance. Like the Roller Blader, It all has the feel of a medicine man’s rain dance. The man in the monks robe looks on, a large gun by his side.
We flash back to the figure at the tent – I’m wondering is this is a god of some sort. It’s never quite spelled out, though she’ll be out there fighting on Roller Blades later on, like one of the Roller Blade Warrior nuns from the previous films. They were never masked like this though. There’s no clear name in the credits, so we’ll refer to her as the Roller Blader.
Cruisader Blade is transformed in his mind – a smiley face bandana and John Lennon sunglasses, a black coat over a purple shirt and he dances with the Roller Blader as bogos play in the distance.
In another place, a couple embraces under a strobe light, traveling through time in a magical teepee. This is the Pharaoh – the villain of the piece (at least that’s how they talk about him) Their destination, is Los Angeles. The Pharaoh is played by Jimmy Jean-Louis, one of the more accomplished actors of the piece. You may have seen his ripped physique is films like Hollywood Homicide, Monster In Law and Tears of the Sun. Most recently he’s done several episodes of Arrow, as well as a bunch of other TV, but when this movie was shot, his filmography consisted mostly of a handfull of Emanuelle movies. He’d also play the Pharaoh in the unreleased “Blade Sisters”.
We cut away.
“Baby Blade sent you here to save our new order – the cosmic order of the Roller Blade from the evil Pharaoh”
Cruisader Blade prays in the presence of a child an several young women in cloaks. They are the Blade sisters. They draw their power from the kids, baby blade and bo blade.
“I don’t want to fight a Pharaoh,” one protests. “I don’t have any powers!”
Cruisader Blade tells her she has cat senses, and the sisters have their will. This particular sister is not from their world, and all she wants to do is go home. She scoffs as the others pray.
“You must go on a journey through this land.” He warns them, reassuring the sisters that if they get in trouble, he’ll send Baby Blade to help. He then gives a very familiar warning;
“You will meet angels and you will meet demons. But beware, sometimes, they are one in the same.”
For the first time in any of Jackson’s films, I actually hear someone, the scoffer girl, question this philosophy.
“And how are we supposed to be able to tell the diffrence?”
From the inside he replies. – the positive energy.
“May the happy face bring the power and focus to all of us”
We cut to a sillouette of the Blade sisters and Baby Blade as they head into the wastes around L.A. We get quick cuts of the Pharaoh and his woman from the teepee (along with some stage directions that didn’t get muted out) looking out towards the camera, similar to the guardian angels in Legend of the Dead Boyz. Elsewhere, the Roller Blader plots and Cruisader Blade contemplates. Both stare at a roatating disco light.
Arriving at a roadside, the Balde sisters thumb a ride into the city. They are trying to get to the sanctuary where they will perform a ritual. We know all of this because the Blade Sister Mystic chatters on incessantly to the poor schulb who had the bad luck to pick them up.
Cruisader Blade watches them on the rotating disco lightball he referred to as his “crystal ball”. The metal Groucho Marx doll sits next to him. The Blade sisters’ car rolls through the night city and we flash back to more dancing in front of the yellow teepee. The disjointed nature of the scenes provides interesting imagery but makes the story hard to follow.
Suddenly we cut to a fight in an abandoned parking lot. Bandanna and the faceless Roller Blader with her katana leap into action. One of the attackers jumps on a motorcycle and jets, the Roller Blader pursues him on her roller blades. Or perhaps it’s the other way around, In a narrow alleyway, the luchadore masked cyclists traps the Roller Blader and they fight. She knocks him down and we cut back to the swirling (not a) crystal ball. More quick cuts under bongo music as bandana hypnotizes one of the attackers. The motorcycle returns and she jumps on the back, escaping just as the Roller Blader arrives with her sword. We cut to a sword fight – a blade sister versus a man in a gold mask. He kicks and presses the attack, pinning her to a chain link fence, the sword edge at her throat. Bandanna appears from behind and with a touch, Gold mask falls. The Roller Blader skates in circles around him, kicking him down as he ties to get to his feet. He reaches for his sword, but the Roller Blader seizes it. Suddenly a Ninja runs up! He kicks the Roller Blader down and runs off with Gold Mask on his shoulders. Bandana comes an heals the Roller Blader, and they head out to go stare at the (not a) crystal ball.
In the wilderness the ninja swings his sword as the Pharaoh and his consort from the teepee look on and kiss. (I can see a sliver of white skin that ninja by the way, it’s a safe bet that it’s Scott Shaw under that plague mask, doing the sword work). He starts to fight another black suited man in the same mask. It’s impossible to tell which is which (unless its a metaphor for fighting with yourself). We cut to another part of the wilderness as the Blade sisters wander. They find the sanctuary where they will preform the ceremony that will protect them. It’s still in the distance tough. They hope to reach it by nightfall and get to hiking. The rough terrain makes it hard in those high heels.
More ninja fights and bongos as the Blade Sisters draw closer and the Pharaoh watchs on.
By a brook, a lone swordswoman sits. This is the lost Blade Sister, Toledo Blade. She is stalked by an orange ninja in a luchador mask and his dark companion in the plague mask. He gets up and starts to wander through the brush, searching for her horse as the guardians look on. Toledo Blade pushes RoboMarx – (Actually the false prophet Elija who has led Sister Toledo astray – no, really) in a high tech shopping cart by a polluted river.
Meanwhile the other Blade sisters are captured by a laughing maniac in a top hat and his ninja sidekick – the Crow Ninjas! The Blade Sister Mystic arrives to save them, but ends up as just another prisoner. In the cell, the Blade sisters bicker. We get some exposition that the skeptical sister apparently summoned the there blade sisters when she was on her computer searching for a cure to Y2k. It’s all beside the point. They need to find Toledo. The Blade sisters won’t have true power until all three are reunited.
Toledo for her part, is searching for her sisters as well, even as she runs into the french speaking Pharaoh . He asks her to come with him.
“Do you really think I could come with you? You stole the only thing that matter to me! The only man I ever loved…you took his life!”
She continues to wander, trying to figure out who summoned her, and what this Y2K thing is (Considering this didn’t get released until 2008, all the Y2K references not only date it, but now feel quite ridiculous). If she could just contact the mystic,it’d all make sense. Meanwhile the sisters are tied up because one tried to escape between scenes (we don’t see it, we just hear about it) Now they are hoping that Toledo will rescue them.
The Crow ninjas come to harass them when suddenly Toledo arrives out of nowhere, in all her violent spandex glory. She lays a beatdown on the ninjas and frees the sisters.
“We can work it out but you’re going to follow me” Toledo declares.
Baby Blade watches the (not a) crystal ball. the Pharaoh and his woman hold each other in the teepee. Smoke rises behind them, engulfing them.
It ends with familiar images. The Roller Blader dancing in front to the teepee, the blade sisters in prayer.
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