The Violent Blue blog***Comics, Horror and Pop Culture***Updates Tuesday through Friday (and occasionally at random)

Archive for January, 2021

110

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

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Voltron Redux part two

Costume

I went and upgraded my Voltron costume a while back adding lights and details and even the sword to it, and it was enough to make fall back in love with the suit!

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109

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

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Dracula 2000

lussierindex2I’ve spent way too much time trying to figure out why this film is so hated. I’ll admit, the font used on the titles is a little over the top and the use of classic Dracula protagonists names for modern characters is a little irritating, but honestly – look at that opening shot of the Demetre… The blue cast that contrasts with the red blood on the people and on the sails. It’s amazing. The footprints in the sand where we slowly see animal turn the human, it’s marvelously understated and yet perfectly effective.

We get a good bit of establishing banter with our characters. It’s perfectly clear who Van Helsing is, but Johnny Lee Miller himself still charms as well. I feel a little heartbroken when Selena turns down his date.

Downstairs, the thieves are quick and efficient. Omar Epps actually does a marvelous job images4.jpgbeing sinister. He has a cultured style to him that underlies his efficiency. I could actually really dig a pure heist movie featuring this crew… it’s almost a shame that they won’t live long enough for a sequel.

In a gothic cave chamber below Van Helsing’s office (Setting off a few traps to give us some fun, spiky kills) The chamber itself, adorned with vampire skulls, almost feels like a hammer film set. It’s more of an homage than anything else, because the rest of this film will do its best to be slick and modern.

Across the pond in New Orleans, our heroine Mary, he is having bad dreams. Flashes of Dracula, armor, and strobe lighting mix with her face until she awakens terrified. It’s a reasonable bit of foreshadowing considering Dracula is on his way to her in the thieves airplane. The first attacks from Dracula are fast and brutal, and more than once it’s succeeded in making me jump. Gary Tunicliff wields fake blood effectively, though I’ll index.jpgdmit I wish Dracula’s de-ageing were a little less sudden. Then again, when you got Gerard Butler  in your cast, you want to get his shirt off and have him looking pretty as quick as possible.

We effectively sidestep skepticism by having Johnny Lee Miller follow Van Helsing and almost immediately witness the vampires firsthand. They’re well done too, Gary Tunnicliffe chose to make them gruesome more by virtue of blood spatter rather then the physical deformity we see in Carpenter’s Vampires or Buffy the Vampire Slayer. Still, there is no mistaking the red eyes and fangs for anything less than monsters. Lussier delivers us a kinetic action scene before Van Helsing takes Miller aside to explain the plot. There is a new twist to the vampire legend here, the idea that Dracula is patient zero – the first vampire, and that the methods that destroy other vampires simply don’t work on him. It’s a logical, organic addition to the mythology. We get additional foreshadowing as silver Mardi Gras coins are dropped from a balcony while Dracula wanders the streets of New Orleans. Foreshadowing is actually something Lussier is good at and the general confusion and massive activity that we get from this admittedly small-scale Mardi Gras celebration provides a colorful and acceptable challenge to our vampire hunters. It’s no challenge for Dracula though, as he finds Mary‘s roommate Lucy to images3.jpgcontinue the game of cat and mouse that he is playing with her and her father.

Lussier creates an almost Suspiria like atmosphere to introduce the brides and finally give us our first real confrontation with Dracula. We get great wolf and bat imagery as Miller savers Mary and they race after the Church for sanctuary.

We get bloody scripture, exploding bibles and massive cemeteries, not to mention one of the best crucifixion scenes I’ve ever seen and as we finally discover the origins of the first vampire.

images55.jpgThere is some cringe here, brilliant dialogue like “we are also much more complicated than our names aren’t we? “Are undercut by goofy dialogue like “I don’t drink… Coffee”. The ever present Virgin Records marketing can get on your face a bit as well and the name itself is admittedly a bit hokey. Still, the imagery, the twist and the action all serve to make this one of my all-time favorite vampire films, second only to the Lost Boys. It’s an incredibly fun vampire romp, not overly grotesque like Fright Night or John Carpenters Vampires but still free of the over-the-top romanticism that Anne Rice and the later Twilight stories would infuse into the genre.

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107

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

New_107


Kill Baby Kill!

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indexAs Kill Baby Kill starts, I have no idea what’s going on, a young woman running out of a gothic environment and somebody getting skewered while we get little girl laughing in the background… Even if this wasn’t a bava film, I’d pretty much be on board from this point.

A doctor arrives in a desolate patch of Italian wilderness, surrounded by gorgeous ruins. In the distance people carry the coffin to its final destination as a doctor finds the local pub to meet up with the local inspector so he can perform the duties of coroner.

It’s a superstitious village, and the inspector suspects a murder, but the investigation is going to be an uphill battle.

And autopsy determines that a coin had been inserted into the dead girls heart, it follows local legend about those who die vilently. Still, it doesn’t actually help them figure out whether it’s murder or suicide.

On his way home, the doctor is attacked by two gravediggers who object to the exclamation. The assult is stopped by a mysterious woman who vanishes as suddenly she appeared, leaving the doctor weary and broken to stumble into the inn he is staying at.

Elsewhere, the mysterious woman performs a rite on a young girl, lashing her so death will not touch her. She declares to the doctor that the entire town is under a curse. It index1certainly looks like it, with the foggy ruins, and atmospheric cemeteries. She directs him to the third household to discover his answers.

The house is old and sprawling in empty, covered by cobwebs. He finds a cranky old woman who demands he leave, as well as a ghostly child and bouncing balls floating in the halls. Meanwhile, his assistant is haunted by nightmares and visitations of a creepy doll. Across the street, the bell tolls in the abandoned Church and the assistant is convinced that the devil is here. They’re all bad portends, because the curse of the town is anyone who sees the dead little girl is the next to die, if they’re not buried immediately, the rise like a zombie.

Very much a “kill the outsider” kind of film, as a town is being supernaturally punished for it’s one hidden secret, much like Children of the Corn or the Wicker Man. There’s an undertone of dread and black magic that pervades and feeds right into the highly atmospheric visual style that Mario Bava infuses the film with. It’s worth a watch if for no other reason than just to lose yourself in the lush visuals, and immerse yourself in this dark ghost story.

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essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

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The Devil’s Partner

boxevilindexIt might be easy to mistake the Devil’s Partner for a redneck, hillbilly film. You got an old mountain man bringing out a sheep in the wilderness, but then we get a good look at the arcane document that he is writing in its blood and see a hand reach over to help him and my faith in the occult thriller is restored.

Our credits go over a bus on the road headed to the flats, and a lone passenger getting off in a rumled suit to pop in to the local café. He’s way out of place in the small town restaurant. And he announces he’s looking for his uncle, the place clears out And the cops show up.

They suspect foul play in his death, he wasn’t very liked in the community.
As our hero Nick inspects the spell written on the floor, the dog mauls the local mechanic Dave, coincidentally opening up a job for Nick so he can stay in town. He takes employment at local garage, catching the eye of the girl who runs the local restaurant. The real horror here though, is that he’s wearing a bowtie in the shop! Also he’s picking up the local drunk for more arcane rituals. He gets trampled by a rabid horse.

It’s really not good to be an animal in this movie.

index2After discovering the body of the dead drunk,the local sheriff pops over to the shack Nick has been staying in, discovers the spell written underneath the rug, while his Yorkie sidekick digs up a goat bone on the side of the building. The sheriff starts to think there’s more going on here than meets the eye, and contrives a way to trick Nick into revealing himself.

Despite being a B feature from 1961, The Devil’s Partner is actually a pretty solid flick. It would be perfect horror host fodder, and I’d be completely content to stick around at a drive-in to watch this after the main feature. It’s flooding around YouTube and has popped up in several collections, it might just be worth your time.


105

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

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Voltron Redux

Costume

I went and upgraded my Voltron costume a while back adding lights and details and even the sword to it, and it was enough to make fall back in love with the suit!

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104

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

New_104


Director’s Spotlight : Patrick Lussier

lussierWhile I was going through one of those big box sets of random films I started to notice something. Patrick Lussier’s name kept coming up. The first time was when one of the Dracula 2000 films was part of the collection. There was a Prophecy movie in there to. It wasn’t one of Lussier’s, but the previous one (Which helped me understand the one I was watching) was.

As I dug further I discovered he was the director of several Todd Farmer projects. I was also discovering that I really enjoyed the Dracula films and realized it was time to do a retrospective on Lussier.  The problem is, he’s done so many sequels that we’re going to be constantly sharing time with other categories – Box Set, Franchise Focus, ect. Expect a lot of crossover this year, but don’t let that deter you. I rapidly discovered that Patrick Lussier is one of my favorite directors that I never knew I loved. He’s the only director’s spotlight this year so join me as we kick things off in a week or so with Dracula 2000!

 


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essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

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Daniel Lloyd

That’s right, the little boy from the Shining starts off a poster for me!


Star Lord

CostumeWhile I was doing a Labor Day event, I got to jump in the back of a SWAT truck, and I can’t help but think it looks really like a cockpit for a spaceship….

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19 Doors

boxevilindex19 Doors starts off with a screen writer meeting with her producer. He’s found her a location for thier next film, an old rooming house above his friends local bar, and it’s perfect for a horror movie. It’s a good efficient preamble and leads into some unique looking credits. Not too flashy not over the top, not the same animation I’ve seen a hundred times befre. That leaves me with a good feeling about this movie despite the shot-on-video resolution.

After scouting a location, the writer locks herself up in a hotel room, and it’s spooky enough to drive her out of her room to go explore some of the rest of the place. She starts to have visions of the place’s brothel history. Ghostly children wander up here and that’s around the time she breaks out the Oujia board.

She brings up a cop, she brings up a priest, but the visions keep coming every time she’s alone, and when the priest comes to bless the building, black cloaked entities command him to leave. The priest suggests about time the writer move out.. before the haunting turns into a possession
The thing about 19 doors  is that it’s just so flat. They try with the lighting, but overcompensate, creating, instead of mood, just a harsh contrast. The music is canned, and none of the scares actually frighten and it just fails to be affective. Good story, with some good ideas, good gags, good characters. I bet this was a great script. However the resulting film is just so bland that instead of creeping you out, it ends up just being boring. Sadly, this one’s not worth your time.