The Violent Blue blog***Comics, Horror and Pop Culture***Updates Tuesday through Friday (and occasionally at random)

Archive for February, 2021

119

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

New_119


Superman and Lois

I’ve had some time to kind of process what I saw in Superman and Lois. I’ve also heard some other opinions on it, some I agree with, and some that I don’t. What was my reaction?

It’s Fine. That’s all. Just fine.

Look, I like Superman and I have been screaming at the CW for years that in addition to Supergirl, they really ought to make a Superman TV show. Superman for me, has always worked better on television. The thing is, a movie is about spectacle, and a TV show can be about character. The movies are about super, where is the TV show is about man. And superman is really a lot about character, far more so than spectacle. The powers are secondary. They’re just a mundane fact of his existence. what’s really interesting about him is the person, the character. It’s one of the reasons why Smallville worked as well as it did, despite never showing him in the costume.

Being on the CW always worries me. At least these days, they’ve traded a lot of their storytelling for social justice. Supergirl started out as an excellent series. I loved it from the pilot. The first season was amazing, but then they jumped networks… And in the process lost Calista Flockhart‘s character of cat Grant. It’s almost as if they immediately found themselves in an identity crisis and and with no clear vision as to where to go, they plug the holes with social justice. LGBTQ, anti-gun, orange man bad, etc, and little else. It ultimately sunk the show… at least for me it did. (Me and a lot of other people apparently as the ratings went into freefall). Recent offerings like Batwoman, Legends of Tomorrow and even Black Lightning haven’t fared much better; focusing more on identity politics and social justice then actual character development. That’s not to say that there’s no place for those things, but there is a tendency in modern entertainment to make it about only about those things, and lean on them instead of any sort of storytelling. There’s an audience out there for that, certainly. But it’s not a big one. Less than half a million people according to the ratings.

So when Superman and Lois was announced, I had my worries. The Flash is still fairly untainted by agenda, but it is running out of steam. Stargirl on the other hand, surprisingly great… An actual call back to those happy, excited feelings I had when Supergirl first burst on the scene. It’s enough to give me hope for Superman and Lois.
I’m glad to see that the CW didn’t drop the ball here… At least not right out of the gate. They pull off a trick I thought they had forgotten, they manage to make Lois a strong, well done female character, and do so without tearing down her male counterpart. She doesn’t have to be strong at the expense of the male characters, instead, she is their equal… And isn’t that really what we’re supposed to be going for? Elizabeth Tulloch is shockingly good in the role too. The more I see of her, the more I buy her as Lois Lane. I really enjoy her more and more.

Superman for his part, is well characterized. I’ve always enjoyed Tyler Hoechlin in the role, he’s every bit as good as Henry Cavill… And while I’m tempted to say it’s better than man of steel, it’s really not an apples to apples comparison. They’re different types of stories with different purposes. Superman retains his integrity, and really works as a father. That’s a dynamic I really was enjoying in the comics… in many ways, this feels like the ideal successor to Smallville – with Clark now finding himself in the same role that Jonathan Kent played, lo those many years ago. It works for this kind of a character and I have to give them props for trying to do something new. They’re exploring a different time of life for Superman and what we normally see, and that’s appropriate. They warned us ahead of time that they were going to do it, which I do appreciate. I’m not big on spoilers, but knowing that this wasn’t going to be Lois and Clark in the city went a long way towards adjusting my expectations. If I hadn’t known this is going to be the Superman family moving to Kansas, I might’ve been a little upset.

I like the new suit well enough. The fact that we see Superman’s had diffrent suits over the years actually makes me like it more and retroactively imprives my opinion of the one we’ve seen in his cameo appearances. I am amused at bits – at times they’re just lifting scenes STRAIGHT from Superman Returns and Man of Steel. I also really liked the (brief) recap (origin, story till now, ect), and thought the golden age costume and the video game (you’ll see what I mean when you watch it) were nice touches. Not sure I’m on board with the mopey teenager. Then again, Smallville had its share of angst and I DID like the interaction with the jr Kent brothers. Not sure why Lana Lang is being played by a low budget Jennifer Tilly. Seriously, though, if those nitpick are my only beef? We’re on some pretty solid ground here.

Here’s the thing, the CW has a great opportunity here. Superman shows are a license to print money. I’m not even kidding. Superman has a proven track record on television, it always works. At least, it always works as long as you stay true to the character. People love Superman for the same reason they love Captain America… It’s a pure character, with virtue and aspirational values. The moment you start deconstructing him it all falls apart. For all the dismissal of Superman as unrelatable, a big boy scout, too corny – there’s a real LONGING for that in entertainment – again, I point to the Captain America films, not to mention the beautiful blended family with a surprisingly strong father figure in Stargirl. Indeed, the family aspect works extraordinarily well in this context, and this has the potential to be something great.
 
I hope the CW is up to it. I’m optimistic as to where it goes from here.

 


Tracy Vs Star Trek!

Costume

Despite being a realitvely simple costume (that is, no armor), my reinterpretation of the original and filmation Ghostbusters Ape as a modern Columbia Ghostbuster quickly became one of my favorite suits and ended up showing up a LOT.

59321383_1558920417571996_6927779482489061376_n59362958_1558920157572022_4319431829149974528_n

 


118

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

New_118


Dracula 3

lussierindex.jpgWe’ve got a trifecta on this entry – a Box Set category, a Director’s Spotlight, AND a franchise focus!

I like Patrick Lussier, and I’m pleased to see Roy Schneider, Gary Tunicliffe and Rutger However, but that stupid Gothic font worries me. I know that Dimension shot a bunch of these in Romania back to back, along with a couple of Prophecy and Hellraiser films. On the other hand, I rather like a lot of the productions Dimension has done this way so let’s see what we’re in for. Jason Scott Lee is the lead in this film, and that’s not a bad thing either… He was excellent as Bruce Lee in Dragon, I remember really digging that as a teenager when I saw it in the theatre. He is also of course, the voice of David, Nani’s boyfriend in Lilo and stitch.

images3.jpgAs I’ve mentioned before, Dracula 2000 is actually one of my all-time favorite vampire movies, but it was also one of those movies that I never thought should have been turned into a franchise. It stands alone really well and doesn’t lend itself all that well to further installments, however this isn’t a direct sequel anyhow. It’s more in the spirit and style of 2000, attaching itself as a sort of alternate universe sidequel film much the way Fulchi’s Zombie attaches to Dawn of the Dead as a sequel. Despite saying West Craven presents, Craven have nothing to do with this film.

We start off with vampire action in what looks like an abandoned subway and it’s good stuff – modern and slick and cool. They’re taking a cue from John Carpenters Vampires with cool vampire weapons and a militant priest. The fact that Lussier directed all three of these Dracula movies helps create a uniform feel. In addition to some modern sensibilities, he still manages to infuse the film with at least a touch of Christian images2.jpgmysticism, possibly the reason our protagonist is a priest.

After despatching the two bloodsuckers he returns home for more support

Roy Scheider is just phoning in his role as the Cardinal of the order, but even that’s enough to elevate this film a bit. We get sweeping dramatic shots of the train heading to Bucharest and the now-defunct priest continuing his journey and his mission to rescue his beloved Julia and destroy the vampire plague. It’s an occupied country, and the soldiers and equipment create a tense atmosphere. They take full advantage of the Gothic and stone look of Romania in crafting their film – it’s an effective use of limited resources.

This film has an interesting origin for Dracula as well, establishing a terminology – they’re correct that the name Dracula is not a proper name but rather an honorific – and aspirational one to be one of the dragons, the priest tells us he’s had many names over the years and has existed for a long time under many guises – it’s actually a really well images4.jpgdone recap.

The further they get into the city, especially at night the more abandoned things get, unfortunately instead of coming off as creepy, it just shows the lack of budget. A handful of extras wandering around in the background may have actually helped (but they may have needed to save those for later scene in Dracula’s feeding pit). Nevertheless the blue fog and eerie lighting provides a perfectly creepy horror movie setting for them to kill vampires in.

Like John Carpenter’s Vampires, what we get here is basically a horror tinged action movie with some interesting looking bad guys. The stilts vampire has to be seen to be believed. It’s a film that I think is actually strong enough to stand on its own without the name Dracula, and I almost wish they had, but they needed the brand recognition and I’ll admit I probably wouldn’t have found it without that myself so I completely understand. Dracula 3 : Legacy is full of action, intrigue, infections and has a genuinely well thought out story. Much to my surprise, it’s one to recommend


Toyhio winter 2021

The first thing I thought when I walked into the Toyhio show was “It seems more crowded this year.” I wasn’t wrong. Later in the evening the crew would post that they had a record attendance. I wonder if others had the same feeling that I did – there’s no big cons going on right now, so we’ll take what we can get!

Nothing much has changed from my previous trip out. https://argocitycomics.wordpress.com/2020/06/22/toyhio-8-toys-find-a-way/
It’s still very much a collectors show and the biggest, most awesome dealers room around. But they are still charging collectors prices – you can find what you’re looking for. But expect to pay.

For my part, I came looking for some specific things. A Frakenstien (Recently a flood of the old BK toys hit the market and they are going for an average of twenty bones each – too rich for my blood.), Beetlejuice (I’d take the Toony Terrors, but I’d rather have a cartoon one. That’s more my speed), cheap comics, and some custom fodder.

I noticed that there were a LOT more Toony Terrors this time around. I saw a bunch of wave three and five around (Interestingly enough though, NO wave 4!). Good to know these things are available on the secondary market just in case I fail to find them in the wild. I still haven’t seen BJ or Regan, but Victor and Sam have both showed up in stores. Fun to see the new blood spattered variants in person.
To my delight, I found a Frank in single digits and snatched him up. I also found some deals at the same endcap booth in the overflow roundabout that had cheap He-Man vehicles last time around. Fifty cent comics and dollar figures… I scored some oddities. Some Robin Hood figures – I love these things just for their reused kenner molds. I’m total good paying a buck to be able to hold these in my hand. I also grabbed a black armor DD – i liked this suit, and think it’s underrated. Possibly overshadowed by the less than stellar storyline. I also grabbed some potential customs. A Geordie LaForge with no visor, and a Howling Mad Murdock.

The show is still a bit too far for me to hit regular, but it remains a high recommend, and was a nice way to spend a saturday afternoon!

 

 


117

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

New_117


Superman Rockets

3d.jpg

We’ve got a new category this year, exploring things I’ve 3d-printed, many of which I modeled myself.

We’re starting off with the rocketships that Baby Superman was sent to Earth from Krypton in. I wanted both the Silver Age version as well as the Man of Steel John Byrne design. Both of these I had to modle myself, creating from scratch. I’m particuarly proud of how the gold MOS one turned out.

29433069_1869216186456129_3474991437303579657_n

 

 

 

 

 

Modles can be found here   https://www.thingiverse.com/thing:2833963

and here   https://www.thingiverse.com/thing:2835798


115

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

New_115


Dominique is Dead

boxevil

indexDominique is dead it’s one of those movies that’s full of people that I feel like I should at least be peripherally familiar with, folks like Simon Ward and Jenny Agutter and Cliff Robertson. It starts off on the eve of dinner party, with the wealthy couple that are obviously having friction. The husband just fired the chauffeur and the wife is in a generally bad humor.

That evening, the wife, Dominique is depressed and scared and pleads with the new chauffeur driver to help her, but he’s just kind of weirded out by it and sends her back off to her room. She plays piano a lot. Her husband wakes up, and heads out to the patio to find her hung by a noose in a blue moonlight.

Watch Check; we’re nearly a full half hour into this thing! This chick better start haunting us, and quick like!

Husband comes home, lights a cigar and sits back, very satisfied. He does a quick check of the house before heading to bed and just stares at the piano. I’ve got a bad feeling about that piano.

index1The next day, a gravestone is delivered to the cemetery… It’s a gravestone with his name and the date of death is… Soon. He tracks down the manufacture, who talks about it being ordered by a woman in black, and said she was a mourning for her husband. She paid cash so there’s no trace, but when the husband comes home the piano is playing by itself and distant echoing footsteps ring out through the gloom of the house. Indeed, there is a figure and black walking through the halls, figure that disappears just as swiftly as it manifested.

Over the next day or two similar events occur, and it’s enough to send the husband after the cemetery to dig up the grave and discover whether or not his wife is truly Dead. Dead or alive, the grave is empty.
index11
I figure in black. In the house, outside the house, outside the office, in the street. He has a vision of his wife hanging again conservatory, but he’s convinced it’s a plan… a conspiracy to drive him mad.

Soon, the grave has a death date etched in its stone surface, and that date is tomorrow. The piano place itself as the husband rises from sleep with a gun in his hand and stocks the house, shooting at the ever present spectral figure. The bullets miss of course and the driver comes out to find out what’s wrong. Wracked with guilt, the husband admits he drove Dominique to her death, then fires the chauffeur.

Now he’s all alone.

I don’t think I will spoil the ending here, because this is a genuinely good film that I’d really like you to seek out and watch. I’ve noticed it in several places, not the least of which is YouTube.
The thing is, the movie is so understated that there are times when I could almost mistake this for a TV movie. It’s not, it’s just the way things looked in 1979 when you’re dealing with this sort of Gothic thriller, but despite the sometimes slow and sometimes flat delivery, it’s a masterful mix of classic mystery and ghostly horror. They get the mix just right, and managed to keep up a sense of dread through a lot of the movie. The trick is to get past that slow first half hour, because the last 2/3 of this film are stellar.

114

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

New_114


Tracy the Ghostbuster

Costume

Despite being a realitvely simple costume (that is, no armor), my reinterpretation of the original and filmation Ghostbusters Ape as a modern Columbia Ghostbuster quickly became one of my favorite suits and ended up showing up a LOT.

58551688_1558242414306463_7543647410136809472_n64309801_1596635467133824_2951688155025113088_n

 


113

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

New_113


Dracula 2

lussierindex1.jpgI’m watching these completely out of order, but Dracula 2 gives me hope seeing both Khary Peyton and Craig Schiffer’s names in it. Of course I know this is a Gary Tunnicliff effects film, and I got to meet Jason Scott Lee’s character in Dracula 3– a movie I enjoyed enough to want to explore this middle one now as well.

We have a woman in white running for her life against a shadowy figure, what’s interesting is the figure is Lee – our vampire Hunter. What they are doing, is turning the tables. She’s not in innocent victim, she is vampire and in a few minutes and she and her twin sister turn the tables, attacking Lee and trying to destroy him. Getting a fight sequence with a marvelous beheading like this before we’re even five minutes into the film leaves me confident that the director who gave me Dracula 2000, one of my favorite vampire films ever, is on his game and about to give me something remarkably fun.

Schiffer is a paralyzed college teacher and Peyton is one of his students. It’s a great deal of fun to watch these two Hellraiser alumni together but it’s not long before we get a shot of the burnt up Dracula from Dracula 2000 hanging from neon cross and then delivered to a morgue, and now I’m ready for this thing to start in earnest. The corpse is completely desiccated and blackened and the doctor begins his autopsy. While the skin is charred, the organs inside are pristine – white even, as if they had never been touched by blood. While checking his teeth, a fang pops out – piercing the finger of one of the index.jpgmorticians. A single drop of blood hits the body which absorbs it greedily. Our mortician put in a call to Scheffer, while Lee, in full priest gear arrives  at the morgue and stalks the halls, looking for a vampire to kill. He arrives, under the guise of giving the body last rights – but it’s too late… The morgue attendants have absconded with the body. A phone call from someone interested in buying the body came through and the $30 million payday was too much for them to resist. We find themselves on the road spiriting the body away to a property where they can test the body and figure out what’s going on. It’s a gorgeous old mansion deep in the heart of Romania (these kind of scenic locations were a staple of these kind of productions as financial concerns led Dimension to start filming there frequently in the early 2000’s).

The group fills a tub of blood in attempts to reanimate the corpse, as Craig Schiffer watches on a computer monitor. It’s all very reminiscent of Hellraiser, particuarly when the bloody corpse emerges from the water alive and energetic – Dracula has risen, emaciated and bloody alive. They subdue him with light and water. , and then keep him captive with iron chains and UV light. It’s kinetic and modern, and for a moment almost feels like the Lost Boys.

index3.jpgIt’s a vampire action movie though, despite the scientists best efforts to study, the hunter arrives, the infection spreads and the action starts. Great execution where vampires are blown out the window by a gunshot, then bursting into flames she plummets down.

I got admit, I dig this series a great deal more than it deserves. There is something about the style in which it’s made, it just really appeals to me. It’s not nearly the film that Dracula 2000 was, but as far as fun vampire and action films, this works. It suffers a little bit from being the middle entry of a trilogy and you have to pair it with number 3 to really satisfy, nevertheless this is one I’ll definitely be coming back to with plenty of rewatch value.

franchisebanner


112

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

New_112


Phil Hester

AutographsI’m all about the Green Hornet. Loved meeting Hester.

47104636_2228980877146323_3712971176960589824_n47420833_2228980893812988_109207824197746688_n47134115_2228980777146333_1146274939637071872_n


111

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

New_111


Cruel Will

boxevil

indexCruel Will starts with a news report at the scene of a gruesome murder before flashing us back two weeks earlier. A man sits alone in his apartment, smoking and going through bills before having a sudden heart attack. The credits roll, and I still know nothing more about where this song is going and I did when I pushed play

It turns out he’s the father of a young woman, Lily, who has just moved into a new home with her husband Paul. She’s already behind on her exams, and this is only gonna push her further back. It’s also causing a strain on her relationship, considering there was bad blood between Paul and the father. Indeed, we have a kind of bait and switch here as we focus more on paul now, who starts having visions. Visions of the white Lilly possessed, and strange things happening

Out of nowhere, a mysterious man drops off a package for Lilly, it’s a recording from her dead father promising that he’ll come back for her.

Paul thinks he’s going crazy, and gets pissed at his shrink that he won’t prescribe him anything. The doctor is convinced that it’s all in his head and that everything was OK. Nevertheless Paul finds himself sinking into madness, the more he feels as if his father-in-law to haunt him.

It doesn’t help Lily’s teacher has the hots for her and is slowly trying to move in on her. It all culminates into a violent confrontation between Paul, now fully crazy and everyone else as he siezes the urn with the father‘s ashes and runs away, plunging his entire life into an unraveled mess.
index1
It’s a very personal haunting, a very personal madness. I keep using both words because even by the time I hit the end of this movie, I’m not entirely certain what happened. I’m not sure if Paul was crazy, possessed perhaps, or genuinely being haunted and tormented by a ghost. Same goes true for the wife Lily. It’s not nearly as pronounced with her, for most of the film she’s just trying to cope, but once in a while we see something crack.
Ultimately though, the film is slow and that combined with it’s ambiguous nature, is a bit of a turn off for me. I’d like to have more answers at the end, and the entire movie plays like a CW show… brief moments of action punctuated by long stretches of attractive people talking about their feelings and hallways. It almost feels padded in this way, and this particular subject matter might’ve been better served in a short film that could’ve better made use of what is a thin plot. This one probably would’ve been a pass if it weren’t part of a set like this. However this sort of collection is exactly work in the midst of. A strange curated collection.