The Violent Blue blog***Comics, Horror and Pop Culture***Updates Tuesday through Friday (and occasionally at random)

Week of 3/14/21

 

“I need to drink about this a lot more”
“Don’t you mean….”
“I said what I said.”

I really feel like I need a copy of Disenchantment on DVD or Blu, because it’s just too loony to survive and I don’t trust Netflix to keep it on forever. It’s just a delight to watch and I feel weird that I prefer this to Futurama, but whatever. When Richard Ayoade showed up in episode four I just about plotzed. I totally want to spend my next vacation in dead monksburg.

“Someone get the Princess a six pack.”

Superman and Lois actually continues to impress and get even better. There is an astonishing emphasis on fatherhood in this show which I absolutely adore. There is a lot more football though than Superman… And that criticism doesn’t look like it’s going away anytime soon! We had an interesting villain this week… At least we had him for five or 10 minutes. He brought back Dr. Killgrave, a mad scientist type from the comics, a C-lister at best but a nice little Easter egg for Superman fans. Whenever I hear about him, I can’t help but think about the Jerry Ordway cover with him in the robotic bulldozer.

I’m also intrigued by the role they have cast General Sam Lane in. He acts kind of as a liaison between Superman and the government or the army. I was never a big fan of this in Supergirl, and my first inclination is to kind of be annoyed by here as well, but it’s not entirely unheard of. If you’ve ever read the excellent Superman : Secret Identity miniseries  (it’s an elseworlds thing, but one of the best ones) They actually propose a similar situation, where there is a contact and Superman sometimes cooperates with the government… mostly to keep them off his back – trying to kidnap him and throw himin a tank of fiendish green liquid, and dissect him or whatever. It makes sense, and I am willing to concede this small bit of CW formula and darkness because there’s a lot of other things going on in the show. It’s a thrill to see Clark be a father to his sons, something that they’re really contrasting with the way General Lane raised Lois.

Speaking of Lois by the way, with every episode she solidifies further in my mind as the definitive Lois Lane. It’s brilliant the way they show her drive… She’s going to be a journalist in Smallville just as much as she was in Metropolis. It kind of shows that this is who she is, this is what compels her. It’s actually a nice mirror of Clark in that Superman, even without the powers would still have been all about trying to help people… He just would’ve had to go about it a different way. Lois, even without the Metropolitan setting in the high power connections is still going to fight for the voiceless in the best way she knows how.

There’s a great line in this episode as well, where Lana is having a drink with Lois, and she describes the real change that she saw in Clark after he moved to Metropolis. More confidence, he stood up straighter, he really grew up. Then she looks at Lois and says and she gets exactly where that comes from. You made him a better man.
I love this. It is a way of showing Lois‘s strength and brilliance, that builds up both her and Clark at the same time. We spent so much time in popular media where, to build the woman up as smart and strong, they have to tear their male counterpart down… It’s a really common trope in family sitcoms that always drove me nuts. The fact that they are accomplishing the same goal,  building Lois up as a quality female character, but doing so in a way that also builds up her male costars, it’s just so refreshing and rare that I feel a real need to call it out.

Indeed the rest of the media seems to be taking note. I saw a new article over at the AV club talking about how Superman on TV is the hero we need right now. That comes hot on the heels of last week’s article in the Los Angeles Times. I’m always pleased when the press finally gets it, but at the same time I’m equal parts frustrated because they seem so shocked that this works. The thing is, as we move further away from the 1950s, apple pie, baseball, truth and justice and the American way, as we move further into a more cynical post modern era, we crave these kind of aspirational and pure characters even more… not less. We start with Captain America, heck we see it in the Mandalorian even… The driving appeal of that series isn’t the cool Boba Fett armor, it’s not even the cute Baby Yoda. The moments that consistently move people to tears are the ones where Mando is being a father to Baby Yoda. There’s a hunger for that, and I give Superman and Lois enormous props for taking the steam and running with it.

It’s bringing in the viewers too, Superman and Lois set streaming records as well as being a ratings juggernaut, not only on broadcast, but also setting records in streaming and I have no idea what the CW is going to do when they replace it with the final season of Supergirl next month….swaping Superman and Lois with it’s 3.2 million viewers for Supergirl with it’s mere half a million or so viewers. *sigh*

I’m not entirely certain what I’m watching with the Flash. So, the Flash lost his speed again? We’re getting Wells back again? Wait, no. Wells is going away again? And Iris was in a coma, but was woken up by this weeks deus ex machina just in time to help get Barry’s speed back again, again? It feels like a muddled mess, like a rewrite on some of the old Half produced episodes from last year, but they couldn’t afford to get rid of footage so we get this weird duplication of themes from episode to episode.

I will say, when we do get a superhero antics, it’s spectacular. Actually, I think Superman and Lois could learn a trick or two in the flash when it comes to setting up the superhero battles… And I’m loving Vibe’s new costume. I like that the power is technical and not necessarily inside him… it’s not canon to the comics, but the Cisco Ramon on the show is a very different character than the one I’m used to seeing in the comics. I actually kind of like him better on TV!

You may remember some hubub last year when Hartley Sawyer, who plays Ralph Dinby, the Elongated Man, got himself canceled over old tweets. I think they are still tying up loose ends from the previous season, so they needed him around to at least give him a somewhat organic exit. They use some bizarre methods to bring Elongated Man back … With a melted face and then later on, A regeneration helmet that I bet will change his appearance so they can recast the character… But for the moment, they’re shipping him and Sue off the show to go on their own adventures offscreen while they figure out if they can bring the character back in some way shape or form.

Falcon and Winter Soldier also premiered, and I think I was actually looking forward to this one more than WandaVision. This series promised to be more of a straight up superhero show, and I was in particular looking forward to the introduction of John Walker, USAgent.

My first impressions were that they finally got Falcon right. The thing is, I always felt like the studio thought they needed to use him, but had no idea how. There’s already too many people in funny costumes in the Avengers movies, and Sam always got lost in the crowd. This time around they finally given him a proper outfit… Even back in the 80s, the red and white scheme on his suit really appealed to me, and I’m glad they’re finally leaning into it. They also get more into the dynamics, the tech, and the combat. It’s all something that we really needed from this character, and I’m glad to see them finally doing him justice.

Sebastian Stan is a welcome face as well. In fact, that’s really what this feels like. a family reunion with old friends. They start his scenes off with a flashback to the Winter Soldier days, and it’s comforting to see that costume and that actor. Yeah, comforting I think is indeed the word. It’s comfort food. Familiar and safe, with just a touch of new.

We’re getting to see more of the Falcons family, a destitute fishing clan in an area that’s been devastated by the events of Endgame. we se how that affects the mundane, things like credit scores and financial impacts. It’s a good hook, and one that you really couldn’t have done within the confines of a film. I am looking forward to see where this goes. I’m not expecting greatness. I’m not expecting cutting edge or revolutionary television, but good superhero fair with an underlining foundation of drama? Yeah. This definitely hits all those notes.

Elsewhere, I keep hearing about something new dropping this week… Something about Justice Cuts Zack or something? I can’t quite remember the name.

Never mind. probably it wasn’t that important anyhow… I’m sure it’ll come to me…

 

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