We begin the movie at the scientific Institute for research on homicidal baked goods. So right off the bat, you know exactly what kind of film we’re going into. It’s a parody of Silence of the Lambs, with a sort of Clarice Starling character getting ready to go see the Gingerdead Man
Down in the basement we see a evil baguette, a small cherry pie, a brownie and a cream puff that spits Cream Cheese at her. The puppets are beyond over-the-top. Finally she arrives at the Gingerdead Man cell in the interview begins. They’re doing it almost word-for-word from Silence of the Lambs, and the Gingerdead Man even has a Hannibal Lecter mask on. It’s shocking in its audacity, and ridiculous beyond parody. We are in full cartoon mode now and it’s glorious. This sequence has to be seen to be believed.
The interview is interrupted by a invasion of pastry activists who free all of the evil baked goods. Gingerdead Man Isn’t impressed and bites the nose off of one of the activists (homage to the story of Lecter swallowing the nurses tongue?) before running away. Still, he can’t figure out where to go and is still trapped in the Institute… That is until he finds the time-travel study room and jumps into a machine that transports him into 1976, in the middle of a Roller Boogie session.
It’s the most stereotypical portrayal of the seventies imaginable, and the Gingerdead Man is rightly appalled. The look is of though -Too many of the guys are still sporting close-cropped do’s and while thier sideburns might be long, they are also groomed and trimmed and distinctly not 1970s (ah, low budgets….)!
The problem is, this roller rink is about to be foreclosed on by the IRS. Also the DJ is completely coked up and the owner’s daughter Cherry (“And I’d like her to stay that way!”) has a sort of Carrie vibe going on.
The first to go are a group of empty-headed bimbos who staged a bikini car wash in an attempt to save the roller rink. Gingerdead Man ogles them until he remembers what he is here to do and discover is a vat of hydrochloric acid to do it with. The results are predictable, and largely CG. In fact I’m noticing a significant CGI component in this film all around. Somebody is really good at After Effects. The Gingerdead Man is frequently rendered as an animation rather than composited or puppeted as a real element, particularly when he’s walking or running. At least the corpses are practical.
Back at the Roller Rink, Cherry, the daughter is learning to skate, falling in love with the skate rental guy, and getting a makeover to try and become the new roller queen. Also, among the skaters and Junkies, keep an eye out for a large lady in a white shirt with a red sweater. That’s Muffy Bolding, co-writer of both this film and Gingerdead Man 2!
Back upstairs, the owner of the rink, and Cherries mother Trixie, (a drag queen played by Kent Fuher – director William Butler has a long Association with RuPaul’s Drag Race and the drag community) is not pleased. She had tried all her life to keep Cherry from the roller skating scene. She tells the tale of a tragic roller skating incident the day that she performed for FDR and distracted everybody from Pearl Harbor. The entire incident is told in stock footage flashbacks stop this is why she never wanted Cherry to skate, But Cherry wants to live her own life and when the roller Boogie Queen contest! Lights explode as she gets angry.
Cherry is indeed nominated as one of the finalists for roller Boogie Queen, but that’s the least of her worries. She finds gingerbread man-shaped footprints and follows them to some bloody boxes in the kitchen. She expresses her concerns to her crush who kind of dismisses it even as the Gingerdead Man sneaks past behind him with a cleaver. In the meantime, the girl who’s won the Roller Boogie Queen the last four years, schemes to win the title this one last time. Her plan involves pig blood – so we can pretty much tell exactly where this is going.
Before she goes completely Carrie on them we get a break from all this silliness when the Gingerdead Man sneaks up behind a guy in the bathroom and slashes his Achilles tendon again, and again, and again. It’s the fresh infusion of blood that this film really needed, it’s been a little lighter on gore this time around. Unfortunately, the Gingerdead Man then finds the DJ stash of coke and replaces it with Drano. It’s okay, the Gingerdead Man is still there to spin records in her absence.
Cherry is, of course, crowned the roller Boogie Queen, and as soon as she takes her crown , down comes the pig’s blood. Only it hits the wrong girl, and the Gingerdead Man is quick to follow, killing everyone in sight. Now it’s Cherry’s telekinetic gifts versus the homicidal Gingerdead Man in a hail of computer-generated blood.
I can’t help but notice how much lower the production values have gotten on this entry. There’s an overuse of CG, with as many After Effects generated as possible. We get very few shots of the Gingerdead Man in context. Only a handful of long shots, with most of his coverage being done as extreme close-ups of his face talking. It’s not just once, it’s constant. While the film is still quite self aware, the parody and satire aspects have kind of been toned down and the entire thing feels just a little bit less satisfying than before. This franchise may actually have peaked at part two, but there’s still one more to go.