The Violent Blue blog***Comics, Horror and Pop Culture***Updates Tuesday through Friday (and occasionally at random)

New Years Evil

The Capitol couldn’t manage to  put on thier 12 hours of terror marathon this year, but did pull together a smaller one; a four film night called Season’s Bleedings. Of the movies in that lineup, the one I was most looking forward too was New Years Evil. Not only have I never seen it before, I’d never even heard of it.

New Years evil is a straightforward slasher. We have Diane (Roz Kelly – if you ever watched Happy Days, you may remember her as Pinky Tuscadareo) basically a pre MTV VeeJay, hosting a Nu Wave countdown for New Years. The special is spread across all time zones, with diffrent countdowns in each one. But she caught the attention of a serial killer who also has plans for each time zone – a murder each for each one! Now it’s up to the hapless ’80s cops to track down and capture the killer before he gets to his last victem; Diane herself.

It’s an interesting enough setup, but the film itself is LOADED with problems. Setting aside my own preferance for a monster or a masked killer (This one just has an interesting assortment of costumes, false glasses and moustaches – though he does don a strange Stan Laurel mask at the very end) I’m genuinely not sure who to root for here. Obviously we’re ment to side with Diane, but honestly, she’s so unlikeable. She’s a disinterested mom, and really dosen’t even care that her emasculated and drunken husband is either shacked up or on a bender (I actually though he was he Ex from the way she talked about him), just got to get on with the show! And can we be real for a moment? Roz Kelly, at this point in her career, was not passing for a punk princess. Even if she were trying, the fact that she’s got a 20 year old son (and even he’s just…yuck) just makes her too old to be a pop idol. Heavy makeup over bad skin just drive home the slightly karen-esque characterization.

On the other hand, I’m not rooting for the killer either. We don’t get an explination for his motivation until well into the third act, and even then, he feels like a loser. He also never really ingratiates us with cool kills like a Jason or Michael. It’sjust stabby stabby with the switchblade and no set pieces until the final bit at the end.

The cops are basically cardboard cutouts. And this movie could have REALLY benifited from a charasmatic investigator. A Thomas Harris type like Will Graham or Clarice Starling (for that matter, a more charismatic villian would have been equally helpful). These guys aren’t even there to be stereotypes for kills. they’re just…there.

The one notabel thing abotu this film thoguh is the soundtrack. While our rocker crowd and VeeJay are really more….hollywood’s IDEA of what rockers should be like, the two bands featured in the film are the real deal. Made in Japan and Shadow are both good bands cranking out music that is authentic for the era. The real problem is, they’re good, but not GREAT – and on the Sunset strip….good dosen’t really get you anywhere. Still, the soundtrack is actually my favorite thing about this movie.

Despite my issues, this is worth a watch. It’s not a keeper, and I think that smack dab in the middle of a marathon like this is the perfect way to watch it. If it hits streaming like Pluto or Tubi, it’s worth 90 minuets, just for the curiosity alone.

 

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