The Violent Blue blog***Comics, Horror and Pop Culture***Updates Tuesday through Friday (and occasionally at random)

Metal Murder and Music Videos

Metal Murder 3-D was an entry on Armstrong’s IMDb that perplexed me. I was able to find an album by an Australian hard-core band that he works with, but not a film. It’s short film to go with it. That short film is sometimes referred to as metal murder 3-D, and other times it’s referred to as Alice in Zombieland.

Alice in Zombieland starts off with a girl in a cage, being pulled out by some men in black, then A film burn under credits. You may recognize Emma Wilson from Some of Armstrong’s other films, and the 70s exploitation style in the credits is charming.

Alice is in a blood stained hospital bed, surrounded by curtains and dark lighting. Zombie action starts immediately, as the undead begin to rise from the other beds.
For such a short feature, they put some real time and effort into making this hard look terrifying, both individually and as a group.

Alice screams and runs, fleeing zombie doctors and undead and corpses in fashionably cute corsets. In what appears to be the cafeteria, entrails line the buffet, and zombies pop out of nowhere.

Alice bludgens one zombie with a phone, and the out of order message is a really nice touch. The next-door leads her to the kitchen… Where a zombie screams at her. She screams back and starts throwing things, ultimately delivering a beat down the fryer. It’s amazingly awesome.

Ultimately, the entire thing is just an action set piece. There’s no dialogue, on your story. It’s Alice fighting her way through zombies, and finding her strength… As well as a really nice gun ultimately shooting her way through to the end credits.

What’s fun about this, is it a great way to introduce yourself to Armstrongs work and style. You can see a lot of what you’re going to get from his feature films in the short, which was designed to accompany kid crushers metal murder 3-D album. Absolutely worth the 10 to 12 minutes that it takes to sit through. While you’re at it, it’s time to go over to the Strongman pictures website to check out some of his music videos. Armstrong has worked with a variety of artists and shows a dramatic range in both concepts and execution. There’s an eerie one room haunted steampunk feel to Karly Jewll’s Dancing with the Devil. But then we get kind of country in Jenna Dwyers dodged a bullet, the feeling of orange filters at early morning in an old hotel room. Jenna would go on to do the theme track for Armstrong’s Fight like a Girl… a much simpler music video in a wrestling ring, but even that’s a vast difference from a video for her song Coma, a much rockier song in a dark Mad Max like warehouse.  Then there’s The Mercy Kills who Armstrong literally puts into a comic book for their song Supersonic.  Nathalie Gelle does in a uninspired cover of Vacation by The Go-Go’s, but Armstrong cleverly keeps you off balance with a blast of cartoon on green screen footage. The scrapbook pop-up feel suits the feel they’re going for. Kid Crusher delivers hardcore nightmares to the girl next-door over a television while a strobe light blazes behind them. As he screams in front of a white background, the woman stares into the screen, hypnotized. On the other hand, in the music video for Tied, they sing Reasons Why over a stop-motion fantasy. Stop-motion is a favorite of Armstrongs, and he has an entire section of his website devoted to it. In Long Way home for Ablaze, Armstrong manages a black and white road trip through the rocking chops. It’s a mixture of happy and melancholy that’s tough to pull off.

This is just scratching the surface, but absolutely a great résumé and reason enough to definitely be checking out the rest of his films.




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