Secret of the Clown
The shadowy silhouettes and well done kills that begin Secret of the Clown give us a promising open, though someone needs to teach these guys about set lighting – things are so dark you can barely see anything. The glimpses of the monsters arms though, there mummified and awkward – unsettling and a good introduction. Once we get into the film proper though, the tension keeps up, with quick cuts of the murders and an occult ceremony happening as a young woman research is something in the local well lit library. The parking lot has the same lighting problems though, and I’m afraid this is going to kill the whole movie. The sound mix as well, it’s muddy, Almost as if the entire thing has been ADR. The quick cuts however keep coming as the young woman takes a shower – she’s obviously experiencing visions.
In the background, there is a creepy clown doll – and it’s left behind when Val walks out on her boyfriend. The boyfriend talks about how she thought the clown protected her. One of his friends smashes it in anger, and that’s when strange happenings begin.
Bobby is haunted by the ghost of his friends who died, and visions of things happening in the house – something is controlling this haunting, and he wants to get to the bottom of it. He brings in a psychic in a very exorcist like scene – and together they begin trying to figure out what haunts the house. The battle to find the killer and rid the house of it’s haunting is quite compelling – I wasn’t expecting so much of a haunted house kind of film. There is elements of American Werewolf in London and The Exorcist here. The imagery is frequently compelling and well crafted, with a surprisingly excellent set of twists towards the end. When we finally see the clown itself, it’s a genuinely good design – tattooed and clad in rags. The face itself is the only part that really resembles a clown. It’s a great concept, but held back by and inexpert execution. That’s really the problem with the entire film. Great ideas and a definite vision, but the entire thing is dragged down by the low production values.
At the end of the day it’s still recommend, but only for people who can see past The production as it is and can see it for what it could’ve been.