Last couple weeks’s pulls
It’s been a busy few weeks, so I’ve fallen behind on stuff like comics and television, but I finally made it back out to the shop to pick up my pull list, and a couple of things off the shelf. Nevertheless, my stack was significantly smaller than I would’ve expected.
I’d actually forgotten about the Human Target. It’s been a while since the last issue came out… And seeing this on the shelf made me wonder if I had just missed a few months and the series had wrapped up without me? No. It’s still solicits issue seven at the back, so apparently the title was just paused or late. I’ve got a bone to pick though, with calling this tales of the human target. This is not a human target book. This is a justice league international book. That’s a problem. Not just the branding, but dropping a JLI book into this run, because the thing about justice league international was the book was funny. It was at just the right time, right in the middle of the comics boom, and shortly before the implosion… At a perfect time for an experiment. A perfect time for a silly book that could play with superhero tropes and give us something a little more lighthearted. It worked in that context for a while, but as the market shrink, we would see the pendulum swing back towards adventure and playing it straight with Gran morrison’s JLA.
Human target is not a funny series. And when you drop a group like the JLI into a slightly nihilistic deconstruction, it’s just awful. Justice league international when written as a satire is goofy and silly and fun. But when written as a straight up deconstruction, it makes the heroes look sad and incompetent. It’s just not a fun book.
What’s even more frustrating, is that I was warned. I’ve been enjoying human target, with a quibble here or there, a few decisions I wasn’t big on, but for the most part Tom King has just slightly touched these characters bringing them into visit as side characters in the background.They told me Tom King was up to no good, and I should’ve listened. Because this book right here is no good. I don’t know if it was planned as a bunch of back up stories or a companion piece, maybe something to throw in the back of the tree paper back… Dropping it right here in the middle when you’re already late feels like a misstep. It stops everything dead cold, and quite frankly turns me off enough that I’m not so sure I’m interested in continuing the series. Maybe I’ll just take a peek when it’s over.
Ghost Rider on the other hand continues to be good. It’s an interesting supernatural adventure… And one that’s very much in ghost riders wheelhouse. Out in the wastes we called the devils backbone, there is an annual motorcycle race… At the end of the race, you meet the devil. When you meet him, you can ask a question or a boon or something… And it’s just a cool concept well done. We need more of that. It’s interesting, because you look at some of the faces here, Dr. doom, wolverine, a lot of familiar marvel characters and it makes sense to put them in this context, that’s sort of desperation. It’s almost reminiscent of the secret six story arc about the various villains chasing after what basically amounted to a get out of jail free card, only for hell. I like this. It’s one of the better runs of Ghost Rider I’ve ever seen, and I hope they keep the creep and the quality up.
Over at Iron Man I am again a little confused, because it felt like I missed an issue. No, this is actually going back in time a bit. Before the previous issue where Tony’s captured and fighting for his life, we’ve got a rewind to remind ourselves of his relationship with war machine. That’s gonna be important, because war machine someone coming after him, complete with that black stealth suit that we see painted onto the cover. It’s a set up and a pause and again, I have to note that these sort of stories really do killed him I meant about the title, but at least in this case, it’s done well and stays engaging. Unlike that pause in human target, this issue does a good job of setting up where we’re going next.
And then there’s Batgirls. This title is also in the middle of what feels like a bridge story. We’re kind of done with the last arc, and setting up the next one, which gives us a nice excuse to hang out with the Batgirls for shenanigans. And shenanigans it is. Look, one of things I’m really enjoying here is the character development. You know, I dipped in and out of Cassie‘s Batgirl series back in the day. I was particularly interested in the brief “will they or one day“ with Superboy, and shocked by the whole “getting fired“ storyline. There was good stuff here and there on the cruise ship, things that helped us get to know Cassie, but the entire point of her character is that she doesn’t have any character. She’s basically a blank slate, and it’s harder to develop that and draw it out when you’ve just got her paired up with a mentor like Barbara. Pairing her up with Stephanie, I feel like we see so much more character development here in these nine issues than I’ve seen in the past 10 years with the various appearances in and out of her own series.
There’s also some interesting character development going on over in Spider-Man. We’re starting to see some carryover from the past series, particularly in how they’re handling Norman Osborne. It’s interesting, I’ll definitely give you that. There’s so much here that I like, and yet I’m still not sure if it’s enough to balance out the frustration over what I don’t know. This is one of those titles where I find myself more often than not dipping in and out of i’m not consistent with my reading on this one, simply because without enough information, I just don’t feel committed. The JR JR art isn’t helping me any either, but I’ve looked past that before and the colorists really does help prop him up.
Nevertheless, the writer definately has a handle on Peter’s voice. Spidey is always at his best when the writer gets him and his humor, and I think my single favorite moment in this issue is when the Vulture complains about Spidey telling someone he’s a murderer –
“But aren’t you trying to murder me right now?”
Then there’s She Hulk. Not necessarily a comic, but certainly a comic property. The first episode was OK. I think OK is really the operative word, otherwise some things that I didn’t care for. In particular, don’t let your kids watch the after credit sequence. Dropping that F bomb was a little bit shocking and didn’t make any of us particularly happy. The series has of course gotten the majority of his coverage over Jennifer‘s rant about how she does being angry better than Bruce… I don’t need to cover that here, except to say it was a dumb thing to insert. It’s not compelling, if anything it’s a self-inflicted wound. I can blow it off though, because this Jennifer Walters… She’s not a good person. She’s narcissistic self involved and aspires to victimhood. “She Hulk? That name better not stick. I can’t even exist without being a derivative of the Hulk?“ Well no. You can’t. Because that’s exactly what you are… A derivative of the Hulk. That’s what the character always was! It’s stuff like this it just turns me right off and sours the stuff that actually manages to be funny. I think Mecharandom42 on Youtube put it best – “Stop lecturing me about how bad you have it.” I agree. You office and home are WAY nicer than anything I’ve ever had. It’s just…..*sigh*.
And the funny parts? You’ve already seen all of episode one in commercials basically. It’s not untill we get into part two that we really start to get in to the story, but even then, the pity party continues. Jen is hired by a firm developing a new superhuman division. However, they want her because she’s She-hulk. She walks through the halls, bitter and angry; “I’lll never know if they hired me for my skill or just because I’m She-Hulk!”. No, you do know. You ABSOLUTELY were hired because you’re She-Hulk. And it’s gotten you a massive corner office and high salary. Here I’m just hoping that this is a character arc and that she’s a better person on the other end of this, because right now- she LOOKS like She-Hulk, but the character is still utterly unrecognizable. The Jen Walters I know, doesn’t resent being She-Hulk. Big and green actually gives her confidence and makes her feel beautiful and empowered, not….whatever this is.
Disney/Marvel? In the words of Sam Wilson – “Do better”.