Allegiance of Powers
“Groups of super powered people begin a war that will bring the city they live in crumbling down. Allegiances of super powered people fight for control of a young girl, who holds the ultimate power to control anything and everyone in the city. They will begin a war that in the end could bring the entire city crumbling down.”
Flat out, I’ve been looking forward to this one. Allegiance to powers from its description and cover looks very much like a big departure from what Crum has done before. He begins in a heavily edited green screenshot of our heroes legs arriving in 2025. He seeing the aftermath of a battle. That’s when we flashback and we see the bomb drop. It destroys entire city intimate press of stock footage.
But that’s kind of what I’m talking about, Crum’s trying something different (in fact, it’s feels more like what I would expect from Daniel Armstrong – the post-apocalyptic punk feel). Trying to elevate this film and throw his ring in to the post-apocalyptic superhero fare, with something that at first glance there’s a passing resemblance to Roger. The credit fly over the post-apocalyptic, masks and goggles and grim looking people, then plug it into some more abstract imagery before coming out the other side of the moon pulling back on a badly rendered CG city and landing on our heroes.
They all deliver soliloquies to try and give us some context, in this in enormously filtered hyper-real environment. It’s almost the sort of video game looking environment that we see in films like Sucker Punch and Sin City. Interesting designs, and some impressive use of digital effects, but we need some story and fast.
It’s a very confusing beginning. Talk of innocents, and deadly red rain, introduction to characters and super fights, but no context. It’s a high concept an art film, but not necessarily ready for prime time.
We seem to be watching this song is it worth a video replay, I think that he was trying to figure out what happened… And he’s searching for a special young woman – actually I know that from the IMDb description. But the way things are still nonlinear and disjointed, it’s for a very difficult watch.
That’s really the big thing that disappoints me here. This really should’ve been a few YouTube videos, some short films. Because it seems like the entire point of this is to dive into digital FX and experiment with superhero concepts. This could be really interesting, even in its stylized form if there was just a good solid script here. The problem is, there’s not.
It’s brilliant visuals in dazzling eye candy, but it’s also the same feeling as watching a video game, and there’s sadly nothing of substance here. Visually and may becomes strongest work, and yet he magically it’s also probably his weakest.