Week of 2/22/23
Right off the bat I’d like to make a statement that I don’t think should be controversial.
Darkwing Duck does not need 29 variant covers.
No, seriously. This is second issue. The SECOND issue especially should not need 29 FLUFFING variant covers! Look, this is a nice entertaing book. Standard storytelling. Fun but nothing special. Twenty nine covers. TWENTY NINE! Even if you don’t count duplicate images and BW ones, it still comes out to a whopping 19 different cover images! Dynamite execs? If you’re reading this? I’m not going to collect this book. All of those varient covers are going to end up in the dollar bins and confuse anyone wanting to put this run together. You’re DISCOURAGING me from buying it.
Second statement I’d like to make. She-Hulk? More of this please. Lots more.
I’m kind of at a point where I just want to see the casual pause books that come up between arcs. I’ve always been a sucker for them, but these are really what are giving me exactly what I want. Case in point, World’s Finest #12. Do you guys remember these panels from way back in issue #2?
Well in issue #12 we finally get the details. And boy, you can tell that Marc Waid has just been DYING to tell this story from day one. I keep talking up this series, and it more than just the nostalgia. there’s some really good writing going on here with some genuinely interesting character arcs happening. What’s REALLY interesting – Waid hasn’t just given Kara and Dick character arcs – he did it IN REVERSE. he presented the characters as they were, teased it, and then went back and cohesively showed how they got there. It’s absolutely a master work. Also, monkeys.
I Hate Fairyland #4 is also pulling off an impressive trick. Putting a average to kinda attractive female front and center in the issue, leaving her naked through most of it and being as gross as possible.
And I mean as disgusting as can be. Skottie Young is known for being outrageous, but the gross outs are usually more gore focused and less scatological. This one leans heavily to the latter. It’s not for the faint of heart or those with a weak stomach.
Sadly, if that’s really all that stuck with me, then I can’t exactly say it’s a recommend either. Outrageousness is great when it serves the story. This issue seems transgressive just for the sake of it, not pushing the narrative much as we go.
Amazing Spider-Man #20 wraps up the winter getaway with Black Cat two-parter. It’s nice straightforward adventure and shenanigans, ruined only by White Rabbit’s really irritating characterization. honestly the dialogue in general for this issue drags down the story from fairly fun to kinda meh. It’s still loads better than the last six months of this book though. We needed a good compartmentalized mission like this, and here I had my hopes up for perhaps rekindling something with Felicia. I’m less hopeful after seeing the preview of the next issue’s cover with Mary Jane and Peter huddling together. I know I keep complaining about “Get back to the Status Quo, or at least tell me what’s going on and how we got here!” but it’s REALLY bothering me.
Speaking of status quo – I’ve been saving Superman for last, because I had such trepidation as to what’s going to go on with that book. I’ve seen the previews, the white suit, and whole bunch of “team Superman” heroes… the thing is, the more of these kind of derivitive characters you shoehorn in, the more you water down your original. Just look at what’s going on over in Spider man.
Nevertheless, that is a spectacular cover and things look pretty inviting, so I thought I’d give it a try. It starts off with some standard Superman heroics. A quickie fight with Livewire (a fan favorite that manage the jump from animation to comics). With her safely put away, he notices that the minister officiating the wedding below him ran off in all of the chaos and proceeds to marry the couple himself. We get some funny photos from the reception, and it’s all very Superman. But I’m also really enjoying the emphasis on the supporting cast. This has always been one of the strongest elements of the Superman books. It’s something they understood for decades, that the unpowerd supporting cast, the mere mortals rubbing shoulders with this demigod, they’re what really gave the book character and heart. We’ve got a new police chief in town which is interesting enough. A slick and modern look to him, with the button-down vest. I don’t know how hes getting away with that ponytail, But on all it’s a good look. I still miss the rumpled seventies detective look of Inspector Henderson, but Metropolis has frequently been portrayed as “the city of the future” and Chief Kekoa really fits the more modern esthetic.
We get some good bits with Jimmy and Lois, and Clark gets to do some very Clark Kent stuff as well. Sometimes writers forget how important these relationships are, so I enjoy seeing these front and center… I’mfar more interested in this than in a team with superpowered kids nipping at his heels.
There’s also some interesting set up… a future collaboration with Lex Luther certainly seems to be in the works. Moreover, there’s a mysterious threat in the background that definitely appears to be on the rise. It’s all good stuff, complimented by absolutely magnificent art. Jamal Campbell Is absolutely knocking it out of the park. It’s stylized, but not ridiculously so. Superman is very recognizable, even as you can see it’s Campbell’s Superman. It’s the classic costume, complimented by a very classic attitude and Handling by Joshua Williamson. I’m so pleased to how well this turned out. It’s very much the book that Superman deserves. If you could just give me more of this for a few years, I’d be absolutely content perfect. However, truth is I’m probably gonna jump off the second the glowing white suit and the legion of super kids shows up, But let’s not worry about that now. That’s in the future. For right now, let’s just enjoy some good Superman…. for as long as it last. Definitely pick this one up.
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