With a name like Attack of the Lederhosen Zombies that’s kind of the impression you get (the trailer even plays it up that way)! However, while being a lighthearted and fun zombie flick, they play it straight, with a lot less camp than you’d expect. In the Austrian mountains, the owner of a ski hill is exhibiting his new snow making machine to an investor – something that will insure the hill stay open, no matter what happens with global warming. In the first five minutes, we discover that the coolant can be toxic to human beings and other living things (I’m not in entirely certain I’m on board with this trend of Zombifying animals in these movies… It bothered me a little bit in Scouts Guide, and while it drives the story here – it still bugs me), causing a strange sickness, blisters and eventually… well, you know. When a group of professional snowboarders stumbles upon a very “American werewolf in London” type of pub, the shenanigans begin.
Attack of the Lederhosen Zombies is very much a throwback to eighties splatter films – there is a fun yet straight tone going on here, interjected with just enough humor to keep the movie enjoyable without going full on comedy the way films like Return of the Living Dead or Evil Dead did back in the day. The lighting choices and color palette, mixed with that generally fun vibe make the movie feel a great deal like one of Charles Bands Full Moon features… but with less nudity and more gore (I’m totally good with that by the way). Did I mention the gore? Because there is a lot of it. It’s not quite up to The level of Peter Jackson’s Dead Alive, but there are definitely some scenes hear that give Romero’s Day of the Dead a run for its money – if you’re looking for entrails, torn skin, and punished bodies, you will not come away disappointed.
It’s a short film, clocking in at well under 90 minutes… But that’s okay – it doesn’t need to be longer, and in the time that they have they managed to tell a fun little horror story in an interesting and exotic locale. It works far better than it has any right to.
I caught this at the Capitol Theatre, with about six other people in the audience. That was kind of fun, you get a genuine reaction from the other folks watching the movie and it makes me feel like it’s 1981 on 42nd Street in New York all over again. I’m looking forward to grabbing a digital copy of this – it’s the sort of movie that seems like it would be best served on a television rather than a movie screen, but if you have a chance to catch in the theatre… By all means head up to see it. It’s worth the time, and these are exactly the sort of filmmakers that I want to see supported. I’m off to Imdb to see if they’ve made anything else!