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Posts tagged “Clive Barker

Son of Celluloid

bestOne of the great things about Clive Barker in the 80s was his collaboration with comics.

2286272-cli1I usually focus on Epic’s version of Hellraiser, but Eclipse comics had access to a lot of Clive’s published work as well and created comic adaptions of many of his novels and short stories. There’s something about Barker’s horror fiction, something that is so detailed, so lurid, is monstrous have always translated quite well visually.

Son of celluloid is not one of Barker’s better known works, and that’s a shame. It’s a messed up, modern retelling of the Phantom of the opera story. You have a creature hiding in the walls and events of an old movie theatre, stalking its victims from out of the dark.

The titular character, the son of celluloid, is a cruel Shapeshifter – and in this it reminds me a great deal of Stephen kings “IT”(though not quite as highly intelligent as IT), but with a theatrical spin as the Son. appears taking the form of classic Hollywood stars in order to lure its victims into it to grasp.

It’s a fascinating and engaging story, with the Son illustrated horrifically and the terror told out with glee.

Sadly, this is not an easy book to find anymore. It still haunts back issue long boxes, and can be found at conventions occasionally, but you’re going to pay for it. I think it’s worth it, and if you see it snatch it up – it’s a read you won’t regret


The Plague

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indexThe Plague lists Clive barker as a producer. That actually got me a little excited about it, but I don’t really see his dna in this story any more than I do in the later Hellraiser sequels. Still, familiar faces like James Van der Beak and Dee Wallace give it some credibility ad made me interested in seeing what was going to happen.
As the film opens, the kids in this town are all falling ill and comatose, landing them in a catatonic state that lasts for a decade. Suddenly, they all wake up at once and are murderous – acting it seems, in conjunction with each other.
It’s more like the Crazies than it is like zombies, but these hordes of kids with red eyes and veiny sore skin make for a terrifying image.Our heroes are trapped in a school that was set up as a hospital, giving us long chases through dim hallways occasionally punctuated by bits of minor gore.
inde2xThey escape in a police car, and hole up in a Church (and equally creepy setting) with the plan to regroup and head the safety of an air force base, but the kids are hot on their heels.

It’s an interesting film, but I’d like a little more information on what the plague actually was. We get some abstract philosophizing about it, but no concrete answers (and it’s not the sort of art film that can get away with defying answers). A fun watch with a somewhat unsatisfying ending.


Days of the Dead Chicago 2018

ConmanIMG_3750Last year I said it might be a while before I tried this one again. The crowds had become to much and honestly, that round trip to and from Chicago just about killed me. Still, It had been a chance to really cross a couple names off my bucket list and finally meet Simon Bamford (The last Cenobite from Hellraiser to elude me) as well as the unprecedented opportunity to chat with Andy Robinson (From both Hellraiser AND Deep Space 9). So what got me back to this show a second year in a row? First, one of my best friends had recently set up house in Chi-town, so I had a place to stay the weekend instead of doing the trip in a single day.

But more importantly, Clive Barker was coming.

46501641_2204586802919064_7038099252244905984_n_2204586799585731Barker hasn’t done an appearance near me since I’ve been n the convention scene. He was scheduled at Horrorfind back around 2009, but both he and Ashley Lawrence cancelled for undisclosed reasons (So did Angus Scrimm for that matter, and the show shout down the next year. I’ve heard some shady things about it in the aftermath). A few years ago he was scheduled I believe for a Horrorhound (Or was it Flashback? I don’t think it was DOTD….), but that was when the heath issues took over and he cancelled a number of shows. For him to finally make a public appearance like this was definitely enough to make me brave the six and a half hour drive.

46898080_2219397134771364_765618482183143424_nWe pulled up to the convention center as the snow gently fell around us. It wasn’t a blizzard, but that white garbage sure did pile up around us fast. I know it’s November, but I don’t remember previous outings being this wintry. It’s not that big a deal, after all, DOTD has provided that wonderful overflow parking in the covered garage next door, but panels are held outside in a heated tent and you do have to walk from the hotel into the tent to get to them. It’s kind of a punch in the face, exiting the warm pool area only to be sucker punched by Jack Frost just outside the door.

Once we arrived, my friend Mike and I grabbed our prepaid wristbands and had about 46460911_2204583072919437_9207845700014964736_n_2204583069586104fifteen minuets before the doors opened. I always forget how long the admission line at this show gets and pre-registering was the best move I had made. We had enough time to nip off back to the car and grab a camera I had forgotten, then walk past the ticket line, right into the convention and straight over to Barker’s line. Even at open it was already begining to streatch out, but I looked over at Mike and told him “It will NEVER be this short again.”. I was correct. For most of the day, the queue ran around the corner and past the ticket tables.

Barker was late. The handler explained he’d just had breakfast and was making sure that his sugar was correct (Also mentioning that he was diabetic). About twenty minuets later the line began to move. Inside we were instructed “No personalizations. No photos at the table. Do not shake hands. He’ll give you a fist bump if you like.” It’s a little more than I’m used to at these things, but we rolled with it. Getting to say I fist bumped Clive Barker sounds 46443408_2204591232918621_6135816280797609984_n_2204591229585288way more fun than I shook his hand anyhow. He’s quiet. At times he almost looked bored, but mostly I was struck with how frail he looked. Far different than the interviews I had seen and more than a man in his fifties should. Inside his room, he had filled tables and walls with original artwork, books, apparel and photos. I saw a couple volumes I didn’t have and made note to look them up later when I had more money. I pointed out the hardcover of the Scarlet Gospels, noting I had been listening to the audiobook of this on the way up. Barker greeted me and my friend, signed my poster and I told him we’d see him later for a photo. He grinned with finger guns at me.

Our next task was to search out Ashley Lawrence. This was the first time I’d seen her make her way out to the midwest ina long time and she was another one I’d never met. Getting her on my Hellraiser posters would finish them (I don’t see Claire Higgens ever making it stateside). She was set up in a bad spot in one of the halls, creating a choke 46381723_2204583139586097_6231078608178249728_n_2204583136252764point in foot traffic, while at the same time somewhat concealing her (Particularly with the brighter Teriffier booth almost across from her).

Ashley is effervescent and charming, and the woman dosen’t age. She kept telling me my hat reminded her of a friend who always wears the same kind. Our photo came out bad and she teased me with a grin “Well don’t tilt you head so weird silly!”

I was pleased. We’d managed to grab both Clive and Ash before the Hellraiser panel that we now rushed off to. I was a little shocked then, when the moderator introduced Barbie Wilde, Nicholas Vance, Simon Bamford…and no one else. While it’s always fun to visit with them, we had this last year, with the addition of Dough Bradley and Andy Robinson. Perhaps it was presumptuous, but I had anticipated hearing from Clive and Ashley at this panel as well and found myself disappointed. We probably heard a couple new stories 46328537_2204586569585754_8042201712003383296_n_2204586566252421here, but at large, it felt like much of what we had seen the year previous.

Not so however, with the “Men behind the Mask” panel featuring Jason(s), Michael, and Art the Clown. Kane Hodder was in rare form at this one, wresting control from the moderator who just stared on in amused silence. We got fascinating stories in particular from Jim Winburn who has a long history as a stuntman and did falls in the original Halloween. David Thorton, a newcomer to the genre (fresh off his role as Art the Clown in “Terrifier”) was visibly delighted to be on stage with the others, laughing and sharing his experiences as a new movie monster. I’d actually waited to see this panel to kind of get to know David. I enjoyed Terrifier (and the 2013 anthology “All Hallows Eve” which 46501495_2204587009585710_1980861336644485120_n_2204587006252377no one seems to realize proceeded it) and think Art could be ne of the next horror icons, but it was the panel that made me want to meet Thorton. David is chipper and was fun to chat with. I’ve got experience and actual clown training, and it was interesting to compare our approaches to that kind of performance. As for the panel itself, “I was just so thrilled to be up there,” he told me.

We popped around the con, shopping, talking with people and playing with the monsters. Michael Myers in a Captain Kirk uniform was a BRILLIANT gag and he was delighted we got the joke.

“Guys like you are exactly who I do this for,” he exclaimed in satisfaction.

Moving on we grabbed a few more autographs and photos…but it’s not the same. I mentioned a few years ago the disturbing inflation creep I saw infiltrating Days of the 46445830_2204591249585286_4631184714684694528_n_2204591246251953Dead. It’s in full swing now. The handlers have become gatekeepers. They are in your face and you aren’t getting near the table without flashing some cash. $30 is the minimum for autographs (Many are more – and quite frankly, a lot of you B-listers don’t have any business charging that). Every table now charges extra to get a photo with a guest.That’s on top of the already high admission prices…

Guys, you’ve priced me out of the game.

I spent twice what I have in previous years, and it’s a drag. It’s almost stopped being fun. Between that and the overcrowding, unless there’s a bucket list guest (and that list is now pretty short), I think I’m done with Days of the Dead. It’s simply highly unlikely that I’ll be back.

A shame. It was fun while it lasted.

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(Keep an eye on this blog. I think we’ll be doing a State of the Con pretty soon. Next years going to be different.)