Last Week’s Pulls
A new Star Trek book hit the shelves! The line is just being referred to as “Star Trek”. Not “Star Trek : This new series”, or “Star Trek :That new ship name” and I’m of two minds about that. Usually a title that’s just ‘ol Star Trek refers to TOS or ’09. You know, Kirk and company. This on the other hand is an ensemble book. It’s a team made up of characters from various series and incarnations, including Captian Sisko, Commander Data, Dr. Crusher, Lt. Tom Paris and Mr. Scott. I can see why it might defy catagorization, yet, I almost feel like I’d like some specific identifier for this series.
Sisko is back from the Prophets, and off on a new mission. He’s assembeled a special team aboard an experimental starship and off we go in search of dead gods.
Week of 6-1-2022
One of the things that always bothers me about serialized shows over episodic are these kind of in-between shows like we had on Superman and Lois this week. It’s not really filler… Well, the subplot about Lana‘s daughter and her music might be, but for the most part, these are all story threads that need to get into the series but can’t necessarily be wrapped up in a solo adventure. There’s not so much a story going on this week as there is connective tissue being developed.
Nevertheless, we’ll see what happens next week.
Not much to speak of and comics last week so I may as well tag it on here. I did pick up Deadpool bad blood… This is sort of Rob Leifield‘s triumphant return to the character he created. Thing is, the Deadpool that Rob Leifield created is not really the Deadpool we know today. There’s significant differences in tone and in general zaniness and all that’s fine. But life is treating him the way he always did. That’s his prerogative, he’s the creator. But what the sense of being, is very much a Rob Liefeld book for Rob Liefeld fans. And boy, is it ever Liefeld. I mean, Liefeld on steroids. It’s a little jarring, almost enough to make me rethink my constant emphatic defense of the man’s style.
Still, I expect that Liefeld fans will really dig this, but I got admit, it’s just not for me. Issue one didn’t do a whole lot for me, and I’m jumping off this title with issue two.
Ghost Rider on the other hand, continues to blow my mind. I’ve dipped my toe in Ghost Rider here and there over the years. He’s a staple of the Marvel universe, but he’s usually treated mostly as a superhero. Perhaps supernatural superhero adventures, or Scooby Doo – kids Halloween party levels of spook. But it’s always comic book spooky. It’s always super hero affair, it’s always comics code levels of terror.
That’s not what we’re getting from this Ghost Rider series.
This Ghost Rider book is straight up horror. Not dark fantasy, not horror edged or supernatural heroics, this thing feels like straight up horror. Not even comic book horror, like Man Thing or Tomb of Dracula… Reading this book gives me very similar vibes that I get from old Garth Ennis Hellblazer back in the day. We’re constantly seeing unspeakable monstrosities slither into existance. The writer knows he can’t pull off a jump scare but he can definitely shock you. He can create imagery that just lingers and disturbs and that’s exactly what he does. There’s a real brilliance to it and I feel like this is what Ghost Rider always should’ve been… What it always wanted to be. This one’s a book you absolutely need to go out and pick up.
THAT’S NOT SAILOR MOON!
Skeksis is very confused…..
Deadpool rides his unicorn right into the TARDIS!
Deadpool just ruins everything….
Fantasticon s7ep20 2019
I like Fantasticon, but was planning on skipping it this year until I noticed the date. It was scheduled the same weekend as Wizard World Cleveland so Fantasticon gave me the perfect alternative to the cash-grabbing giant currently destroying the con scene that Wizard World represents.
Just like with ConCoction, I decided to break out a costume I hadn’t worn in a while and that hadn’t gotten a lot of exposure last year, on the con circuit anyhow – Sparkle Murder Pie did several charity events, but only appeared at one convention.
I found a parking spot on the street, just behind the baseball stadium that sat between me and the convention center. I pulled the unicorn out of the car and stashed the legs and feet inside the hollow body, then looed my bag at hte crook of my elbow and lifted the costume, ready to walk around the block.
The unicorn horn broke clear off. It was a clean split, right at the joint (It was built in three pieces and glued together). I lept back to my car and rummaged through the reair bucket, grabbing the Hot glue gun and duck tape. I could’t fix this here in the street, but with a little luck, there’d be an open electrical outlet at the Seagate Center.
The high winds blew me back and forth like a kite, but somehow I managed to make it to the doors without dropping anything. I found a power jack in the foyer, before I even reached the inner doors and hooked up the glue gun while I suited up and cleared excess glue from teh horn, creating a flat surface on the bottom. In five minuets I was applying a thick bead of glue to the horn nad pressing it back on to the unicorn’s forehead. I clicked on the light, praying it would hold. In the meantime, one of the Seagate center’s emplyees had spotted my struggle and rushed out to help, handing me my bag and holding the door oen for me and the unicorn. (I should have gotten the name of the young Africian Americian emplyee in the red and black Ohio hat so I could brag on him. Seagate Center should be really proud of thier employees. This was the best service I’ve ever gotten at a con!)
You know what? with all the micro cons I found myself at last year, it’s been a little while since I did a big show like this and I’d forgotten what it was like to be stopped every three steps for photos. Sparkle Murder Pie was a big hit with the kids at the show, most of which were brave enough to come up and pet her. Of course I wasn’t he only Deadpool there (Actually why I don’t dress up as him -there’s always a bunch running around). I found a Magical Girl Deadpool, a casual Deadpool and another Deadpool with a unicorn. Mine was bigger, but his was wearable and vibrated. He wrapped it around my neck so I could feel the vmassaging vibrations.
“Yyyyarrgggllee….” I gurgled, lifting my face up in ecstasy.
I made my way over to Bob Hall’s table. I’d met him a couple years ago at NEO comicon, where I’d bought a print of the villian Master Darque – one ofthe manin villians ofthe valient universe and the main nemisis to one of my favorite suerheroes; Shadowman. I’m not exaggerating when I say Shadowman is one of my favorites. He’s in my all time top five and I think his title was one of the most underrated books of the 90’s. This time he had an 11×17 print of the cover for the last issue and I couldn’t get my cash out quick enough. The last time Bob and I had spoken, he’d told me about how he got started with the character, and how it had ended with Acclaim coming in and wanting to reboot the character into something completely diffrent, so he did the story where Jack climbed up to the top of the building and jumps. He points out that we never see him hit the ground though. “I always assumed some other writer come along and take over – figure a way out of the cliffhanger, but they never did!”. It’s a cliffhanger that has taunted me for twenty five years, since I first read it. In the last couple of years though, things have changed. Valient is once again publishing comics. I mentioned to Bob that even though the current Shadowman is fine, it lacks his touch.
“They actually called me and told me that the title doen’t have quite the magic I t did when i was writing it, and asked if I wanted to come in and do something on it. I offered to write a special where I go back to that last issue and finally resolve that cliffhanger, so they have some integration and resolution. But then management changed and it was decided that having the old writers come in was to gimmiky and passe.”
Then Bob did the unthinkable. He told me the story. I finally know how the cliffhanger from the final issue of his Shadowman ends. It may be one of the single coolest things to ever happen to me at a convention.
Fifty cent bins were in abundance, but most were on the floor where I couldn’t reach while riding the unicorn. The one vendor who had his on the table got my business as I pulled as many Superman and Fanatastic Four issues as I could pack into the bag holding my shoes and jacket. I found Pokemon for the girls and almost pulled the trigger on a Total Justice Batman repaint I’d never seen before. I kind of regret passing that one up now.
The costumes this time around were amazing, including not one but two Ghost Riders. I also ran into a gent with a hadmade Assasin’s Creed costume that was stunning. The weapons, the beadwork, all of the details had been crafted by had over months. There was an adorable Eevee with a magic staf that twinkled and shone in the most wonderful light display. I was rooting for both of them to win the costume contest. I also nticed a Foxy and Freddy from Five Nights at Freddy’s. There was great deatail on these suits, with visible wires and underskeleton – touches that made them a nice cut above. I hadn’t realized that I knew the occupant of the foxy – Erin, who I had made an aquantance with on the con circuit last year was one of the villinous animatronics.
She wasn’t the only familiar face there though. I ran into my buddy Ed from Heroes United and as we chatted over upcoming events My oldfriend Sean (who founded NEO comicon) waved me over. I hadn’t seen him since NEO last August and he was surprised since we usually run into each other on the con circuit. I explained I was doing fewer shows this year and he was relieved that everything was okay.
I managed to sit through most of the creating comics panel with Darryl Banks, Bob Hall and Pat Brodrick. I had never realized that Darryl had been a teacher. The Green Lantern artist told a story about going as a fan to a comic con when he was first starting out and asking Gil Kane to look at his work. Kane did and told him it was okay. Darryl was a little deflated untill everyone started asking him what Kane had said. “He said it was OKAY? Wow! Gil dosen’t ever say that! He never likes ANYTHING!”. It was just as interesting to hear abotu how Bob Hall came from a theater background, and that sort of storytelling led him to comics. Indeed, it was that kind of experiance that Jim Shooter was looking for when he made him an editor.
I really do enjoy Fantasticon. It has a little bit of everything I want in a convention, and it was the perfect alternative to Wizard World for me this year.
That time Hula Deadpool destroyed the world.
Because really, what else would you expect?
NEO Comic Con 2018
“You did it! I can’t believe you actually did it,” Knightmage choked out between barely contained laughter. Under my Deadpool mask I smiled. I had posted a few days before that I would see him at NEO, and that I was bringing at least one of my kids. Also a unicorn. And there I was, in full Deadpool regalia, perched on top of a fluffy unicorn with comically big eyes.
NEO comic con has rapidly become one of my favorite shows, in no small part because it’s the closest comic con near me, but also because it’s so well run. I never fail to have a good time here, and the showrunner (a friend of mine) is the hardest working promoter I’ve ever seen. It’s NEO’s second year here at the North Olmsted Soccer Sportsplex and I knew from last year that parking would be a challenge. My younger daughter Lydia was feeling sick, so while the wife slept in with her, Maddie and I hit the early service at Gateway Church in North Ridgeville then jumped in the car and raced the six minuet drive down the street to the show.
By the time we hit the complex, the parking lot was full. Plenty of cars were giving up and heading to the college down the street where a shuttle bus would pick them up and ferry them back and forth. Some of the more adventurous cars however, were heading to the lawn. I pointed my large honda towards the back fence and lowed through, snagging one of the last spots in the grass.
Entering the complex, my friend Jim spied me from the ticket booth as I rode the unicorn in the building with my pass stuck on it’s horn.
“No. NO! OUT!” he grinned waggling his finger at me. One of the ticket takers plucked my pass off of Sparkle-Murder-Pie’s horn. “Okay, that covers him, but what are we charging for the UNICORN???” Jim demanded.
“She’s three years old,” I replied. “Kids get in free.”
Jim threw up his hands in exasperation, laughing. To be fair, I had my own concerns about bringing Sparkle-Murder-Pie the Unicorn to this show. I remember it being crowded last year, and was wondering if I’d have any problems getting around, but while there were a few choke points in the complex (especially by the entrance or the connecting path between the two sections) NEO is extremely efficient in the way it uses it’s space. I remained unhindered for most of the day. Shawn, the promoter, spotted me and gave the unicorn a friendly slap on it’s hollow flank as he passed by.
I had to get my picture in front of the TARDIS. The TRACE people did me one better, opening both doors and helping me maneuver the unicorn in. As I emerged, I pointed to the giant Pikachu rounding the corner and Maddie squealed. We rushed over for more photos. Emerging from the weirdest selfie ever, Maddie announced she was hungry and we went in search of lunch. I dig the snack bar here. They don’t gouge at convention level prices for food and the con is good to them. Maddie grabbed a hot dog and I got some pizza. Over at our table, my friend Chris came over to me, his Black Mask in hand.
“Dude, do you have any tape?”
“Hot glue gun in the car,” I replied. Then I spotted an electrical outlet over in the corner by the lunch tables. “We can plug it in there. Give me a couple minuets to do finish eating and we can do a swag dump while I pick up the gun.” We ran to the car, and Chris was nice enough to fix one of my hooves while patching up his mask.
Between lunch and the swag dump, I missed the comic creator’s panel with Tony Isabella and Mark Sumerck. It’s a drag (I’m still hoping someone filmed it and youtubes it) but to be fair, Marc is a friend and I heard a lot of his stories. Lately, Tony’s been hitting the con circuit hard since the release of the Black Lightning TV show and I’d bet I also caught most of his recent schtick at ConCoction last Feburary, so if any panel had to go – this was the one.
We stuck around for the next one though – it was an action workshop, run by a film choreographer. It’s an unusual panel to see at a comic book convention, but they were hosting the fan film production company that does TRACE and their more recent Superman project. I’m familiar with how a lot of action is staged and how you throw a punch (more importantly how you TAKE a hit), so I left Maddie there to watch (I figure she might pick up some ideas for The Backyard Zombie Movie) while I snuck off to Tony’s table. I had an erstwhile copy of Essential Captain America vol 5 that I need an autograph on. I’m not sure if I picked this up after my last encounter with Tony or if I just didn’t have it with me before. I handed it over and he happily replied “The first signature is free….just like ALL the best drugs!”. Yeah, that’s right, Tony has started charging. We had some warning about this last year – it was definitely under consideration and I was pleased it didn’t happen at Akron Comic Con, but it’s finally occurred. He is however, offering free signatures on anything bought at his table and on one of your own items. I gotta admit, this is perfectly fair. If you’re going to charge to autograph, this is definitely the right way to do it.
To my great delight, the other comic guest wern’t asking for autograph fees. Phil Hester and Ande parks are well known for thier Green Arrow, but I was all about thier Dynamite work, and I plopped down a small stack of Green Hornet for them to sign. On the top of the collection though, there was one particular issue that stood apart. It was an Aliens story called “Purge”. It’s a one-shot featuring characters I was always disappointed never appeared any where else. I don’t know if I found this in a quarter bin, or was given it or if it was off the shelf, but it’s always been one of my favorite Aliens stories. As Ande signed I turned the conversation over to his time of The Lone Ranger.
“It’s interesting, I wasn’t a fan of the character going in,” he said. “They gave me ‘The Death of Zorro’ and I was like ‘okay.’. Then they told me it was a Lone ranger story and I didn’t know what to think about that. But writing it I just fell in love with the characters, with the ranger and Tonto and all of them, it made me a fan.”
In this blog and elsewhere, I’ve long said that Dynamite is the only place that’s gotten the Lone Ranger right. I mentioned to Ande that I really wanted to like the movie, but that it was nowhere near his run on the book.
“I saw the movie and just though ‘All you guys had to do was follow the path we set on the book, and I just don’t understand why they didn’t do that.'”
You took the words right out of my mouth.
Maddie and I made our way down the table over to Angel Medina. My buddy Mayday always makes a point to stop by Angel’s table any time they are at a con together. We’ve been at Great Lakes Comic Con together but I didn’t have anything to sign. This time however, I came prepared. Maddie pulled a couple of Spider-man comics and a Dreadstar out of my backpack as I sat perched on top of my unicorn. I pulled up my Deadpool mask and we got Medinia’s attention. He thumbed in my direction.
“So, you with him?” He asked.
“That’s my Dad,” Maddie replied.
“Man, you don’t know how lucky you are,” he told her. “When I was a kid, my parent’s just didn’t get it. They’d drop me off at the con and pick me up later. They’d wonder why I was wasting my time on this stuff..and when I told them I was going to college for it? Forget it! It wasn’t until I showed my mom that first paycheck with Spider-man on it…It wasn’t until then that she understood maybe you can make a living this way.”
He finished signing my books and waved towards me. “You’re lucky. Your dad’s a nerd – and I mean that in a good way.”
We moved on as another person was chatting Angel up about Dreadstar. They mentioned that they had planned on bringing some for Angel to sign, but just couldn’t locate any of the First Publishing issues. Angel reached under his table producing a copy from that run and signed it.”That’s awesome!” he gushed. “What do I owe you?” Angel shook his head and waved him on, no charge.
We explored further, running into friends and taking photos and suddenly I found myself at the end of a long conga line chanting “One of us! One of us!” The line came to a stop but Deadpool kept riding his pony past them, racing across the sportsplex to photobomb a tense confrontation between Wolverine and a movie accurate, leather-clad Deadpool. Hulk shuffled over to me, petting the unicorn’s soft fur, the epitome of calm. I thumbed through dozens of three for a dollar bins and came away with a dozen Superman books. Maddie supported one of the local artists and purchased a Jigglypuff poster from him. I finally made it over to the American Knight table to see my old POP buddies Jae and Rick who were releasing their very first issue of the long-awaited book.
They were sold out.
Seriously. I arrived just in time to seethe last issues snatched up. “I go over to see Ange Medina first and because of that I miss out???” I screamed in mock outrage. Truth is, I couldn’t be happier for them. They have been working on this book for a while and a lot of us have been waiting to see this come out for years – indeed, at least as long as NEO Comic Con has been around. Greg was back and heard my disapointment.
“Did you get the digital copy?”
“No, I wan’t part of the Kickstarter”
He reached in his bag and pulled out his copy and passed it to me. “I got my digital one, and you really need to read it. You can have mine.”
I couldn’t believe it. I asked how much I owed him and he wouldn’t hear of it. “We gotta stick together, you know?”
Finally, the moment Maddie had been waiting for drew close. It was twenty minuets before the line up for the kids costume contest. We slipped into the back of the sportsplex, in a dark and unused portion of the complex. I helped Maddie don her overshirt and we got her clipboard out of the backpack. There in the dark, she practiced her quick-change twirl about four times. Confident in her display, we stuffed her cape up the back of the shirt and hiked the Supergirl skirt up so it was hidden under the billowy white blouse, cinched tight around the waist with a smart beige leather belt. Maddie joined the other kids by the panel area and I was happy to see her hanging out and chatting. I think she’s discovering (like I did) that the best part of a costume contest is hanging out with the other contestants backstage and getting to know them. She was particularly enchanted by the boy in the Aliens costume – funny since we just finished that movie a week prior. The line started to move, and the emcee called her name.
“And next we have Maddie as Supergirl!”
He caught a glimpse of her in the yoga pants and white blouse and corrected himself quizzically.
“I mean, FROM Supergirl….”
Maddie reached the center of the stage, grinned and ripped open her blouse, revealing the red “S” underneath. The judge’s jaw dropped as the crowd erupted in applause. Maddie twirled the blouse off and pulled her skirt down into view, ripping off her glasses. It was the best quick change I’d seen from her yet.
I’d trot on stage later as Deadpool, but I’m pretty sure Maddie’s turn was the highlight of the show for me. We headed back to the car exhausted and ready for dinner back at home…but also ready to come back next year! Keep an eye out for Maddie’s con VOLG (She’s been slow getting into it, but I bet it’ll be up by the end of the week). In the meantime, check out Maddie’s quick change in the kids costume contest here as well as my Unicorn waddle in the adult contest! (Thanks to Ken Nemec for recording it!)
Shenanigans with Bat-Mite
I built Bat-Mite as an accessory for characters like Mr. Freeze to carry at events where carrying a weapon might be frowned upon. He’s been a great deal of fun to play with, and he even dresses up himself sometimes!
Deadpool : The Next Generation part 2
Last month we talked a little bit about these pics that inspired a Deadpool/Star Trek cosplay. Well, we only showed about half of those pictures… here’s a slew more!
Deadpool : The Next Generation Part 1
My friend Nick is a big Star Trek The Next Generation fan. So Last Year, we were noticing just how much Deadpool’s costume works with the TNG color scheme; I mean, Like ridiculously well. So I whipped up these quick sketches to capitalize on the insanity – eventually Josh, our resident Deadpool ended up making this look a reality.
My personal definitive way of drawing iconic characters
Would you believe I was never that big a fan of Deadpool?
my main experiance with him was in the pages of X-Force where he was just another standard issue Leifield character, and a fairly bland one at that. It wasn’t untill much later when I started playing Heroclix, that the judge, Jesse got me to take another look.
Deadpool is fun, but not one I’ve been drawing for years. Still I foiund him popping up in Violent Blue and here on the blog and quickly developed my own take on the character. Not a lot of details, I do try to keep to Liefields interesting tendency for short gloves and boots, but most important to me are the eyes. They need to be big and round, not narrow. I want him fun and goofy, not sinister.
I hit the Deadpool premier at Atlas cinemas this weekend with a group and it was a great time. I made the questionable decision to show up as origins Deadpool (I troll at an Olympic level).
The movie itself was pretty much what I expected it to be – well perhaps a bit more male nudity than I expected, but I am assume Ryan Reynolds decided that if his face were going to be covered for so much of the movie he better show off his second most recognizable asset.
I’m really not trying to make puns– it just keeps happening, sorry.
I seriously liked the very firm connection to the X-Men films the movie had, it’s not just dropping a character like Colossus in there, it’s the X mansion, the blackbird, the little X symbols that we frequently see. Stuff like that reminds us that we are in a greater universe, and that’s a nice thing. Hardly essential, but nice.
The action was well done, lots of impact shots and gore – that’s also nice to see in an action movie again, particularly in an error when “action” frequently mean to bloodless. This is a nice change. It’s actually more of a throwback to the 80s action films then The Expendables was. Let’s face it after all, the action films in the 80s really were what super hero films are nowadays – just at a much higher rating.
That “R” rating is completely appropriate here by the way, there is a ton of nudity and constant foul language. You could possibly clean up some of it, but never enough to get it on television – it’s Tarantino and Rob Zombie levels of blasphemy. A good deal of it is warranted – some of it is excessive and gratuitous but I get what they were going for. Still, I’m not taking my kids to see it – I really don’t want the first wang they see to be Deadpools, looking like a hot dog that was left in the microwave too long.
Really, the biggest problem with this film – and I was worried about this going in- is that we’ve already seen most of it in the trailers. In fact, the trailers are pretty much your PG-13 edit of the film. There is very little outside of the F-bombs that we didn’t see previewed, and that’s a shame because this is a good film – the action starts right off. He is immediately in the red suit, and the origin is told in pieces throughout the first act via flashbacks. It’s somewhat the same technique that Man of Steel used, but far more in your face with a ton more costumed antics during that first act.
The jokes here are genuinely funny. This movie is as much a comedy as it is an action film. That’s a hard balance to maintain too, horror generally does it better. It was given a valiant try in the Rush Hour films – and completely failed in others like Hollywood Homicide. Deadpool is designed for this kind of blend of comedy and action. The fourth wall references, especially the ones to the other X films are just so spot-on that you can’t help but appreciate them.
All in all, it’s a recommended – and very gratifying to see it getting the love that it is, as specially considering how few people showed up for the R rated dread film just a few years back. It’ll make it onto my DVD shelf not too long from now and maybe for dead Paul to I’ll dress will look more appropriately – scroll down for some photos from our screening this weekend!
NEO Comic Con
I’d really love to tell you all about NEO Comicon. The problem is, I wasn’t paying attention. I spent much of the con with friends and didn’t snap a single picture – so some of the details are more background….but let’s rewind a bit.
I got there late, and was shocked to find the place was packed. I mean, PACKED – they got over 1700 visitors, nearly twice the amount they were expecting and even halfway into the show the joint was jumping. I found this surprising because as I was driving in, I saw just as many cars leaving the con as I saw coming into it.
Perhaps I shouldn’t be surprised. The promoters did an amazing job of getting online buzz and word-of-mouth going. Even that first year at Akron Comicon (a bigger show than this mind you) I don’t think I saw this same level of awareness. It sure did seem like everyone I knew was going to this.
I was coming directly from Church, so there was no way I’d be doing a long, involved makeup like the Thing (which I feel a little bad about considering my Thing costume was actually featured in Scene Magazine’s promo for the show….) but I still wanted something a little more interesting than my standard go-to of the Shadow. I decided to pull out my old Doctor Octopus costume – an outfit I haven’t worn in over four years – not since my first time out at Lake Effect Comicon. I made a couple of upgrades this time around as well, extending the upper arms and adding claws to them – claws that really snap and grab. Nothing was more fun that noticing someone looking at the arms then suddenly snapping the claws at them and watching people jump.
As soon as I entered the dealers room I found my friends in the nearest corner and ended up hanging out with them for most of the rest of the show (and then swiping a bunch of thier photos for the blog). They immediately put me to use using me as a battering ram through the throngs of people – you remember that scene in Spider-Man 2 with Doc Ock parting the crowd in the train? Yeah, that was the idea.
As we passed through the con I noticed that there actually was a panel going on. This was something unexpected. No schedule was posted and I had no idea that there was going to be ANY programming. I did know there was no costume contest, but the con did let cosplayers in free which shows they really do value us and the walking, talking atmosphere we provide far more than the extra $3.00 they might make from thier admission fee. I would have liked to see more programming (I spend two weekends a year at this hotel for Cinema Wasteland. There’s another room on the ground floor that wasn’t being used and could easily have been turned into a screening room of some sort) and for the existing programming to be better advertised, but the fact that they had anything at all really does show that they want a quality con.
It was bigger than I expected, with every inch of the dealer’s room packed. Very good vendors, not to mention fun tables as well – the cast of from “TRACE : A Doctor Who Fan Film” along with the Tardis and 2 Weeping Angels were there in the center of it all, providing the best photo op anywhere in the show. Prop makers, not to mention a full size RC R2D2 in one booth, Jango Fett in carbonite, and some great Comic creators. I stuffed a bag full of back issues, grabbing more of that Gambit series I’ve always meant to get to, as well as more Guides to the Marvel universe (I’ve got a thing for reference books). Look in the background – you’ll see me digging through long boxes with all four arms…..
Crowded aisles, and some logistical errors, but all in all a very strong first year. A great deal that the promoters can learn from this first turn out. I wouldn’t be surprised if they found a different venue next year (they’ve mentioned either this or expanding to more areas of the Holiday inn) and add some more events. They’ve already mentioned adding a costume contest . There’s certainly big ambitions here and with such an impressive beginning I can see them improving on the model for next year.
Seriously, I should have snagged a clue when I passed the billboard for Indiana Comicon on my way to Days of the Dead, but honestly, even with the attendance of Carrie Fisher, they really didn’t have a lot of media guests… it wasn’t going to be THAT big of a con was it? I was beginning to have misgivings, but still, I grabbed my Shadow costume and hit the road.
Indiana is possibly the biggest convention I’ve attended. easily as big as Wizard World Cleveland was. Big cons arn’t my thing. I don’t dig standing in lines all day, fighting the crowds. I want to be able to interact with the guests and hang out at the panels. The bigger the con is the less of that I get to do and this thing was HUGE.
It’s their second year and it shows. They haven’t quite gotten the hang of scheduling or crowd control. Last year people were unable to get in, refunded admission after standing in line for hours. This year those problems were solved, but they crept up again inside with the guests. There were a lot of upset attendees who stood in line for Carrie Fisher for up to 4 hours only to be turned away. It wasn’t just with her either though. Paige O’Hare (Belle from Beauty and the Beast) had her line closed three times while I was there. It would open for an hour or so (less than an hour that last time 4:30 and closed around 5:15) and shut down again for a photo op or panel. I didn’t make it up to see her and my girls were disappointed.
Still, truth be told, I wasn’t there for the media guests. I was there for the comic guests – and this is to Indiana’s GREAT credit. They are VERY focused on comics, and brought in some amazing guests.
Whilce Portacello mentioned that working on the Punisher was great training for young artist.
“I had to do so much research on the guns, I had to get everything right all the lines all the look.”.
I always love the way that Whilce created speed and action, and he told me “You’ve got to do that sometimes.” he pointed to a particular punisher cover. “Look at this, it’s an old cannon. It’s boring! You got to do something to make that look cool!”
One of the other things I love about his era, is this is when we got away from the cylinders as teeth on the Punisher’s skull.
“That was Mike Baron. We started out with the Cylenders, but he wanted to take it back to the early look. It dosen’t make sense anyhow! Why Cylinders? They don’t bend!”
I also talked to Mike Grell about Green Arrow : The Longbow Hunters asking how this came about it he come do do this. Did they come to him?
“They asked me if there was any one DC character I’d like to take and revamp and relaunch who would it be? My first thought was Batman, But at that time Frank Miller had just done Batman and I had a feeling that his version with stick for the next 20 years, and I was right!” he said, referring to the changes in the new 52.
“I always loved Green Arrow and they suggested what about Green Arrow as a hunter – well this was perfect for me!”
I mentioned to Grell that I thought Jon Sable was the one of the most interesting character in comics. I really do believe this. He smiled and shook my hand, saying “I’d really like to get back to this character some day. I think there are a few more stories in him.”
I had questions for Mark Wade about Kingdom Come, curious if all that background imaging we see throughout the graphic novel was all Alex Ross
“All that background noise was all Alex.” he said. Waid is currently writing the Green Hornet and loving it. Dynamite is just a great home for these characters and he asked if I was reading the new Avenger series as well. I haven’t picked it up yet although I very much enjoy Justice Inc.
I question Mike Zeck on his covers for 10 nights the beast which I love, but why does the beast look so different on his covers and he did on the inside?
“I didn’t really study the inside of these issues” Zeck replied and it appears to have been an access issue although he did create a stunning painted cover which is more in line with the character design for the trade paperback which I love.
I got a moment with Jae Lee to gush about how much I loved his Masks covers, and we discussed the Dark Tower a bit (I’m working on the novels right now, and was listening to an audiobook on the way down to the show) and his work on the comic prequels.
Art Thibert was up next and I’m a big fan of Art’s. Particularly when he inks Dan Jergens. There is this era of superman right after Jerry Ordway leaves and we are really missing his art. Dan Jergens is adequate. He’s more than up to the task but there’s just something about the Thibert over Jurgans that’s got this kinetic look.
“A lot of what I was doing were actually finishes not just inks. All that hatching and speed lines. though it might be credited as inks, Dan was doing a lot of layouts and leaveing thefinishes for us.”
Bob McCloud is unassuming, quiet and friendly. His career spans decades he’s done just about everything he’s inked everybody. “I’ve been very lucky” he said.
Denny O’Neill has fond memories of the shadow, especially of Anthony Tollin who was his go-to guy for preparation.
“Any time I had any questions he said I can immediately go and call Tollin. There is a guy who has lived his life exactly the way that he wanted to.”
We discussed both Tollin and Walter Gibson’s love of magic. I’m a magician as well, and I can see how that is part of the appeal.
“Gibson was a lazy writer. He would stop typing after his fingers started to bleed!” O’Niel joked, referring to Gibsons prolific output.
He loved my Shadow costume. So did Allen Bellman
“I though the Reaper had come for me!” he exclaimed as I came up to his table. One of the things I love about cosplaying the Shadow, is it’s a simple costume – and I can get out of it and look reasonably normal for photos with guests, but slip that scarf right back up and get into character in seconds. It’s also unique. I see dozens of Deadpools, hordes of Harley Quinns, but no one else is dressed like the Shadow, and it’s one of those characters – when people recognize who you are it makes them incredibly happy.
One last note, I’ve really got to hand it to the little girl from Frozen, she stayed at that booth all day and was energetic and happy period she reminds me so much of my children, with the exaggerated movements the excitement the little bundle of kinetic energy 22 a poster and showing it off, greeting kids with high-fives and hugs to takeing photos and talking with them and interact with them. You can see she wants to be here too, she wasn’t just dragged here by a momager, she’s loving this, and that makes me feel good about her appearance at these kind of shows. I have the utmost respect for this young woman and almost regret not taking a photo of her, but let’s face it, that would be creepy…
All in all, I’m not going back. Too far to drive for what I got. Not all of that is the cons fault, but it wasn’t one of my better days and more and more I think I need to stick with the MUCH smaller shows. I have a better time with them. Wasteland in two weeks.
And now – about a hundred photos.