It’s very strange, I don’t think I’ve ever seen a convention shrink in the way Cleveland Comic Con has. Still, it may have been just what it needed – a new tweak to the formula that finally makes this convention work.
Cleveland Comic con has had a bumpy road – with growing pains exacerbated by disorganisation and a grander scope then they can facilitate. I think they tried too much too soon and it has constantly dogged the quality of this convention and kept me away quite a bit. This year was different, everything moved smoothly. It feels like the convention dialed back some of that scope and is able to better accommodate the type of crowd it receives. That doesn’t preclude growing in the future, but they’re not ready yet – and the smaller two building-one stage set up they had running here suits them very nicely.
They gone out of their way to bring in some interesting guests as well – Sam Jones was there, overcharging for his Flash Gordon autograph. They brought in some minor characters from the Walking Dead as well. Vincent Ward and Santiago Cirillo are both actors I’ve already got on my walking dead poster… Santiago did Concoction a year ago and was just as much fun this time around – even with a lot of the same stories… I wandered into his panel, and he stopped dead pointed at me and yelled “yes! Slime me!”
That’s right, Cleveland comic con was finally the big reveal for my slimer costume.
Slimer was actually a big hit with everybody – freaking out some of the venders and drawing laughter and applause from Jones over at his Flash Gordon table.One young man stopped by me and asked “is it worth it? . I admit, it was hotter than expected, but absolutely. He is a remarkably fun character and you can get really silly with the body language – the people at the ghostbusters booth lost their minds over me!
I actually really dig the way they handled this costume contest – with prejudging around one, and everybody lined up for that. It would’ve been nicer however, if they had made the instructions about this clearer – I honestly just stumbled into the correct line and had I arrived much later I would’ve been excluded.
But all in all, I like prejudging – they give you a chance to really connect with the judges and explain what you have done and how you’ve done it without being under the pressure or time crunch of a costume parade. A couple hours later we are all lined up and doing our thing on stage which once again, a great deal of fun… It didn’t occur to them to let me speak or take a microphone, so everything was non-verbal – everything was expression and body language in this suit. It’s an interesting challenge, and I think I like it.
I finally got around to replacing my copy of Diane Carey’s Final Frontier – the one that I gave to my best friends ex-girlfriend. I always figured I just grab another one off the shelf of the local used bookstore, and hadn’t come across one since! Next to it in the paperback bin was an interesting looking copy of the Exorcist. I topped off my bag with a copy of the Art of Atari. I’ve been jonesing for this book since they announced it, and gem city had its usual excellent prices!
I’m really happy about what Cleveland comic con has become. It’s actually morphed into exactly the sort of show that I really enjoy – and I think now, it’ll have a better chance at growing organically… and that is something I deafinately want to see!
It’s such a shame. This could have worked if it had been done as a spin off. The comics have done some really interesting things in that vein.
But this? this is just…there’s no love. there’s no respect for what a remarkable film that first movie was.
There seems to be this idea of “We want to show this in a way you’ve never seen it before!”
But I liked how it was before….and wasn’t it kind of successful?
A female cast could work. But not this cast and not this way. Imagine a film that starts off with the familiar cast (Pay Murray what it takes to get him on set for ONE day). Murray or Akroyd have a huge blowout fight with Annie Potts, probably over shared grief in losing Egon recently. She quits and starts her own franchise with all women and Rick Moranis manning the phones.
They do great work, (insert a shot of Akroyd, Murray and Hudson watching their commercials and reading their headlines – still all one days work for Murray). Murray comes to apologize to Potts, or maybe comes just short of an apology (his pride won’t let it happen) and shortly after that he gets killed during a mission. The women have to step up and help Akroyd and Hudson stop the threat. There’s good ghosts trapped by evil ghosts – when the good ones are freed, One turns to them and it’s Murray. He says “Look who I found!” He gestures and is joined by a ghost Raimis (transparent and bluish, but definitely a young Raimis – a CG modle. No lines). He tells them not to worry about them, they’re off to start a franchise of their own…and fade away.
That works. You still get the impression that the classic Ghostbusters are out there doing their thing, and that they will show up from time to time, but you get a whole new cast in the process.
Seriously, can you imagine how incredible a Ghostbuster team led by Annie Potts would be??? And If Murray won’t come back, give all his parts to Akroyd. Even without Murray this could have been done and would have been a far better film. The cameos wouldn’t feel so much like cameos, but rather a driving part of the story.
I’ve occasionally seen some cries of misogyny regarding the negative reaction to this cast. Rebooting with a cast that I personally don’t like (I find none of these women funny. Was Tina Fey not available? How about ANY of the cast from the Big Bang Theory? Was Kirsten Vangsness not taking any calls?), and with no ties to the source material, this is simply a slap in the face, and it has nothing to do with feminism.
No, the Ghostbusters reboot is going to be one big cup of Nope! The originals still exist and I’m content with that as I watch this fall into career killing, bad idea obscurity.