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Posts tagged “Jim Starlin

Great Lakes Comic Con 2020

Conman78400487_10156723532887823_3193923382806577152_oI’ll say this for Great Lakes Comic Con, I never fail to have a good time there – it’s always been a good show all the way back to that first year that Maddie and I discovered it when we were looking for an alternative to Wizard World Cleveland. I skipped this one last year mostly because there were no guests that I was interested in and as such, it fell prey to the streamlining of my schedule. This time around however, not only were they bringing in the actors from the old Shazam series, but they were also bringing in one of my bucket list writers – Jim Starlin. His run on Batman is transformative, and the combination of him, Mike DeCarlo and Jim Aparo are my definitive creative team for that book.

Nevertheless, I woke up that morning with a distinct lack of enthusiasm. It was an early departure, primarily because Starlin had capped his signing line to 25 people per hour, due to a hand injury. I know from experience that means you better get over to that table and grab a line ticket as soon as the show opens or you may not get to meet the guest – I’ve been burned on Bruce Campbell this way and almost lost my opportunity to get George Perez to sign my stuff. On the other hand, I would’ve preferred to have shown up around Noon and wasn’t sure if I’d have enough to d all day. Still, I have faith in Great Lakes and so I drug myself out of bed and made the long, arduous journey to Deee-troit!

I was pleased to discover that the line wasn’t as long as it had been on my previous trip, 87176470_3066025340108535_247000854773628928_nand I managed to make it over to Jim’s table just after 10:30. I was able to secure a place in line between 2 o’clock and 3 o’clock – that was going to make things difficult with the costume, I’d probably have to get in and out of it a couple of times but at least I was going to get my books signed! Ticket secured, I made my way over to the Shazam booth where the guys were friendly and happy to see me. Bringing in superheroes from these old 70s shows reminds me a lot of Akron Comicon’s old philosophy and I’ve always enjoyed the selection that Great Lakes brings in. Across the sprawling, massive dealers room floor I found some fun blind boxes of Ghostbuster stuff as well as one dealer unloading a ton of Walking Dead swag for a buck apiece. I grabbed Lucille pens for Amy and Lydia, as well as a pack of Pokémon cards for Maddie. At the door, the freebie station was set up and people were handing out promotional items for the Harley Quinn movie – tiny hammer and bat keychains as well as posters and enamel pins. I’m not proud. I loaded up. Lydia would be delighted with the tiny Harley hammer that I brought her home. Right near the entrance I spied a vendor selling Spider-man Essentials volumes for two dollars apiece and picked 85257685_3066026240108445_5146596711648460800_nup two of the huge trades and headed back to the car. It was time for a swag dump and a change of outfit.

Fortunately for me, Michigan was having a mild winter so it wasn’t too terrible as I lugged the Skeksis costume in, wearing only the sweatpants and shirt that went underneath it. I geared up and took a look at the clock – I’d have to get back into civvies in two hours, but that would allow me plenty of time to make a couple of rounds through the floor.

In the week between Zip Con and Great Lakes, I had completely reworked the left arm so that it now held a staff. The hand, staff, and arm were all one piece, repainted and sculpted out of Great Stuff and PVC but this would be my first time walking around with it. I’d also drilled a hole in the neck connector so that I could drop a nail through the joint, securing the head to keep it from falling off again. There in the front hall, I had people coming up to me for photos before I had even completely suited up. After my experience at Zip Con and with the addition of the staff I was feeling much better about this costume and was happy to see how well received it was at the show. One young man in his twenties came up to me and told me he recognized it – not from the new Netflix series, but because his parents used to play the movie for him all the time on VHS! Another person confided in me that The Dark Crystal was one of the few films that genuinely scared him as a kid and gave 85259817_1317660341776968_3366178865893343232_nhim nightmares. I smiled and told him I was glad to have contributed to his psychosis.

As I made my way to the back of the convention floor, the people over at Guy Gilchrist’s table spotted me. Gilchrist is a Henson alumni, and bills himself as Jim Henson’s cartoonist. His assistant jabbed at his arm, drawing his attention up and away from the piece he was working on. His eyes widened in amazement and he exhaled deeply in wonder. He invited me over to get photos and showed me a photo of him with Jim Henson “This was taken right around the time he was creating you!”. It meant a lot to hear how impressed he was with the costume, he insisted on signing a Dark Crystal print for me and told me to come pick it up once I was out of costume.

I checked the time, Tom DeFalco‘s panel was about to start and I figured I’d be able to make it through about half of it at least before I have to shuffle out of the suit. Some of the con staff were nice enough to open the door to the panel room for me and I slipped into the back corner. DeFalco was just beginning his talk and had been handing out notes. He grabbed the moderator and handed a stack f papers to him and then pointed to the back.

“…and let’s get one of these over to the… Creature… In the back.”

I enjoyed DeFalco’s talk about his approach to creating comics. This is another one of those things that great Lakes does really well, and I remember having a similar reaction when they brought Jim Shooter in for a talk much like this. I was disappointed when I had to slip out, but time is ticking away and I wanted to be in normal clothes to meet Jim Starlin.

I carried my bundle out to the car and decided it would be too much trouble to get the lizard feet off (they are the hardest part of the costume, and it always takes me forever to wriggle out of them. I usually don’t take them off until I get home actually) and decided to just put my jeans back on over top of them. It had warmed up enough that I left my leather jacket in the car and just wore my sweater, topping it off with a hat to cover my 84254113_3066025946775141_2971767006874828800_nhair, mussed from the costume.

Starlin himself was warm and congenial.

“Batman was always my hero,” he told me. “ I mean back then, it was either superman Batman or wonder woman – and then maybe a little bit later the fly or the Jaguar, but it was really mostly Superman Batman and Wonder Woman”

He looked at my copy of Death in the Family as he was signing it.

“It was a shame, after we killed off Robin, somebody in merchandising realized it was a problem, and all of a sudden I was kind of persona non grata at DC. Work just dried up. Fortunately, there were some openings over at Marvel and I ended up working on a little thing call the Infinity Gauntlet – so I can’t complain too much!”

Before I got back into the costume, where I would stay for the remainder of the show, I managed to swing through and do a bit more shopping. No quarter bins, but plenty of 50 Cent bins and I managed to score some Punisher and Green Hornet. I was shocked when I discovered a bunch of Hulk and Star Trek issues in one those 50 Cent bins, all signed by writer Peter David. David is one of my favorite writers and I actually go out of my way to meet him at Hall of Fame Comicon a couple of years ago. I can’t for the life of me understand why these are in the discount boxes, but I wasn’t complaining. I grabbed as many as I could find and came home with a stack of new stuff to read.

I spent the last two hours of the show back in the Skeksis outfit. I hadn’t realized how 87179947_3066026173441785_6014793426770329600_nmuch muscle it would take to carry around the staff. It’s not that it was heavy, just that used muscles in my forearm that I’m not used to flexing all the time! About an hour before the costume contest, I saw a familiar costume style walk in, a cosplayer I’d seen around Michigan a few times – he’d spent most of the day in a diffrent costume, but now was in his new hydra suit which managed to place during the costume contest. Backstage and waiting for the contest to proceed, I had fun fooling around with some of the other contestants – hypnotizing one of them with my staff and joking with some of the others. This time with the other cosplayers is consistently my favorite part about doing costume contests – it’s not about whether you win or lose, it’s about who you get to know!

As the show drew to a close, I slunk out quickly and quietly- exhausted and ready to hit the nearest McDonald’s for some hydration on the way home. Still, despite my fatigue, I had fun and can’t wait to come back.


Comic Creator Autographs fall 2019

Conman
A while slew of updates fell into my lap just before NEO Comic Con (review will be up later this week), but I wanted to wait until after the con to make sure a couple of them were still correct. As always, we’re not really going to discuss the pros and cons of comic professionals charging for autographs. There’s plenty of other forums for that. We’re just going to acknowledge the reality of modern convention economics. This is a little something to help you know what to expect when you go to a con so you don’t get blindsided. A lot of artists don’t have autograph charges clearly displayed and frequently con websites either don’t have this information or are asked not to display it. Here’s my current list – in sort-of alphabetical order. It’s not exhaustive by any means, things may change next month or next year. We’ll update and repost from time to time.

Amanda Conner – free for 5 books, $2 after, $5 for CGC.

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Me so excited to meet Gerry Conway I forgot to open my eyes!

Alex Saviuk – $5
Arvell Jones – $5
Al Milgrom – $10 per book
Adam Kubert – $5 per book
Brett Breeding -$5
Brian Azzarello – $5, except for graded items and Batman:Damned
Bob Camp – $30
Bob Wiacek – $2 (He might make you a deal for multiple issues)
Bob Hall – free for the first issue, or if you purchase a something from the table, otherwise $5
Bob Layton- $5 for CGC graded signings, otherwise free
Bob Mcloud – one for free, then $5

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Bob Budiansky – first six free, $2 each after
Bill Sienkiewicz – two for free, then $3, $10 for CGC
Chris Clarmont – first free, then $20
Charles Soule – $10 CGC grading signings
David Finch – 2 free, then $5
Don McGregor – $5 per signature
Edgar Delgado – $5 CGC grading signings
Fabian Nicieza – $10 Deadpool/X-Force related
Fiona Staples – $20 CGC grading signings (otherwise free)
Graham Nolan recently started charging, but not sure how much.
Greg Capullo  – first 3 books free and $5 thereafter
Gerry Conway – $5
Gerhard $10
Greg Horn – $20 GameStop variants (otherwise free)
George Perez – Free, but he has a ticketing system so get to his table first thing after the show opens or you’ll be stuck in line for HOURS waiting for a spot to open up. Alternatively, if you can deal with not MEETING him, you can buy a print and he’ll sign that and a couple books in between sketches and stuff.

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Nolan signs some bat-issues!

Humberto Ramos – $10-$20
Howard Chaykin – $5 per book
Joe Sinnott – $10 per book
Jim Starlin -$10 per book (goes to Heroes Initiative)
Joe Giella- $4 per book
J. O’Barr – $5
Jae Lee- $5
John Romita Jr – three for free, then $2. $10 for CGC grading.
Jose Delbo – $5
Joe Rubinstein – $20 ($50 for Wolverine)
Jimmy Palmiotti – free for 5 books, $2 after, $5 for CGC.
J Scott Campbell $10
John Cassandry $10
John Beatty – $3
Jim Sternako charges $20 per item last I checked – and that includes items and prints BOUGHT FROM HIS TABLE. Also, do not ask for a photo with him.
Keith Pollard – $5

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Larry Hama wondering exactly what he’s gotten himself into…

Kevin Eastman – first is free, $20 after that (He also doodles on the items!)
Keith Giffen – 1st book free, $5 per book after
Klaus Janson– $10, $20 CGC grading signings
Len Wein – $5, $20 CGC grading signings, $25 for Hulk 181, Giant Size X-Men #1 or House of Secrets #92.
Larry Hama will sign two items for free and charges after that.
Matteo Scalera – $20 CGC grading signings
Mike Zeck – $5
Marv Wolfman – one free (I’ve heard elsewhere it’s two for free, but in his last interview he said one), $5.00 after that
Mark Texeria- one personalized signature free, $10 per book after or unpersonalized
Mitch Gerads – 2 free, then $5
Michael Golden- $5 per book

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With the Legendary Denny O’Neil

Mike Grell – $5
Neal Adams – $30
Pat Brodrick – $3
Ron Frenz -$3
Ron Lim – 1st book free, $10 per book after
Rob Liefeld – $25-$50
Rags Morales – $5
Scott Snyder – first 3 books free and $5 thereafter
Simon Bisley – $10 per book
Tom DeFalco $5 each for three or less. After that $20 (“Dealer’s Pricing”)
Tony Isabella $3. (As of Akron Comicon he’s dropped the “first one free” schtick)
William Messner-Lobes – $10
Whilce Portacio – He was free when I met him several years ago, but from what I understand there’s a few key books he charges $10 to sign
Victor Olazaba – $10

Tip Jar – pay what you want
Some of these are for causes like the Comic Book Legal Defense Fund or Heroes Inititive. Others are just personal. I urge you, respect the tip jar. (It’s so much better than autograph fees)

Billy Tucci
Ben Templesmith
Barry Kitson
Charlie Adlard
Denny O’Neil (Heros alliace tip jar)
George Perez
Gene Ha
Jan Duursema
Jim Calafiore
Larry Stroman
Peter David
Mike Barr

Free
14938305_1328900417154378_6902178794103765567_nAlan Davis
Ann Nocenti
Ande Parks
Angel Mediea
Art Thibert
Aaron Lopresti
Bill Anderson
Brandon Montclare
Brian Michael Bendis (Be prepared to wait a long time in line)
Bill Willingham
Brendan Fletcher
Bob Almond
Christos Gage
Chad Townsend
Carla Speed McNeil
Charles Soule
Clayton Crain
Cary Nord
Cameron Stewart14900529_1294021037284083_6486392154139767345_n
Chip Zdarsky
Chris Yambar
Casey Jones
Darryl Banks
Dave Gibbons
Dan Brereton
Dirk Manning
Emanuela Lupacchino
Erik Larsen
Evan Dorkin
Fred Van Lente (assuming you can catch him. He dosent do to many shows these days)
Frank Cho
Franco
Gail Simone
Greg Land
Heather Antos
16998140_1452872038090548_8911164774404268434_nIvan Reis
Jason Latour
Jon Bogdanove
John Ostrander
Joe Staton
Joshua Williamson
Jim Zub
Judd Winick
Jim Shooter
Jerry Duggan
Jason Aaron
Jeff Schultz
Jacob Chabot
Jonathan Hickman
Jenny Frison
Jae Lee
Joe Kelly
Karl Story
Kelley Jones
Kevin Maguire
Kevin Nowland
Keron Grant
Kyle Higgins
Lela Gwenn
Lee Weeks

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It’s just a shadow. James O’Barr didn’t actually give me a black eye…

Louise Siminson
Mike McKone
Michael Cho
Matt Miner
Matt Horak
Mike Mayhew
Mark McKenna
Mike Okamoto
Marc Sumerick
Mike Gustov
Mark Waid
Mark Schultz
Mike Norton
Matt Fraction
Marguerite Bennett
Mike Hawthorne
Stephen Blickenstaff
Nick Bradshaw
Nick Dragotta
P.Craig Russell
Jorge Lucas
Jim Pasco
Phil Hester12190817_1064801410230948_2617958790839857194_n
Phil Noto
Paul Pelletier
Rick Remender
Ron Fortier
Ramon Villalobos
Ricardo Lopez Ortiz
Rafer Roberts
Sergio Argones
Scott Hanna
Steve Leialoha
Steve Mannion
Stephen Sharar
Scott Snyder
Stefano Gaudiano
Skottie Young
Stephen T. Seagle
Tim Seeley
Tom Mandrake (sometimes a tip jar for Hero Initive, but not when he was at NEO in 2019)
67602223_2625952624115811_7500589555540557824_nTim Bradstreet
Todd DeZago
Tim Truman
Walt Simonson – donations for quick sketches
Will Rosado
Yanick Paquette