Week of 2/22/23
Right off the bat I’d like to make a statement that I don’t think should be controversial. 
Darkwing Duck does not need 29 variant covers.
No, seriously. This is second issue. The SECOND issue especially should not need 29 FLUFFING variant covers! Look, this is a nice entertaing book. Standard storytelling. Fun but nothing special. Twenty nine covers. TWENTY NINE! Even
if you don’t count duplicate images and BW ones, it still comes out to a whopping 19 different cover images! Dynamite execs? If you’re reading this? I’m not going to collect this book. All of those varient covers are going to end up in the dollar bins and confuse anyone wanting to put this run together. You’re DISCOURAGING me from buying it.
Second statement I’d like to make. She-Hulk? More of this please. Lots more.
I’m kind of at a point where I just want to see the casual pause books that come up between arcs. I’ve always been a sucker for them, but these are really what are giving me exactly what I want. Case in point, World’s Finest #12. Do you guys remember these panels from way back in issue #2?
Well in issue #12 we finally get the details. And boy, you can tell that Marc Waid has just been DYING to tell this story from day one. I keep talking up this series, and it more than just the nostalgia. there’s some really good writing going on here with some genuinely interesting character arcs happening. What’s REALLY interesting – Waid hasn’t just given Kara and Dick character arcs – he did it IN REVERSE. he presented the characters as they were, teased it, and then went back and cohesively showed how they got there. It’s absolutely a master work. Also, monkeys.
I Hate Fairyland #4 is also pulling off an impressive trick. Putting a average to kinda attractive female front and center in the issue, leaving her naked through most of it and being as gross as possible.
And I mean as disgusting as can be. Skottie Young is known for being outrageous, but the gross outs are usually more gore focused and less scatological. This one leans heavily to the latter. It’s not for the faint of heart or those with a weak stomach.
Sadly, if that’s really all that stuck with me, then I can’t exactly say it’s a recommend either. Outrageousness is great when it serves the story. This issue seems transgressive just for the sake of it, not pushing the narrative much as we go.
Amazing Spider-Man #20 wraps up the winter getaway with Black Cat two-parter. It’s nice straightforward adventure and shenanigans, ruined only by White Rabbit’s really irritating characterization. honestly the dialogue in general for this issue drags down the story from fairly fun to kinda meh. It’s still loads better than the last six months of this book though. We needed a good compartmentalized mission like this, and here I had my hopes up for perhaps rekindling something with Felicia. I’m less hopeful after seeing the preview of the next issue’s cover with Mary Jane and Peter huddling together. I know I keep complaining about “Get back to the Status Quo, or at least tell me what’s going on and how we got here!” but it’s REALLY bothering me.
Speaking of status quo – I’ve been saving Superman for last, because I had such trepidation as to what’s going to go on with that book. I’ve seen the previews, the white suit, and whole bunch of “team Superman” heroes… the thing is, the more of these kind of derivitive characters you shoehorn in, the more you water down your original. Just look at what’s going on over in Spider man.
Nevertheless, that is a spectacular cover and things look pretty inviting, so I thought I’d give it 
a try. It starts off with some standard Superman heroics. A quickie fight with Livewire (a fan favorite that manage the jump from animation to comics). With her safely put away, he notices that the minister officiating the wedding below him ran off in all of the chaos and proceeds to marry the couple himself. We get some funny photos from the reception, and it’s all very Superman. But I’m also really enjoying the emphasis on the supporting cast. This has always been one of the strongest elements of the Superman books. It’s something they understood for decades, that the unpowerd supporting cast, the mere mortals rubbing shoulders with this demigod, they’re what really gave the book character and heart. We’ve got a new police chief in town which is interesting enough. A slick and modern look to him, with the button-down vest. I don’t know how hes getting away with that ponytail, But on all it’s a good look. I still miss the rumpled seventies detective look of Inspector Henderson, but Metropolis has frequently been portrayed as “the city of the future” and Chief Kekoa really fits the more modern esthetic.
We get some good bits with Jimmy and Lois, and Clark gets to do some very Clark Kent stuff as well. Sometimes writers forget how important these relationships are, so I enjoy seeing these front and center… I’mfar more interested in this than in a team with superpowered kids nipping at his heels.
There’s also some interesting set up… a future collaboration with Lex Luther certainly seems to be in the works. Moreover, there’s a mysterious threat in the background that definitely appears to be on the rise. It’s all good stuff, complimented by absolutely magnificent art. Jamal Campbell Is absolutely knocking it out of the park. It’s stylized, but not ridiculously so. Superman is very recognizable, even as you can see it’s Campbell’s Superman. It’s the classic costume, complimented by a very classic attitude and Handling by Joshua Williamson. I’m so pleased to how well this turned out. It’s very much the book that Superman deserves. If you could just give me more of this for a few years, I’d be absolutely content perfect. However, truth is I’m probably gonna jump off the second the glowing white suit and the legion of super kids shows up, But let’s not worry about that now. That’s in the future. For right now, let’s just enjoy some good Superman…. for as long as it last. Definitely pick this one up.
Last Weeks Pulls 6/22/22
I’ll be honest, I have absolutely no interest in DC‘s Dark Crisis 
or any of the repackaged 5G that they’re trying to roll out here. They’ve largely made the DCU so unrecognizable to me that it’s off-putting and, the stories just aren’t that interesting.
were kids, and The title was genuinely fun. I know they’re trying to rope us in with nostalgia, but fun was what I was still hoping for.
released a new issue of New Fantastic Four. That’s that strange 90s team up between Grey Hawk, ghost rider, wolverine and Spider-Man. I don’t know where these gimmicks are coming from …I don’t know who’s green lighting the stuff… But on the other hand, I’m obviously encouraging them because I keep buying it. It’s an interesting revisit to that era… I’ve always wanted to read more Grey Hulk, so this definitely scratches that itch. It’s also a nice demon based story, kind of in line with what we’re seeing in the current ghost rider run. A bunch of people being mind controlled by some demonic thing and attacking everything in sight. Come to think of it, it almost feels a little bit like what we’re seeing in Worlds Finest as well. In any event, it’s an interesting little story, although I almost wish I’d been a one shot. We get a to be continued… And I’m not sure if this is going to have the legs to go multiple issues or to keep my interest that long. We’ll see what happens.
A big surprise for me this month was the Perry White book. Much like New FF. I have NO idea who’s idea was to put this out… A collection of stories featuring the editor in chief of the daily planet… with some hijinks involving Jimmy Olsen as well. But you know what, this was delightful. Way more interesting that had any right to be. We got a team up with Wildcat… charmingly titled “old guys talking in bars”, we get some reprints here and there – I’ve only read about Perry’s super cigars, I’ve never actually seen them. Good to see Curt Swan reprinted and to finally experiences classic story upfront. Not sure how they got away with it actually, considering the anti-smoking sentiment we have in 2022!
usly, the book is just fun. I’m shocked at how much fun I had with this… But perhaps I shouldn’t be. After all, I’ve always said that one of the great strings of the Superman comics is in fact the supporting cast.
Of course that’s probably because Spider-Man still a convoluted mess and I don’t know what’s going on. There’s a sort of Spidey saves the day resolution for this issue, and another one of those sort of bread crumbs drops… “What’s going on here?“. Black cat swings by to see Mary Jane for some reason and it’s weird, it’s almost like she’s surprised to see the daughter. “Hmmmm. Cute kid.” You know, that’s remarkably cryptic. Impressively so considering it’s simplicity. 
quite the same. I have to say, this issue feels a lot like the old Nightwing series… I’m really enjoying watching his relationship with Barbara start to takeoff again. This is something that I see them exploring both here and in Batgirls, and I’m really up for it. There’s not an enormus amount of Nightwing shenanigans going on here though… It’s a fairly simple straightforward story. I picked a good issue to try out with a contained narrative. This area of the Haven is seeing increased crime, and the police are using it as a excuse to hassle the locals. Of course the police force anywhere near Gotham is going to be corrupt, and it turns out these guys are using the crimewave as an excuse to step up patrols and triple the amount of cops in the area. They point out, quite correctly actually, that if there’s increased crime in the area, you need a increased police presence… But Nightwing replies, asking if making these kids feel like criminals is gonna make them feel safe…Now, of course these bad cops take it a step further, hassling kids playing basketball in broad daylight at noon on a Sunday or something…, But I still feel a suggestion that all police activity is harassment, all cops are bad, and that if they just left it all alone, everything will be all right… After all it’s probably the cops causing all the trouble anyhow! It’s a drag too, because I was really liking this book… Until I got smacked in the face with a large baseball bat labeled “the message“.
On the other hand, there’s absolutely no message in Elvira… Other than cleavage is good.I know I keep saying this, but it’s a ridiculously self-aware book. The best part of it being, Jack Torrance keep speaking in Jack Nicholson quotes. There’s a lot of Batman quotes here, along with the occasional “You can’t handle the truth!“ At one point he confronts Elvira with a “did you ever dance with the devil in the pale moonlight?“ To which she responds “you wanna get nuts? Let’s get nuts!“ It’s all insanely glorious. There’s a couple of pokes at Kubrick‘s directing style as well, the use of banner slides to tell you which day it is… That sort of thing, and even an acknowledgment of the recent Dr. Sleep film. But the part that’s truly horrifying is when you see what’s written on Jack’s typewriter instead of “all work and no play makes jack a dull boy“. It’s genuinely good stuff, and we can see by the end of this book, that is leading her into her next film… Alien. Once again, I can’t wait.
The thing that is so charming here is that it’s really the best possible venue for the character. Elvira has always been fundamentally a horror host, so dropping her into these movies… It’s really just an extended version of the things that a lot of posts like Zacharly would do, green screening themselves into the movie. Elvira is taking this to a whole new extreme, but it fits. It gives her a chance to be a character, while still retaining her identity as a host.
If you’re a fan of the current ninja Punisher run, You may want to check out Punisher war journal. It’s a nice self-contained story, but it’s a side quest. Definitely something that they’re doing in another book so that they don’t interrupt the flow of the main story going on in the main book. Or journal still evokes a desire for gunplay, and I have to admit, while this is a Punisher story… It’s a Punisher story largely without firearms. There’s a few, but I have to admit I miss them. Then again, props on them for at least giving us a scene or two of ninjas with guns. I understand cinematicly why you never see them using firearms in the movies, but realistically, just like any good spy I would assume a ninja would use any weapon at his disposal… That includes firearms. I think at the end of the day, this is still gonna go down as just one of those “weird“ periods in the Punisher’s history, much like the mobbed up ponytail storyline, or the Demon Hunter one… Marvel’s just not sure what to do with him right now because he’s a little too politically incorrect, but at the same time a little bit too popular to just rest the character. I’d still prefer all of this is the side quest, and alternate universe whatever sort of thing, but I’m still enjoying the ride a lot more than I expected to, so I’m sticking with this.
Robin
My personal definitive way of drawing iconic characters
We did batman last time, so let’s get into the logical next character – Robin!
While Aparo defines my Batman, to me he never seemed to understand the Tim Drake Robin (my favorite). Breyfogal (who is a heavy influence on Batman’s utility belt for me) really gets Tim’s face and hair, but Tom Lyle defines the suit for me.
The muscles are smaller and less defined, but still fit. Again, he’s Lean, just like Batman.
I was sad to see this suit go and never understood why we moved away from spiky hair, for me this is the way I think Robin should look.
Argo City Comics 