Week of 2/22/23
Right off the bat I’d like to make a statement that I don’t think should be controversial.
Darkwing Duck does not need 29 variant covers.
No, seriously. This is second issue. The SECOND issue especially should not need 29 FLUFFING variant covers! Look, this is a nice entertaing book. Standard storytelling. Fun but nothing special. Twenty nine covers. TWENTY NINE! Even if you don’t count duplicate images and BW ones, it still comes out to a whopping 19 different cover images! Dynamite execs? If you’re reading this? I’m not going to collect this book. All of those varient covers are going to end up in the dollar bins and confuse anyone wanting to put this run together. You’re DISCOURAGING me from buying it.
Second statement I’d like to make. She-Hulk? More of this please. Lots more.
I’m kind of at a point where I just want to see the casual pause books that come up between arcs. I’ve always been a sucker for them, but these are really what are giving me exactly what I want. Case in point, World’s Finest #12. Do you guys remember these panels from way back in issue #2?
Well in issue #12 we finally get the details. And boy, you can tell that Marc Waid has just been DYING to tell this story from day one. I keep talking up this series, and it more than just the nostalgia. there’s some really good writing going on here with some genuinely interesting character arcs happening. What’s REALLY interesting – Waid hasn’t just given Kara and Dick character arcs – he did it IN REVERSE. he presented the characters as they were, teased it, and then went back and cohesively showed how they got there. It’s absolutely a master work. Also, monkeys.
I Hate Fairyland #4 is also pulling off an impressive trick. Putting a average to kinda attractive female front and center in the issue, leaving her naked through most of it and being as gross as possible.
And I mean as disgusting as can be. Skottie Young is known for being outrageous, but the gross outs are usually more gore focused and less scatological. This one leans heavily to the latter. It’s not for the faint of heart or those with a weak stomach.
Sadly, if that’s really all that stuck with me, then I can’t exactly say it’s a recommend either. Outrageousness is great when it serves the story. This issue seems transgressive just for the sake of it, not pushing the narrative much as we go.
Amazing Spider-Man #20 wraps up the winter getaway with Black Cat two-parter. It’s nice straightforward adventure and shenanigans, ruined only by White Rabbit’s really irritating characterization. honestly the dialogue in general for this issue drags down the story from fairly fun to kinda meh. It’s still loads better than the last six months of this book though. We needed a good compartmentalized mission like this, and here I had my hopes up for perhaps rekindling something with Felicia. I’m less hopeful after seeing the preview of the next issue’s cover with Mary Jane and Peter huddling together. I know I keep complaining about “Get back to the Status Quo, or at least tell me what’s going on and how we got here!” but it’s REALLY bothering me.
Speaking of status quo – I’ve been saving Superman for last, because I had such trepidation as to what’s going to go on with that book. I’ve seen the previews, the white suit, and whole bunch of “team Superman” heroes… the thing is, the more of these kind of derivitive characters you shoehorn in, the more you water down your original. Just look at what’s going on over in Spider man.
Nevertheless, that is a spectacular cover and things look pretty inviting, so I thought I’d give it a try. It starts off with some standard Superman heroics. A quickie fight with Livewire (a fan favorite that manage the jump from animation to comics). With her safely put away, he notices that the minister officiating the wedding below him ran off in all of the chaos and proceeds to marry the couple himself. We get some funny photos from the reception, and it’s all very Superman. But I’m also really enjoying the emphasis on the supporting cast. This has always been one of the strongest elements of the Superman books. It’s something they understood for decades, that the unpowerd supporting cast, the mere mortals rubbing shoulders with this demigod, they’re what really gave the book character and heart. We’ve got a new police chief in town which is interesting enough. A slick and modern look to him, with the button-down vest. I don’t know how hes getting away with that ponytail, But on all it’s a good look. I still miss the rumpled seventies detective look of Inspector Henderson, but Metropolis has frequently been portrayed as “the city of the future” and Chief Kekoa really fits the more modern esthetic.
We get some good bits with Jimmy and Lois, and Clark gets to do some very Clark Kent stuff as well. Sometimes writers forget how important these relationships are, so I enjoy seeing these front and center… I’mfar more interested in this than in a team with superpowered kids nipping at his heels.
There’s also some interesting set up… a future collaboration with Lex Luther certainly seems to be in the works. Moreover, there’s a mysterious threat in the background that definitely appears to be on the rise. It’s all good stuff, complimented by absolutely magnificent art. Jamal Campbell Is absolutely knocking it out of the park. It’s stylized, but not ridiculously so. Superman is very recognizable, even as you can see it’s Campbell’s Superman. It’s the classic costume, complimented by a very classic attitude and Handling by Joshua Williamson. I’m so pleased to how well this turned out. It’s very much the book that Superman deserves. If you could just give me more of this for a few years, I’d be absolutely content perfect. However, truth is I’m probably gonna jump off the second the glowing white suit and the legion of super kids shows up, But let’s not worry about that now. That’s in the future. For right now, let’s just enjoy some good Superman…. for as long as it last. Definitely pick this one up.
Last Week’s Pulls
A new Star Trek book hit the shelves! The line is just being referred to as “Star Trek”. Not “Star Trek : This new series”, or “Star Trek :That new ship name” and I’m of two minds about that. Usually a title that’s just ‘ol Star Trek refers to TOS or ’09. You know, Kirk and company. This on the other hand is an ensemble book. It’s a team made up of characters from various series and incarnations, including Captian Sisko, Commander Data, Dr. Crusher, Lt. Tom Paris and Mr. Scott. I can see why it might defy catagorization, yet, I almost feel like I’d like some specific identifier for this series.
Sisko is back from the Prophets, and off on a new mission. He’s assembeled a special team aboard an experimental starship and off we go in search of dead gods.
Week of 9-22-22
I finally did it! I finally got around to catching up on Stargirl! I’m not sure why I dropped off exactly… I know that Maddie wasn’t really interested in watching it much anymore, but honestly, I thought I Was way further behind than this. There were only four episodes left in the Summer School season, and maybe it’s just because we’re at the climax, but wow, did they deliver.
So, where were we? Eclipse it was free, he’d blasted shiv into oblivion, and was now in the process of haunting each of the JSA members. That’s not too big of a problem, because they’re each dealing with her own baggage. Yolanda still has guilt over killing Brainwave Jr, Beth is watching her parents marriage fall apart, and her only solace is the slight contact she’s managed to get with the original Doctor Midnight. Hourman’s hourglass is broken, and for some reason he’s developing a bond with Solomon Grundy… All of this is fertile ground for Eclipso to work in. Nevertheless, they manage to come together to try and defeat a clip so… And the process, Stargirl is blasted away. It’s pretty shocking, considering how close to the end of the series we are… But we discover that what’s happened is she’s been banished to a shadow realm. a sort of purgatory where Eclipso can toy with her and others, to feed off their negative emotions. It turns out, Shiv is also there… As well as Dr. Midnight. With the help of the shade end guidance from Dr. Midnights goggles, Courtney’s parents managed to rescue them, and heading for the final showdown.
It’s really good, really well done. The characters are rich and complex, and current politics, while sneaking in around the edges, are kept to a minimum… Kind of feels like the good old days.
With that finished, it’s time to move from the summer school season into the Frenemies season. I don’t know if this will be a full 22 episode run or another 13… I have to admit, doing the 13 episode runs has really worked for stalker all. It’s giving them just enough time to do what they need without bogging everything down with filler.
If I have any real complaint about the Frenemies season… It’s that they’re building it as a murder mystery, but the title doesn’t feel congruent with it. Frenemies is a very high school kind of term, well this is leaning heavily into the sort of Agatha Christie murder mystery milieu. On the other hand, it makes sense because the beast storyline is an exploration of whether or not villains can really change… Whether they can truly reform and become allies. This is a very superman take. I pointed this out both and superman and early Supergirl… That part of what they want to do is take the bad guys, find them and fix them… Maybe turn them into friends instead of enemies. Courtney’s cut very much from that same sort of mold… Really trying to embrace shiv and incorporate her into the justice society. Of course sports master and his wife have also moved in right next-door to her, complicating things more than a little bit. Artemis also wants a spot on the GSA… And let’s just say, her mother is quite insistent. Hon
She Hulk on the other hand is a whole different story.
I gotta tell you, it almost feels like a chore watching the show now. Like, I don’t want to give up considering how far into the season we are, and I’ve managed to stick it out this far… But the show is just such a disappointment. This week sees Jen at a wedding, and it really reinforces the whole victim complex that she constantly revels in. Everybody’s mean to her, nobody’s nice except for her… Course the fact that she gets raging drunk and then gets into a fight with a super villain… Well that’s not her fault. Titania hit her first right? Of course back in the B storyline, the assistant and the lawyer from last week are taking over her current case… A “mister immortal“ who can’t die… So he gets married to unsuspecting people, then once he’s gotten what he wants financially or if it just starts to go to Dale, he dies, which terminates the marriage contract, and then comes back to life. It’s one of these stories that you could almost watch them going down a checklist. Seriously, it’s custom made… A “men are bad“ story with room to display a conveniently diverse group of ex-wives… And one ex-husband. Everyone’s different ethnicity, and everyone has a different beef… And it’s just so intentionally politically correct that it knocks you right out of the story. If it had been a group of white haired ladies in their late 50s and 60s, it would actually ring more true and feed into the stereotype they’re going for. I’d also be more convinced if they looked similar. Same race, same general figure. And you can’t make them all black… Because that would just mean Mr. Immortal is a racist. But seriously, most guys have a type… Just look at Hugh Hefner.(sorry, but he’s on my mind because of the trashy podcast Holly and Bridget from the girls next-door are doing). That sort of guy who can get just about anybody he wants is going to go for the same type repeatedly. Doesn’t have to be blonde and busty like Hefner, but skinny, fat, African-American, Latino, men… This is not a natural pattern, and again, it’s smacks of a diversity checklist Rather than organic chemistry, and it’s so jarring that it yanks me right out of the story.
Not there’s really much story here to begin with. She hulk shows up at a wedding, gets to complain about how they don’t want her to be Seahawk at the wedding and take attention away from the bride… She feels like everybody’s being mean to her, Gets into a fight,and then goes home. Seriously, I had a bridesmaid like this. We kicked her out of the wedding party. It is true, that most of the people in this episode are portrayed as jerks and pretty bad folks… The problem is, so is Jen. I don’t like Jen… But I’m supposed to be following her and rooting for her. And that’s kind of the root problem with she hulk in general. She’s just written as such a jerk, and that’s not the Seahawk that I know. It’s a shame too, because I like she hulk. The CGI model looks just fine to me, and I can’t wait to see her team up with the fantastic four. But man, this version is just a drag.
It’s no wonder the show is hemorrhaging viewers, and even though I’m sticking with it for the sheer masochistic duty of it, it’s not one I could recommend. Ugh. Just give me more Stargirl instead.
Last couple weeks’s pulls
It’s been a busy few weeks, so I’ve fallen behind on stuff like comics and television, but I finally made it back out to the shop to pick up my pull list, and a couple of things off the shelf. Nevertheless, my stack was significantly smaller than I would’ve expected.
I’d actually forgotten about the Human Target. It’s been a while since the last issue came out… And seeing this on the shelf made me wonder if I had just missed a few months and the series had wrapped up without me? No. It’s still solicits issue seven at the back, so apparently the title was just paused or late. I’ve got a bone to pick though, with calling this tales of the human target. This is not a human target book. This is a justice league international book. That’s a problem. Not just the branding, but dropping a JLI book into this run, because the thing about justice league international was the book was funny. It was at just the right time, right in the middle of the comics boom, and shortly before the implosion… At a perfect time for an experiment. A perfect time for a silly book that could play with superhero tropes and give us something a little more lighthearted. It worked in that context for a while, but as the market shrink, we would see the pendulum swing back towards adventure and playing it straight with Gran morrison’s JLA.
Human target is not a funny series. And when you drop a group like the JLI into a slightly nihilistic deconstruction, it’s just awful. Justice league international when written as a satire is goofy and silly and fun. But when written as a straight up deconstruction, it makes the heroes look sad and incompetent. It’s just not a fun book.
What’s even more frustrating, is that I was warned. I’ve been enjoying human target, with a quibble here or there, a few decisions I wasn’t big on, but for the most part Tom King has just slightly touched these characters bringing them into visit as side characters in the background.They told me Tom King was up to no good, and I should’ve listened. Because this book right here is no good. I don’t know if it was planned as a bunch of back up stories or a companion piece, maybe something to throw in the back of the tree paper back… Dropping it right here in the middle when you’re already late feels like a misstep. It stops everything dead cold, and quite frankly turns me off enough that I’m not so sure I’m interested in continuing the series. Maybe I’ll just take a peek when it’s over.
Ghost Rider on the other hand continues to be good. It’s an interesting supernatural adventure… And one that’s very much in ghost riders wheelhouse. Out in the wastes we called the devils backbone, there is an annual motorcycle race… At the end of the race, you meet the devil. When you meet him, you can ask a question or a boon or something… And it’s just a cool concept well done. We need more of that. It’s interesting, because you look at some of the faces here, Dr. doom, wolverine, a lot of familiar marvel characters and it makes sense to put them in this context, that’s sort of desperation. It’s almost reminiscent of the secret six story arc about the various villains chasing after what basically amounted to a get out of jail free card, only for hell. I like this. It’s one of the better runs of Ghost Rider I’ve ever seen, and I hope they keep the creep and the quality up.
Over at Iron Man I am again a little confused, because it felt like I missed an issue. No, this is actually going back in time a bit. Before the previous issue where Tony’s captured and fighting for his life, we’ve got a rewind to remind ourselves of his relationship with war machine. That’s gonna be important, because war machine someone coming after him, complete with that black stealth suit that we see painted onto the cover. It’s a set up and a pause and again, I have to note that these sort of stories really do killed him I meant about the title, but at least in this case, it’s done well and stays engaging. Unlike that pause in human target, this issue does a good job of setting up where we’re going next.
And then there’s Batgirls. This title is also in the middle of what feels like a bridge story. We’re kind of done with the last arc, and setting up the next one, which gives us a nice excuse to hang out with the Batgirls for shenanigans. And shenanigans it is. Look, one of things I’m really enjoying here is the character development. You know, I dipped in and out of Cassie‘s Batgirl series back in the day. I was particularly interested in the brief “will they or one day“ with Superboy, and shocked by the whole “getting fired“ storyline. There was good stuff here and there on the cruise ship, things that helped us get to know Cassie, but the entire point of her character is that she doesn’t have any character. She’s basically a blank slate, and it’s harder to develop that and draw it out when you’ve just got her paired up with a mentor like Barbara. Pairing her up with Stephanie, I feel like we see so much more character development here in these nine issues than I’ve seen in the past 10 years with the various appearances in and out of her own series.
There’s also some interesting character development going on over in Spider-Man. We’re starting to see some carryover from the past series, particularly in how they’re handling Norman Osborne. It’s interesting, I’ll definitely give you that. There’s so much here that I like, and yet I’m still not sure if it’s enough to balance out the frustration over what I don’t know. This is one of those titles where I find myself more often than not dipping in and out of i’m not consistent with my reading on this one, simply because without enough information, I just don’t feel committed. The JR JR art isn’t helping me any either, but I’ve looked past that before and the colorists really does help prop him up.
Nevertheless, the writer definately has a handle on Peter’s voice. Spidey is always at his best when the writer gets him and his humor, and I think my single favorite moment in this issue is when the Vulture complains about Spidey telling someone he’s a murderer –
“But aren’t you trying to murder me right now?”
Then there’s She Hulk. Not necessarily a comic, but certainly a comic property. The first episode was OK. I think OK is really the operative word, otherwise some things that I didn’t care for. In particular, don’t let your kids watch the after credit sequence. Dropping that F bomb was a little bit shocking and didn’t make any of us particularly happy. The series has of course gotten the majority of his coverage over Jennifer‘s rant about how she does being angry better than Bruce… I don’t need to cover that here, except to say it was a dumb thing to insert. It’s not compelling, if anything it’s a self-inflicted wound. I can blow it off though, because this Jennifer Walters… She’s not a good person. She’s narcissistic self involved and aspires to victimhood. “She Hulk? That name better not stick. I can’t even exist without being a derivative of the Hulk?“ Well no. You can’t. Because that’s exactly what you are… A derivative of the Hulk. That’s what the character always was! It’s stuff like this it just turns me right off and sours the stuff that actually manages to be funny. I think Mecharandom42 on Youtube put it best – “Stop lecturing me about how bad you have it.” I agree. You office and home are WAY nicer than anything I’ve ever had. It’s just…..*sigh*.
And the funny parts? You’ve already seen all of episode one in commercials basically. It’s not untill we get into part two that we really start to get in to the story, but even then, the pity party continues. Jen is hired by a firm developing a new superhuman division. However, they want her because she’s She-hulk. She walks through the halls, bitter and angry; “I’lll never know if they hired me for my skill or just because I’m She-Hulk!”. No, you do know. You ABSOLUTELY were hired because you’re She-Hulk. And it’s gotten you a massive corner office and high salary. Here I’m just hoping that this is a character arc and that she’s a better person on the other end of this, because right now- she LOOKS like She-Hulk, but the character is still utterly unrecognizable. The Jen Walters I know, doesn’t resent being She-Hulk. Big and green actually gives her confidence and makes her feel beautiful and empowered, not….whatever this is.
Disney/Marvel? In the words of Sam Wilson – “Do better”.