I’ll be honest, I have absolutely no interest in DC‘s Dark Crisis or any of the repackaged 5G that they’re trying to roll out here. They’ve largely made the DCU so unrecognizable to me that it’s off-putting and, the stories just aren’t that interesting.
Now, of course these bad cops take it a step further, hassling kids playing basketball in broad daylight at noon on a Sunday or something…, But I still feel a suggestion that all police activity is harassment, all cops are bad, and that if they just left it all alone, everything will be all right… After all it’s probably the cops causing all the trouble anyhow! It’s a drag too, because I was really liking this book… Until I got smacked in the face with a large baseball bat labeled “the message“.
I know I keep saying this, but it’s a ridiculously self-aware book. The best part of it being, Jack Torrance keep speaking in Jack Nicholson quotes. There’s a lot of Batman quotes here, along with the occasional “You can’t handle the truth!“ At one point he confronts Elvira with a “did you ever dance with the devil in the pale moonlight?“ To which she responds “you wanna get nuts? Let’s get nuts!“ It’s all insanely glorious. There’s a couple of pokes at Kubrick‘s directing style as well, the use of banner slides to tell you which day it is… That sort of thing, and even an acknowledgment of the recent Dr. Sleep film. But the part that’s truly horrifying is when you see what’s written on Jack’s typewriter instead of “all work and no play makes jack a dull boy“. It’s genuinely good stuff, and we can see by the end of this book, that is leading her into her next film… Alien. Once again, I can’t wait.
The thing that is so charming here is that it’s really the best possible venue for the character. Elvira has always been fundamentally a horror host, so dropping her into these movies… It’s really just an extended version of the things that a lot of posts like Zacharly would do, green screening themselves into the movie. Elvira is taking this to a whole new extreme, but it fits. It gives her a chance to be a character, while still retaining her identity as a host.
If you’re a fan of the current ninja Punisher run, You may want to check out Punisher war journal. It’s a nice self-contained story, but it’s a side quest. Definitely something that they’re doing in another book so that they don’t interrupt the flow of the main story going on in the main book. Or journal still evokes a desire for gunplay, and I have to admit, while this is a Punisher story… It’s a Punisher story largely without firearms. There’s a few, but I have to admit I miss them. Then again, props on them for at least giving us a scene or two of ninjas with guns. I understand cinematicly why you never see them using firearms in the movies, but realistically, just like any good spy I would assume a ninja would use any weapon at his disposal… That includes firearms. I think at the end of the day, this is still gonna go down as just one of those “weird“ periods in the Punisher’s history, much like the mobbed up ponytail storyline, or the Demon Hunter one… Marvel’s just not sure what to do with him right now because he’s a little too politically incorrect, but at the same time a little bit too popular to just rest the character. I’d still prefer all of this is the side quest, and alternate universe whatever sort of thing, but I’m still enjoying the ride a lot more than I expected to, so I’m sticking with this.
Worlds finest continues to be my favorite of all the current tiles out there. It’s just good straightforward adventure fare with familiar faces. Superman, Batman and Robin, Supergirl on the flash and Green Lantern… No agendas no personal politics just straightforward storytelling. That’s not to say there’s nothing complex, we’ve got an ark going on here along with various DCU characters coming in and out of the story. It’s just all really good. It’s exactly what I want. I almost feel like back in the days where I was losing interest in Superman and Batman‘s main titles, but couldn’t wait for the Superman Batman issues to come out every month. It was the same way with Spider-Man for a while too. While the main line series was kind of meandering and falling apart, I was very much getting into the late run of ultimate Spider-Man… And even, I guess I’ll admit it, Spider-Man loves Mary Jane.
Speaking of Spider-Man, I really have weird mixed feelings regarding this new run of amazing Spider-Man. If I hadn’t spent the first week of 2022 basically catching up on the last two years of the Spider-Man comics, I swear I just walked into the middle of a storyline or something. We still don’t really know what the status quo is here, and the opening scrawl admits it. It literally says something has happened in spider-Man‘s life, but doesn’t actually tell us what. It’s maddening, especially since I’m really enjoying a lot of what they’re doing here. The whole bit with tombstone is interesting and fun. Spidey himself is being well written and somebody really understands his voice. It’s funny and sad and good adventure all at once… With a story that is fun enough for me to put up with John Romita juniors thin line nightmare style of art. But I’ll tell you what, I really do need to know what the status quo is. I need to understand what’s happening, and it needs to be soon. You got another issue and a half or I’m out. Still, for the moment….I gotta say – this one panel just sums it up.
I’m actually been a big fan of what Dynamite’s been doing over the years. It’s the same model as Dark Horse, lean into licensed properties, but dynamite always seems to pick ones that I’m far more interested in the dark horse ever did. Elvira‘s had a couple of series now, and honestly they’ve been hit or miss, nothing I was really digging, but the new Elvira in horror land has really got my attention. They drop her into an old movie, and she interacts. It’s actually pretty perfect. It’s kind of the thing I really enjoy with horror hosts in the first place! First issue she finds herself in psycho. Psychos got a special place in my heart, especially since I didn’t get around to watching it until I was in my early 40s when they were doing a screening up at the rain palace. I’ve recently screened it for my daughter as well, and this has got it fresh on my mind. It’s well done, poking fun at the tropes, paying respect to the characters, even taking a shot at the remake. I’m really enjoying it, but what’s really interesting for me is the last page.
Elvira escapes the movie alive, and ready for her next adventure. Unfortunately, her next adventure starts in the snow… In a remote mountain resort… With a sinister hotel beckoning in the distance.Yeah, I’m sticking around for a while on this title.
Three issues in and surprisingly enough, I’m still on board with the Punisher. I actually think this would have been a perfect miniseries. Not necessarily the main line title, but a sort of side spin off… It probably would’ve served a character better. Even if it weren’t, advertising it as a mini series kind of assures people that this is just a temporary diversion and things will be returned to the status quo. To his credit, the writer genuinely tried to reassure us of that in the first issue and I respect that. It allows me to settle in and enjoy this interesting exploration of Frank Castle as the leader of the hand. There’s a lot to like here. The concept is strong and smart, and I’m genuinely on board with a lot of what they’re doing.
Or at least, I was until now.
You see that kid on the cover of issue three? The one wearing the captain America mask? That’s Frank. 10 year old Frank Castle is the centerpiece of the story, in response to a question asked to him… “When did you first kill someone?”
This irritates me. It’s not the first time that we’ve seen this sort of deconstruction… This attempt to paint Frank as just an inherent killer. A fundamental bad seed. it pops up from time to time, whether it’s in the punisher showing up in the ‘Nam, or the supernatural run where the angels pick him because he’s just inherently the best murderer out there, or even the attempt at Microsoft deconstructing his personality in the punisher max series.
Wherever it happens, I hate it. It shows a basic misunderstanding of the character and his history.
It’s especially prevalent among writers who have never lived through the 70s. People who never experienced The high crime rates and massive inflation and General loss of hope (but buckle up guys, because we’re there again and in 10 years you’re gonna see a whole new crop of storytelling that represents it). They don’t properly remember Bernie Goetz taking up arms and murdering people in a fit of vigilante rage. They’ve never experienced the sort of stagnation that lead rise to books and films like Deathwish. That’s what the punisher is. He’s a fairly ordinary guy who is finally pushed too far and snapped. He’s a person who is a protector as a cop, deeply religious with training as a priest, loving as a father and a husband… Someone who’s had all that stripped away. Those things didn’t keep the killer in check, those things were who Frank Castle was. The killer is the aberration, not the good man. It always frustrates me when the riders get this wrong. It’s not enough to put me off the title, but man it’s frustrating.
Equally frustrating is the ridiculousness of Harley Quinn. That sloppy artwork just kills me, and this book is simply all over the place. Honestly, I just dropped in to check the series out, but I’m dropping right back out. Harley Quinn‘s always been a little wacky, but she’s also been serious and deadly as well. The Harley that I am reading in this book, quite frankly it’s pinkie pie from my little pony.That’s fine, that’s even fun, but it’s not Harley.
Maybe it’s time for me to just settle back and dig into some back issues instead. Both fanboy expo and Comicpslooza DID happen this weekend after all.
It was finally time last week. The moment I’ve been waiting for, one of my most intense anticipated books in a good long while. Worlds Finest finally hit The shelves. You basically have my attention, just by putting the yellow oval behind the bat symbol. In fact, I really like the general character designs that were seeing for both Batman and Superman here. Very traditional, very much my generation.
What we get, is part one of what promises to be a fun adventure, featuring more than a few familiar faces, all designs like Lex Luthors Super Powers battle armor and traditional Batman villains. It’s all good, it’s all solid, and quite frankly, it’s the first time in a very long time – years – that I feel like I’m sitting down and reading a new comic book that was written for me. I’m really enjoying this already, and I am hard and fast on this series all the way. If DC still offered subscriptions, I’d already be there.
Also in the black label line is the flashes rogues book. This one I’m not so sure how to feel about. It’s in the future, kind of an old man Logan take… I’m hot and cold on it. Not sure if I like it or not yet. I really don’t like that Boomerang is dead (basically my main gateway to the Rogues) though the take on the young Trickster is actually pretty interesting. Not really enjoying Bronze Tiger being cast as a villian this time around though. I’m hoping we see him wrestle with his violence and morality, the way John Ostrander used to so intelligently write him. The whole thing is a real jumble that has me off balance. I’m willing to give it one more issue though.
I even took a peek in this week’s Harley Quinn.
The art is AWFUL. It’s so wierd and loopy and cartoon and it just feels cheap. Also I know that they’re kind of trying to sell Harley as a hero these days because of her popularity, but really I feel like she’s lost a lot of her edge. The Harley Quinn I know wouldn’t be heading to jail trying to be cute and avoid any confrontations. The Harley I know would saunter in with a joke and a cute smile, and then stab a chick. Ugh. Such a disappointment.
It goes about as you would expect, and it’s really cute as a fun little one shot. Of course, even as I’m writing this, my daughter has informed me that it’s NOT a one shot… And in fact just A few days ago, they posted part two… where Spider-Man is cat sitting this time.
You know what? This was fun the first time, but comes off as a little silly and excessive going any further. Still, definitely catch up first one.
That’s right, they put out an Alligator Loki comic book! Thor stumbles across our scaly friend as he tumbles out of a portal, and in an attempt to bond with this version of his brother, he takes him to an asguardian amusement park. It’s just the best thing ever. I don’t know what delights me more. Watching poor little alligator Loki try and hold on as they ride the roller coaster, or just the sight of him in one of those across the chest baby harnesses as Thor carries them around. Seriously. It was my absolute favorite thing all last week.
There’s an interesting approach to the Shadow Man, trying to treat him almost as a priest rather than just a warrior or a superhero. This is interesting, it’s a good and natural evolution of this character as we have added progressively more voodoo and horror elements to the series over the last couple of decades. Here we find him battling the incarnate spirit of the Deadside, in attempt to prevent the land of the dead from merging with the land of the living. I feel like I just saw a bunch of the story in Legend of Korra, but it remains solid. It’s one of those though that I think I might rather wait for the trade then chasing down individual issues. I’m still a little lukewarm on this version. I like it, but I feel like it needs more. Honestly what this really needs is a good supporting cast… I was so hoping that this dead side goddess would end up being Jack’s old housekeeper Nettie. I’ve been keeping with the sort of slight paranoia and twists that we used to get from the book. There’s still a solid foundation here, what it really needs is someone with a good long-term vision – I mean five years or so who can create a supporting cast around Jack figure out a good nightmare and bring back some recurring arch enemies. (in the previous issue, we got a brief appearance by master dark in Sandria and I was so excited for half a millisecond until they just use them as a throwaway villain… Such a bummer!)
Now. How about television?
The Food That Built America is back on, and I am enjoying that, there’s definitely some stuff about Dairy Queen in Carvel that I never knew. There’s a new show with Adam Richmond on after it too – Adam eats the 80’s which explores lost and changed food and candy from the 1980’s it’;s been far more interesting and fun that it has any right to be. It’s a good thing too, because I had an opening in my TV schedule – Superman and Lois was on a break last week and the Flash… I don’t know what it is the season. I almost feel like the mandate is “show the flash as little as possible“ after these last two episodes. I mean it’s fun to see Barry trapped in the locked down police station and I guess they’d have to take away his powers to make that work, but seriously. We’re getting two or three minutes of costume time each episode and I feel like I’m back in the 80s again where are these type of programs we’re still trying to pretend they weren’t superhero shows.
I’d actually intended to talk this week about Nick Spencer’s run on Spider-Man last year. About how much I really appreciate him and his contributions to continuity. The man knows his stuff, and fixed one of the greatest problems in Spider-Man continuity, specifically that of the Stacy twins. But he also added in some new twists both with Mephisto and his relationship to Spider-Man on a grander scale, as well as the curse he laid on the Osbornes and how that figures into the whole overarching mythology. Good stuff. Pity it’s so gloomy and the read was such a downer. I’m glad I saw these changes made, but I didn’t enjoy reading it… And that’s really what you’re going to Spider-Man for isn’t it?
Transitioning into this new “beyond“ story line featuring Ben Riley taking over for Spidey again… I mean it’s just the aftermath of the clone saga again mixed in with a dash of corporate superhero themes that I’ve already seen a thousand times in both the Avengers and Youngblood. And of course, we’ve gotta find a good excuse for REAL Spidey to be out of the way, so radiation poisoning and hospitalization will keep Peter Parker tucked in a hospital bed until we need him again, right?
In Amazing Spider-Man 87, Peter is actually up and about. In fact, we’re going into something more of a learning curve storyline. Peters doing the superhero equivalent physical therapy, with black cat and Captain America trying to train him back up to Spider-Man levels of skill. I feel like I should hate this, but actually…
One of the big problems I feel Spider-Man has developed is we’ve lost a lot of what makes Spider-Man unique. There’s a plethora of various clones and copycats and spider people running around now. It’s not just SpiderGwen or Miles Morales, at one point during that Spencer run, we had both of them as well as Silk, and red Spider Woman and black Spider Woman and a couple others I didn’t recognize all doing stuff in the same story… There really wasn’t even enough room for Peter, much less any of his actual supporting cast. Thing is, the best superheroes are really enhanced and uplifted by their supporting caste people the ordinary, unpowered folks that surround them, and the more I read of modern Spider-Man the more I miss that. Stories with Mary Jane and Flash and Harry hanging out. JJJ and Robbie Robertson and Betty Brant up at the Bugle, Aunt May back home sharing the latest gossip from Anna Watson. Spider-Man had a rich and colorful supporting cast and I feel like they’ve been pushed out. That’s one of the things it was nice to see here. Black Cat was one of the first people that an unconscious Peter responded to in the hospital, and watching her recruit Captain America to help bring Spidey back up to speed… I feel like we’re getting a real Peter Parker story. I feel like we’re getting shenanigans with old friends, not to mention the single best Spider-Man costume ever!
More than anything, I had fun reading this. I haven’t had fun reading I knew Spider-Man comic in a good long while, and this is a welcome return to form.
Interestingly enough, there was a side story released last week as well, black cat and Mary Jane. The Hood showed up to try and force Black Cat to retrieve his lost hood and cloak… The source of his power. Otherwise he’s going to kill Peter and Mary Jane. Black Cat agrees, and demands MJ goes with her. She suggests that she’s part of the crew. It’s all a bluff to get Mary Jane out of danger, figuring that even in his incapacitated state, Peter’s spider sense will go off if he’s in any real peril and he’ll be able to take care of himself. What unfolds next is a really great one shot adventure. Equal parts heist, con, and superhero romp. MJ and Black Cat have a surprising amount of chemistry together, and again, it’s this supporting cast thing… It really plays well. Another title that I am surprised I liked so much.
A book I wasn’t surprised I liked last week was Human Target. Tom Kings actually doing a great job on this, and he and his artist have figured out how to handle Christopher Chance. They’re telling the story almost with a 40s and 50s detective throwback flare. Don’t get me wrong, this is firmly set in 2022, and really well meshed into the DC universe, especially the Justice League International that I remember so fondly from the 90s. But Chance himself has the swagger of a James Cagney, and the burgeoning romance between him and Ice has been surprisingly charming.
With the first issue being the actual job, standing in for Lex Luthor to prevent an assassination attempt and ending a poisoning, Chance is four issues in now to trying to figure out who it was it slipped the poison into Luthors drink… The poison that’s slowly killing Chance. I generally like the Human Target. Everybody has a different take on him, but this one may just work the best for me. It’s true to the character, and it’s still a nice travelogue through the DC universe.
I’d probably be remiss if I didn’t mention superman 78, which ended last week. And I’ve gotta admit… I want more. I get that this is necessarily just a six issue miniseries, never meant to go on any further, but man, I’d love to see a whole i’d probably be remiss if I didn’t mention Superman 78, which ended last week. And I’ve gotta admit… I want more. I get that this is necessarily just a six issue miniseries, never meant to go on any further, but man, I’d love to see a whole collection of miniseries like this. The story never stopped entertaining me from beginning to end, and has just enough fan service to keep me delighted, while maintaining A sense of the Superman that I really recognize. It’s not even that it’s specifically that Christopher Reeve Superman, it’s just the good old-fashioned, Boy Scout, big blue, big red “S” Superman. It’s a traditional, late 70s 80s portrayal, sort of thing that still bled into the late 80s and 90s John Byrne Superman that I really connect with. I’m waiting for this collection to come out in a trade so that I can swap out my individual issues for one big book. It’s very possibly my favorite thing to come out last year…
Well with the exception of Jeffrey the land shark of course!
Anyone remember the goofy Supermobile with the extending fists that ERTL put out in the 70’s? I always wanted one of those and figured that now that I have my own printer I could grab a model and print out my own. I was shocked to discover no one had created a model for this vehicle yet, and ended up rendering it myself in Bryce 3d, and then converting it to printable.
Model can be found here https://www.thingiverse.com/thing:2832957
“I need to drink about this a lot more”
“Don’t you mean….”
“I said what I said.”
I really feel like I need a copy of Disenchantment on DVD or Blu, because it’s just too loony to survive and I don’t trust Netflix to keep it on forever. It’s just a delight to watch and I feel weird that I prefer this to Futurama, but whatever. When Richard Ayoade showed up in episode four I just about plotzed. I totally want to spend my next vacation in dead monksburg.
“Someone get the Princess a six pack.”
Superman and Lois actually continues to impress and get even better. There is an astonishing emphasis on fatherhood in this show which I absolutely adore. There is a lot more football though than Superman… And that criticism doesn’t look like it’s going away anytime soon! We had an interesting villain this week… At least we had him for five or 10 minutes. He brought back Dr. Killgrave, a mad scientist type from the comics, a C-lister at best but a nice little Easter egg for Superman fans. Whenever I hear about him, I can’t help but think about the Jerry Ordway cover with him in the robotic bulldozer.
I’m also intrigued by the role they have cast General Sam Lane in. He acts kind of as a liaison between Superman and the government or the army. I was never a big fan of this in Supergirl, and my first inclination is to kind of be annoyed by here as well, but it’s not entirely unheard of. If you’ve ever read the excellent Superman : Secret Identity miniseries (it’s an elseworlds thing, but one of the best ones) They actually propose a similar situation, where there is a contact and Superman sometimes cooperates with the government… mostly to keep them off his back – trying to kidnap him and throw himin a tank of fiendish green liquid, and dissect him or whatever. It makes sense, and I am willing to concede this small bit of CW formula and darkness because there’s a lot of other things going on in the show. It’s a thrill to see Clark be a father to his sons, something that they’re really contrasting with the way General Lane raised Lois.
Speaking of Lois by the way, with every episode she solidifies further in my mind as the definitive Lois Lane. It’s brilliant the way they show her drive… She’s going to be a journalist in Smallville just as much as she was in Metropolis. It kind of shows that this is who she is, this is what compels her. It’s actually a nice mirror of Clark in that Superman, even without the powers would still have been all about trying to help people… He just would’ve had to go about it a different way. Lois, even without the Metropolitan setting in the high power connections is still going to fight for the voiceless in the best way she knows how.
There’s a great line in this episode as well, where Lana is having a drink with Lois, and she describes the real change that she saw in Clark after he moved to Metropolis. More confidence, he stood up straighter, he really grew up. Then she looks at Lois and says and she gets exactly where that comes from. You made him a better man.
I love this. It is a way of showing Lois‘s strength and brilliance, that builds up both her and Clark at the same time. We spent so much time in popular media where, to build the woman up as smart and strong, they have to tear their male counterpart down… It’s a really common trope in family sitcoms that always drove me nuts. The fact that they are accomplishing the same goal, building Lois up as a quality female character, but doing so in a way that also builds up her male costars, it’s just so refreshing and rare that I feel a real need to call it out.
Indeed the rest of the media seems to be taking note. I saw a new article over at the AV club talking about how Superman on TV is the hero we need right now. That comes hot on the heels of last week’s article in the Los Angeles Times. I’m always pleased when the press finally gets it, but at the same time I’m equal parts frustrated because they seem so shocked that this works. The thing is, as we move further away from the 1950s, apple pie, baseball, truth and justice and the American way, as we move further into a more cynical post modern era, we crave these kind of aspirational and pure characters even more… not less. We start with Captain America, heck we see it in the Mandalorian even… The driving appeal of that series isn’t the cool Boba Fett armor, it’s not even the cute Baby Yoda. The moments that consistently move people to tears are the ones where Mando is being a father to Baby Yoda. There’s a hunger for that, and I give Superman and Lois enormous props for taking the steam and running with it.
It’s bringing in the viewers too, Superman and Lois set streaming records as well as being a ratings juggernaut, not only on broadcast, but also setting records in streaming and I have no idea what the CW is going to do when they replace it with the final season of Supergirl next month….swaping Superman and Lois with it’s 3.2 million viewers for Supergirl with it’s mere half a million or so viewers. *sigh*
I’m not entirely certain what I’m watching with the Flash. So, the Flash lost his speed again? We’re getting Wells back again? Wait, no. Wells is going away again? And Iris was in a coma, but was woken up by this weeks deus ex machina just in time to help get Barry’s speed back again, again? It feels like a muddled mess, like a rewrite on some of the old Half produced episodes from last year, but they couldn’t afford to get rid of footage so we get this weird duplication of themes from episode to episode.
I will say, when we do get a superhero antics, it’s spectacular. Actually, I think Superman and Lois could learn a trick or two in the flash when it comes to setting up the superhero battles… And I’m loving Vibe’s new costume. I like that the power is technical and not necessarily inside him… it’s not canon to the comics, but the Cisco Ramon on the show is a very different character than the one I’m used to seeing in the comics. I actually kind of like him better on TV!
You may remember some hubub last year when Hartley Sawyer, who plays Ralph Dinby, the Elongated Man, got himself canceled over old tweets. I think they are still tying up loose ends from the previous season, so they needed him around to at least give him a somewhat organic exit. They use some bizarre methods to bring Elongated Man back … With a melted face and then later on, A regeneration helmet that I bet will change his appearance so they can recast the character… But for the moment, they’re shipping him and Sue off the show to go on their own adventures offscreen while they figure out if they can bring the character back in some way shape or form.
Falcon and Winter Soldier also premiered, and I think I was actually looking forward to this one more than WandaVision. This series promised to be more of a straight up superhero show, and I was in particular looking forward to the introduction of John Walker, USAgent.
My first impressions were that they finally got Falcon right. The thing is, I always felt like the studio thought they needed to use him, but had no idea how. There’s already too many people in funny costumes in the Avengers movies, and Sam always got lost in the crowd. This time around they finally given him a proper outfit… Even back in the 80s, the red and white scheme on his suit really appealed to me, and I’m glad they’re finally leaning into it. They also get more into the dynamics, the tech, and the combat. It’s all something that we really needed from this character, and I’m glad to see them finally doing him justice.
Sebastian Stan is a welcome face as well. In fact, that’s really what this feels like. a family reunion with old friends. They start his scenes off with a flashback to the Winter Soldier days, and it’s comforting to see that costume and that actor. Yeah, comforting I think is indeed the word. It’s comfort food. Familiar and safe, with just a touch of new.
We’re getting to see more of the Falcons family, a destitute fishing clan in an area that’s been devastated by the events of Endgame. we se how that affects the mundane, things like credit scores and financial impacts. It’s a good hook, and one that you really couldn’t have done within the confines of a film. I am looking forward to see where this goes. I’m not expecting greatness. I’m not expecting cutting edge or revolutionary television, but good superhero fair with an underlining foundation of drama? Yeah. This definitely hits all those notes.
Elsewhere, I keep hearing about something new dropping this week… Something about Justice Cuts Zack or something? I can’t quite remember the name.
Never mind. probably it wasn’t that important anyhow… I’m sure it’ll come to me…
I didn’t just stop at teh Superman rockets, I ended u doing one for Supergirl too! This is Supergirl’s pod, based on the rocket featured in the TV show! modled Bryce 7, converted to STL in 3d builder.
Model can be found here https://www.thingiverse.com/thing:2836700
It’s interesting, the flash this year almost feels like The Flash’s big theme is “let’s see how many different kind of rolls Grant Gustin can play”. “Let’s stretch his range”. It’s as if he’s been watching Harrison Wells have too much fun with these different personas and it’s Barry’s turn now!
We do start off with some attractive people in the hall talking about their feelings… Most specifically talking about how sad they are that Wells is gone. I suppose this is appropriate, although our last scene shows that he might not be quite as gone as it seems! I’m eager to see where the shenanigans go later.
Barry however has gotten his speed back, and a new side effect! Speed thinking. This actually came in to play in the comics with impulse/kid flash, but has never really been explored it here on the TV show. They start off playing it for laughs, but it soon becomes a little sinister. Barry’s lost his emotions, and it’s an interesting look. Kind of the Flash if he were Batman.
It’s still feels though like we’re very much in the middle of a story arc, and the episode suffers a little bit from middle child syndrome. It’s less an adventure of it’s own, and more part of a serialized story. The equilibrium feels off on the show, and I’m hoping that they get their groove back soon. Still, I’m enjoying seeing the gang all back.
Superman and Lois on the other hand, doesn’t seem to have nearly as much attractive people talking in hallways about their feelings, it’s there, but more of it is teen angst than it is CW soap opera. They did have the best line of the week… “Do you drive a station wagon that’s currently on fire?”.
If I have any real complaints about the show though, it’s not there’s just not enough Superman. We get two good Set pieces with him, but for the most part it’s Clark and the kids. Not that this is it all bad, I actually happen to be every bit as fan of Clark Kent as I am of Superman… But the show is called Superman and Lois and I kind of miss seeing the red cape more. There’s a lot going on with the kids though, and they’re trying to build up a supporting cast. This is in enormously important in a Superman story… One of the things that really makes the Superman stories in Metropolis charming is Jimmy Olsen, Perry White, even the lesser supporting characters like cat Grant, Bibbo, and Dr. Hamilton. If the show really wants to succeed it’s going to have to build a strong supporting cast. Good news is, they seem to be on their way there. I’m not even really missing the old supporting characters… Perry White had obviously retired, and we know that Jimmy Olsen had moved to where ever it is Supergirl lives. The natural progression of the story has helped immensely… Indeed, I recall Brian Singer complaining that he didn’t know how to handle Superman. He used to complain that because Clark was invulnerable, the only way you could hurt him was emotionally. I don’t know if I subscribe to that. But if that’s the direction you want to go, the writers on Superman and Lois have figured it out. They’re playing on Clark’s own insecurities as a father and the general tough job of raising teenagers. It makes him emotionally vulnerable, and it makes him surprisingly human. You don’t need to make him a deadbeat dad the way singer did in Superman Returns, you don’t need him to be a creepy stalker spying on his ex-girlfriend and her new fiancé from the sky. Singer’s attempts at emotionally compromising Superman damaged the character, it made him into a loser, a jerk. Whereas the emotional beats and vulnerability that they are showing Superman and Lois, actually elevate Clark Kent… And I think make him more of a hero. I’m really enjoying what I’m seeing here, and I really hope that this Continues to stay the course with this level of quality. I’ll gladly put up with the sulking teenagers to have some quality Superman!
By the way, I mentioned Disenchantment a couple weeks ago. It continues to delight. I almost get the impression that Netflix just didn’t care anymore and were just fulfilling contractual obligations….and that they aren’t paying attention, because this show is getting weird. It’s more out there than previously, but it works. The episode we watched this week involved a psychotic unicorn, a trouser thief, Zog with PSTD and acting slightly undead and the marriage of the prince to a geriatric fairy named “Saggy”.
I can not recommend this enough.
We’ve got a new category this year, exploring things I’ve 3d-printed, many of which I modeled myself.
We’re starting off with the rocketships that Baby Superman was sent to Earth from Krypton in. I wanted both the Silver Age version as well as the Man of Steel John Byrne design. Both of these I had to modle myself, creating from scratch. I’m particuarly proud of how the gold MOS one turned out.
Modles can be found here https://www.thingiverse.com/thing:2833963
I really like this version of Krypton, very red and yet still a bit of Donner influence. And the photographer got the lighting JUST right….
Inspired by this shot from Weplcon!
What Guardians 3 SHOULD be….
Couldn’t resist doing some JLA with the folks at Heroes united!
The weird thing about Batman is this outfit has never been to a convention, never been in a costume contest, never even done Halloween. Still, it’s kind of like the little black dress in every smart woman’s closet.
I’ve saved this mostly for charity events and stuff like that – I even zombified it at one point!
It may not be QUITE as detailed as the Bones Iron Man armor, but it sure comes close. It’s a different kind of detail really…more stylized, lest straightforward and techy.
I always intended to carry the baby in the basket around with this outfit, but I built the actual rocket ship on a whim and I’m so glad I did. It just takes it to another level!
A voice rang out at me from across the room.
“Why is it every time you put a baby in a rocket, the planet blows up?”
“I didn’t even BRING the rocket this time,” I replied, glancing down my gold armor at the baby Superman in the hand held basket.
Akron Comicon was in full swing.
The con has grown every year so we’ve once again relocated; this time to the Goodyear Hall on the outskirts of the city. With this particular move came parking problems. The lots filled up fast, but we managed to grab a small patch of street a half block away in a nice shady area next to construction. It was windy and freezing Maddie and me in our costumes. The food trucks we passed looked awfully warm. (I regret not grabbing some Swenson’s)
Inside I made a beeline for Jon Bogdanove’s table. The last time he was here, his line was terribly long, and after waiting an hour, I ended up having to bail (Kiddo had a birthday party I had to get her to.). The line wasn’t as bad this time, and after half an hour we were face to face with one of my favorite Superman artists. Bogdanove is a Superman fan himself – his son is named Kal-El- and he gushed over Maddie’s Supergirl suit, expressing delight that she was actually carrying around Streaky the Supercat in her own little basket.
After a quick stop at Brett Breeding’s table ($5 a signature! Yeesh!) we popped over to see Bob Wiacek. The bulk of my books to be signed were his….but they were all big collected “essentials” volumes and weighing down my bag. I do love Wiacek. He’s done a great variety of stuff, working on things like Damage Control, Shadowman and Nightmask. He brushed it off, “A lot of guys can say they’ve had long careers.”
“Not as many can say they’ve had such varied ones though,” I replied.
“I like that!” He nodded with a smile.
I kept running into friends over at Karl Story’s table. As he played Pokemon Go on his hone I beat my friend Mayday about the shoulders with a stuffed supercat until he perked up and noticed me. I didn’t have as much for Story to sign (I restrained myself from bringing my entire run of Nightwing. I don’t like being THAT guy). But I did pick a couple of things, in particular the Star Trek graphic novel “Debt of Honor”
“This was such an interesting story. It’s a shame it’s never been reprinted,” he said as he flipped through it. “IDW has the license right now, and they’d love to, but DC has no obligation to work with them and won’t release their copies of the art. IDW actually contacted me and Chris (Claremont) to see if we had any of the originals. I’ve got maybe, 30 pages but these are oversized – they’re so big they’d be hard t copy, even if I ran them down to Kinkos.”
After stopping by Dirk Manning’s booth to present him with a monster ice cream cone, Maddie guided me over to Chris Yambar’s table so she could get a new Simpson’s comic from him. He greeted us by nodding at me with a “Thank you for you son.” Akron is a very Superman oriented show, but even so, I’m always pleased when someone recognizes my Jor-El (father of Superman) costume. Maddie told him all about how much she likes the Simpsons. “I watch it every day! A couple episodes usually!”
We drifted on to chatting a bit about Yambar’s late and lamented Lawncon. The girls and I really liked it when we hit it’s final year. But perhaps not so final after all. Yambar has been long talking about resurrecting it.
“We keep wanting to do it again, but then something (health issues) would happen. It’s been a good year though, with no new things coming up. Maybe if I could get together a committee – where I could just sit back and be a benevolent overseer….”
Back in the lobby area of Goodyear Hall, Maddie and I ran into a huge scarecrow, with his handler, Harley Quinn. After pictures, we found an isolated corner by the windows where Maddie could practice her quick-change for the costume contest. It’s a long one, but Rubber City Cosplay managed to get everyone through reasonably swiftly, and it didn’t hurt that I was in line with my buddies Vito and Cassie. Despite the amazing plush monster in front of me in line, my bet was on the Alien made entirely out of balloons to win. Best costume EVER!
Akron continues to be the best con in Northeast Ohio and I’m eager to see what next year has in store!
Been meaning to get to these but just haven’t had time – new edits of my favorite photos from Zip Con!
I’m not usually a fan of VOX in general, but this particular writer obviously has an axe to grind an created some irritating clickbait out of it. There’s a ton on these articles floating around, but most hit one or two of these same points, so this is the one I’m going to respond to. (I’d link the actual article, but honestly, I don’t want to give them more traffic)
1) Why is Batman so gullible? The entire movie hinges on Lex Luthor using his wiles to trick Batman and Superman into fighting
Batman came to the conclusion that Superman was dangerous and needed to be stopped all by himself. Lex may have added a bit to that conclusion indirectly, but he’s not manipulating Batman. He’s taking advantage of an existing situation (That’s something that Lex Luthor has always excelled at, whether in film or print). Even in the comics, Batman has always had a plan to take Superman down. This isn’t that far a leap.
2) How does the world feel about Superman?The world’s opinion of Superman changes from scene to scene, and seems as barely motivated as a mob of Springfielders on The Simpsons.
Public opinion turns on a dime. LeBron James is a perfect example.
3) Why does everybody blame Superman for the massacre in Africa?
Valid point. They could have explained this more but that would have made the film longer and no one wants that!
4) What is Wonder Woman in Metropolis for? Why does she need the photo? If she’s not hanging out around normal humans, no one who looks at it will know who she is.
Wonder Woman wants to erase any trace of her very existence. Pretty easy to understand (we’ve seen this theme in other films – Highlander immediately springs to mind). This is the article looking for things to criticize.
5) What does Lex Luthor want? To destroy Superman, sure. But why?
He’s a paranoid megalomaniac. What’s to understand? Just because Eisenberg is terrible in the role doesn’t make it difficult to understand Lexs motivation. That’s more artical fishing for things to nit pick.
6) Is Lois Lane magic? When she’s not being held captive as a damsel in distress, Lois Lane uses her powers of journalism to immediately arrive on the scene of wherever she’s needed
Admitted, Amy Adams is not one of the better Lois, but really? We’re going to call her ability to be where the action is “magic”? How about we call it “Journalism”. Better yet, how about we call it “Investigative Journalism”. She’s not a beat reporter, it’s her job to be where news is happening, it’s a skill. If you don’t understand this then I’m compelled to ask if you ever actually worked for a newspaper or news outlet (Want to ask me if I have? Want to ask how many friends I have that have or do?).
7) Corollary: Why do Clark Kent and Lois Lane love each other?Answer this question for me using only the material found in Man of Steel and Batman v Superman. Don’t talk about their love story from the comics or from other Superman films.
Fair. But no one asks this question in Thor or Iron Man – heck, that relationship with Black Widow and Hulk in Age of Ultron has way less foundation than that of Lois and Clark.
8) Why does Batman decide not to kill Superman? Even if you put aside the sheer ridiculousness of the situation, it leans far too heavily on an abrupt emotional shift.
It’s enough of a distraction to break him out of his single mindedness. Moreover it’s a paradigm shift – where Batman realizes what he’s doing is no longer correct – and perhaps he’s on the wrong track. The article says it seems to have relied to heavily on an emotional shift – I disagree, that’s the entire point of the scene.
9) Similarly, why doesn’t Superman lead with the most pertinent information when confronting Batman?
He tries, Batman isn’t listening and doesn’t let him.
10) Even more similarly, what is Batman’s plan for getting Superman to fight him? it seems like he stands around for a long, long time before Superman shows up. Batman’s a proactive character. Wouldn’t he take the fight to his foe?
He had the area prepped and set up with traps. Moreover, this is strategy. If you’ve played chess for any amount of time (or other strategy games for that matter- RISK, even Heroclix) you’ve seen this tactic played. My friend Johnny Em is notorious for it. Isn’t it wiser to make your enemy come to you and fight on your terms?
11) If Batman knows so much about Lex Luthor’s shady smuggling deals, why doesn’t he suspect Luthor’s true intentions?
Again, they seem to think that Batman is listening to Luthor, that he is directly manipulating him – I don’t get that impression at all from the movie.
Fair. The film needs about 45 min cut- mostly shots of people in suits wringing their hands. Also every time Lex opens his mouth, they need to cut his dialogue in half.
13) Why doesn’t Superman hear the bomb in the wheelchair?
And, what is he supposed to hear? Real bombs don’t tick. Are you thinking perhaps custom electronics? If by some long shot, the bomb had a distinctive electric hum, would you be able to distinguish that from the other eltonic noises in the immediate area? How many cell phones are in that room? How many lightbulbs? But even if it did have a disctinct electronic whine that is universally identifiable as saying “I’m-A-Bomb!” (but only to super-hearing) Superman himself says he wasn’t looking for it.
Seriously though, what exactly do you think he supposed to hear?
14) How is the Daily Planet a functioning business?
We have three daily newspapers in this area alone not to mention at least five weekly’s. Moreover, whose to say the Daily Planet doesn’t have online and multi media presence? But seriously, would you ask this same question of Stark Industries? Hammer Industries? Oscorp? Even the Daily Bugle? Howzabout we complain about not know how the artificial gravity works on the Millenium Falcon? I’d consider this to be in that class of nitpick.
15) How does the Kryptonian ship just decide Luthor will be its new master?
I’ve heard this one a lot. It seems like an easy criticism except I think the answer is glaringly obvious. Lex had Zod’s fingerprints AND the key – how many more credentials do you actually need? I mean, my car starts up no matter who slides the key into the ignition. If you have the password to my gmail account it’s pretty simple to take it over, you don’t even need to be sitting at my computer. that sort of thing happens every day.
16) Why does Superman die?
17) What’s the point of Clark’s dream visit with his dad?
16 and 17 both fair criticisms of a aesthetic that the article clearly did not enjoy. I can respect different taste.
18) Does anybody in this universe know how to use a spear? Spears are made to be thrown! Just throw the spear at Doomsday! Mission accomplished!
Yes, you can throw a spear, and the beast can also dodge that spear. For a big bulky monster, Doomsday did seem to be awfully light on his feet. He also could unleash energy beams and pulse waves and brightly colored CGI explosions. You think that perhaps, just maybe one of those things could have knocked a thrown spear off course? This is too important a battle for him to risk missing. There’s also the question of penetration. Even thrust straight in at point blank range, it didn’t go deep enough. Superman had to push it in. A thrown spear would have not done enough damage and someone would still have had to close in and melee.
19) WTF was Batman’s dream sequence? I realize the easy explanation for the dream sequence is, “It’s setting up future movies,” or, “It shows us Batman’s paranoia about Superman!” But it also seems like an attempt to get us to worry that Superman might turn evil at some point, and, sigh.
It’s supposed to be a loose end. The author of this article should be intelligent enough to understand that, but seems insistent on hating for hates sake.
That’s enough about BvS. I’ve got Cinema Wasteland at the Holiday Inn in Strongsville Ohio this weekend and I’m far more interested in focusing on that!
I took the girls out to Amherst cinema to see Batman v Superman on Saturday. This is the movie event of the summer for us – it’s the one with and waiting for, more than Civil War, more than Deadpool, more than Star Wars. It is the culmination of a dream come true. This is what we have always wanted to see, even more than the joining of the Avengers or the Punisher and Daredevil coming together – this is the ultimate dream for us. We are DC people after all.
There’s a lot of Trolls out there who seemed inclined to hate this movie from the word go – and for those who absolutely wanted to see this fail, those people are going to find as many flaws and as many things they don’t agree with in it as they can. There is plenty of it, so yes, I’m seeing more than enough of them feeling justified in their animosity. I’ve been defending this movie for quite awhile, with a wait-and-see attitude. I’m not the kind of person to hate something just because it’s cool to hate it. Some of you are sitting out there reading this thinking “I sense a ‘but’ here “.
Well not exactly.
Henry Cavill is perfectly adequate at being superman. That may sound like I’m damning with faint praise, but really this is a difficult role and he manages to blend in, embodying the fundamentals of the character rather than standing out as a particular actor version of it. He’s not the Christopher Reeve Superman, he’s not Dean Cain Superman he simply is… Superman. Cavill does an excellent job portraying a lot of Superman’s inner monologue, that is to say he captures the insecurities of the man, he conveys the inner turmoil without chewing the scenery. The Superman of this era is still on a learning curve and Cavill manages to convey that well. More than anything else, no matter what you have to say about the director, or the writer, or even the critics and fans, you can take absolute certainty on this – Cavill gets Superman. It is clearly evident in his rendition.
While we’re on the subject of Superman, (discussing the supporting cast is inevitable) can we talk about how good Perry White is in this movie? I was extremely on the fence about Lawrence Fishbourne in Man of Steel. There is something about his performance that threw me off… Perry is an old school war reporter, ‘Nam and World War II. Fishbourne seemed a little too cool sometimes, man that earring of his is really bugging me! This time around he seemed more grizzled, maybe it’s just the gray showing up on his beard but I don’t think so – he played the character with more maturity and age this time around. He played him crankier and with less patience. That really makes a big difference. I felt more like I was watching Franklin Langella’s (Superman Returns) or John Hamilton’s(Adventures of Superman TV) performance.
(I’m telling you guys! You should have used my design!)
It’s inevitable that we have to talk about him. You know, the Haters jumped right on top of him as soon as Ben Affleck was cast. I refused to delve into the mass of criticism (You can see my initial reactions on this blog HERE and HERE), particularly amid this group of people who want to hate on him simply because he is Ben Affleck. That was the big argument that I kept hearing, that he’s Ben Affleck and he’s going to suck because of it – or that he is going to suck as Batman because he sucked as Daredevil (curiously enough, the main argument and I’ve heard for why Daredevil is so terrible is that exact same one – it sucks because Ben Affleck sucks). Quite frankly, if I’d heard you utter these words or any variation thereof, I have immediately dismissed your opinion and I’m not interested in talking to you any further about these movies. (and by the way, I happen to like Daredevil – I mean really like it – like I don’t understand why everyone hates it, it’s one of my favorite superhero films). Yeah, harsh, but I’ve put up with it enough.
So how did acquit himself? I think that if you were dead set on hating him, if you were invested enough in that inclination then you’re still going to hate him. For someone who went in with no expectations however, Affleck does a marvelous job. This is a different Batman, it’s not Kilmer it’s not Keaton, it’s not Bale. Some of the characterization feels off sometimes, but it’s intentional. This is a Batman who has grown world-weary. He is so involved in vengeance, that he has very much forgotten how to be a hero that that’s one of the interesting things about this movie, Batman has a definite arc. This film is all about him learning how to become a hero again and it is only in his conflict with Superman, (and moreover seeing his own dark reflection cast by the light of Superman’s inherent nobility) that he realities how lost he is… How far he’s wandered off the path of the hero.
Make no mistake, Superman is the hero of this piece.
I realize that an inflammatory statement, but I think I can back it up. You see, in the final climactic battle between Batman and Superman, Superman comes in, unwilling to kill the Batman, even at the cost of his mother’s life. Batman comes in, solely intent on murdering Superman out of nothing more than a paranoid fear. I’m sorry, but no matter how I look at it, in this situation – Batman is the bad guy – and indeed it is the very reason why Batman almost wins here… not because he’s single mindedly willing to do “whatever it takes” to win, but rather because Superman is unwilling to take Batman’s life. Superman truly is the hero here. And that’s really the point of it all isn’t it? We see a remarkable redemption in Batman and this is a tough part to pull out off simply because of all of these elements that have been layered and incorporated into a single role.
Affleck’s body language is straight out of the animated series, and his delivery is pitch perfect from Frank Miller’s Dark Knight returns. For those out there who are complaining it’s not their version of Batman, I’m reminded of something John Byrne once wrote – his reaction to reading The Dark Knight Returns. He said that it wasn’t the Batman he knew, not the one he liked, but he understood how it was the Batman that he knew who had grown into this character – that this was a potential future for his Batman and it made sense to him when he looked at it from this perspective. I think there’s a lot of that here. If all you’re looking for is a rehash of Christian Bale’s Batman then you may be in the wrong place. That’s perhaps that’s a bit harsh of me, but I’ve never cared for the Nolan films, and have always felt a little distressed that so many people claim that as their fundamental version of Batman – the purist form, and the only one they wish to recognize. There are better versions out there, believe me. This may or may not be one of them.
The bat suit by the way, is dead on and I really love it. I get glimpse of gold on that belt once in awhile, even though it seems to be rusted over and black. I can see the bat symbol on the chest and it really stands out against the gray. There is nothing about this bat suit that I don’t like – and the Batmobile? I have not liked a Batmobile this much since Anton Furst’s design for the 1989 film, and the Lincoln Futura before it. It’s perfect. It has the teeth of the tumbler, mixed with the sleek look of the first Batmobile. I was excited from the very first images I laid eyes on, and the final product did not disappoint one bit– it’s sporty and brutal and beautiful
Of course the real performance everyone is talking about here is Wonder Woman. I have heard from more than a few critics fans and moviegoers that she stole the show. That was certainly the case for my kids. They waited almost an entire film just to see her – even when she showed up incognito they understood it, and their excitement was palpable. Wonder Woman does not disappoint here – and that’s quite a task considering how difficult it has been to bring this character back to the screen. Lynda Carter is still very much in the hearts and minds of everyone of my generation, but my kids have been exposed to her as well (although they are probably more familiar with the animated version that we saw in the Justice League cartoon). Still this was a brilliant performance, and Gail Godot proved she was absolutely worthy of the role. She is another one of those cases of undue criticism, before a single frame was shot. I really don’t understand why there was so much hatred heaped upon her head from the moment she was cast… long before we ever even saw her in the suit! This woman had an uphill battle and had to fight for every step of the way, and man, does she ever deliver in this movie! They manage not only to make her compelling, but to make her mysterious – to make her and enigma that we genuinely want to unravel and explore further. When we saw the old photograph that she had infiltrated Lex Luthor’s party to retrieve, we nearly flipped. It’s obviously a shot from the upcoming Wonder Woman solo film and that’s such a great way of integrating her into the DC cinematic universe. The amount of anticipation that my girls and I have for the upcoming wonder woman movie just shot through the roof!
Really, this is The epitome of what is Zach Snyder faced with this film. He had an impossible task, not only to bring these characters to life but to kick off a franchise and to keep us wanting to come back more. I have long said that Batman versus Superman was a license to print money… But only once. This film was guaranteed to be a success, but it had to be enough of a true success to make us genuinely want to come back for more.
I’m not sold on Cyborg and the Flash, not from the mere glimpses we saw in this film, and I’m still not in love with Snyder’s style, but that Aquaman we saw? Man I want to know more about that! He reminds me a lot of the 90’s Aquaman (the version I really like). and this really intrigues me. I am all about a new wonder woman movie and an Aquaman story. I also honestly do want to see more of Afflecks Batman.
I really want to know what’s up with that ending. My kids cried.
It’s not a perfect movie though, it’s at least 45 minutes too long – and far too much of the movie goes right back to my age old complaint about the Iron man films; we’re not in the suit isn’t nearly enough costume time, especially for Superman. We get a montage and rescue at the beginning and not a lot else until we hit that the third act. Batman is only slightly better. There is a moment in the film where Alfred points out that Bruce Wayne is capable of getting certain information far more easily and efficiently than Batman. I wanna punch Alfred as he says this, because I’m not nearly as interested in watching Bruce Wayne hobnob as I am in watching Batman swing on a rope! Aargh!
Lois Lane is not quite tough enough. Margot Kidder may have taken the hard as nails approach a tad too far, but the current Lois Lane feels just a little too soft and friendly . I’m a bit biased, I think Teri Hatcher was the greatest Lois Lane ever to grace the screen which is curious considering I’m not a fan of the Lois and Clark TV show…(although I’m softening on that stand, I’m almost through season two and actually liking it a bit more than I did when I was a kid)
Perhaps the biggest problem in this film, is Jesse Eisenberg Lex Luthor. This was another casting choice that I defended when it was announced, it was my thought that if he bulked up a little bit this might be an interesting chance for him to stretch is acting ability. He’s got the range, he just never uses it, instead choosing to rely on his Jesse Eisenberg persona. I even found this image back then – a speculative rendition of what he could be as Lex if he choose to play it straight.
Even when it came out that his Eisenber act was indeed the kind of character he was going to be playing, I assumed that the role had been written for him – with this gawky spaz kind of young Lex Luthor in mind… Now I’m not so sure.
There is nothing in his lines or actions that depends on the hyperactive awkwardness that he displays. In fact, there’s moments in his performance of real menace. It’s enough to make me believe that perhaps there’s something more there than meets the eye. I almost want to believe that the nerdy Eisenberg persona is just a defense mechanism. Just a surface act that masks depths of sinister intent.
The problem is it’s never paid off (unless Snyder thinks that the sullen look on Eisenbergs face as his hair is shaved off is that emotional pay off). We never really get to see this explored the ways should be done. As a result, it just comes up as annoying – a real missed opportunity .
When they were first looking around at casting next Luthor I was vocal in my support of Clancy Brown. He was the actor who voiced the character in the cartoons, though he is probably best known for his role as the Kurgan in Highlander or the mean guard in The Shawshank Redemption. He’s never been out of work. In very recent times, he’s played the principal in the Nightmare on Elm Street reboot,as well as appearing on Supergirl as General Eiling, and very recently showed up on Daredevil as the Punishers old CO.
Sit back for a moment, and transpose him over Jesse Eisenberg. Imagine Eisenbergs lines, but instead of the nervous sputtering delivery that Jesse gave, imagine Clancy in an expensive pressed suit – perhaps a lab coat, thought less likely. Imagine him delivering those lines confidently with that low,sure voice. Just a touch of menace to it. Imagine Clancy doing the things Luthor did. With Eisenberg, pulling the finger tips off of Zod is icky… With Brown it would’ve been terrifying in it’s genuis and obsession. With Eisenberg you hate him for kidnapping Martha Kent, with Brown you’re terrified of what will happen to her.
‘Seriously, I don’t understand this casting choice. Snyder is hellbent on doing something different, I understand. Indeed, I think in this determination to do something new, he actually exhibits that single-mindedness that we see in Batman… driving him to do the wrong thing.
The wrong thing. That that’s a bold statement, it’s an absolute and a label that I have not applied any other part of this movie. So why do I say “the wrong thing ” when it comes to Lex Luthor and stand by it with such certainty?
Because my kids didn’t recognize him.
My girls know who Lex Luthor is. They’ve watched him on the Justice League cartoons, they’ve been around Superman there entire lives, they play hero clixs with me and read the comics themselves and THEY. DID. NOT. RECOGNIZE. HIM. It wasn’t until the end of the movie, where Eisenberg sits in prison, wearing an orange jumpsuit and having his head shaved that Maddie’s eyes widened and she pointed at him. It was only in those final minutes of the film that my kids realized that they had been watching some strange incarnation of Lex Luthor all along. When you alter a character so much that he becomes unrecognizable to casual fans, you have absolutely gone the wrong direction with that character.
Zach Snyder is not interested in making fun, popcorn action movies. He’s trying to make a serious epic here, and I’m not sure that’s the right approach. While Batman V Superman is not a bad movie, The heaviness of it severely limits rewatchability. I have the same issue with Winter Soldier, and I especially have this problem with Man of Steel. We all know that Superman Returns is a terrible film, and it breaks my heart because the visual design has so much potential. But I’ll tell you what, even though Man of Steel is a better film, I’ve seen Superman Returns way more times that I’ve watched Man of Steel. It’s just an easier watch. Truth is, I don’t think I’ve made it through Man of Steel even one time since I saw in the theatre. Maybe in pieces, but certainly not in its entirety. Batman versus Superman will be the same – I may pop the video in and cue it past the second hour, but I’m pretty sure I’ll never watch this entire thing again. I liked it, and I’m glad I saw it, I just don’t know that I’ll ever be able to sit through this a second time, where as I can see myself watching Batman 89 again and again. If Iron Man is on cable I’m not going to turn it off. If I see BvS though, I’ll probably sit through it until commercial if it’s a good part and then keep on flipping.
The thing is, Snyder has mistaken heavy and cynical for mature. I have the same response to him that I did to the producers of the Muppets many months ago (you can find that HERE) that Cynical is not necessarily “adult”, and it’s not what I want to see with these characters. You didn’t “grow up “the Superman film, you just sucked a lot of the joy out of it.
A lot of the joy, but not all of it. Seeing Superman and Batman and Wonder Woman on screen together is something we wanted all our lives and we finally have it. This was a monumental and daunting task and if not ideal, Snyder does manage to pull it off. 3-D and IMAX are going to do nothing for it, but if you haven’t seen it in the theatre you really need to. We went for the cheap seats at Amherst Cinema and paid four dollars for a ticket. It’s showing on a double bill with Deadpool over at the drive-in near us. The movie is everywhere, and it’s not going anywhere – you have no excuse. If you haven’t seen Batman versus Superman, I’m sorry I spoiled it for you but what are you doing wasting time reading this anyhow? Get out and see the movie!
My personal definitive way of drawing iconic characters
We’re going to start this net subject with my favorite hero; Superman.
I’m very influenced by John Byrne’s superman, but even more by Jerry Ordway’s way of drawing him. It’s flawed in the face, the nose isn’t quite small enough. The chin is a bit too big.
The muscles are big, yet relaxed. that’s the thing about Superman, great power that you don’t have to show off.
the flamboyant, wheelchair-bound criminal mastermind transvestite Fu Manchu is hunting a hidden cache of treasure and uranium. It is this that will enable him, somehow, to rule the world. When he kills the one archaeologist with a lead on the loot, the murdered man’s son joins forces with macho policeman Enver to get revenge. Enver fakes his death to trick the villains and dons the suit to defeat the bad guys.
Honestly this one is even more incomprehensible that the other Turkish Superman based on the Donner film, but good news! I frequently see this one bundled in bootleg DVDs with that movie so it’s not hard to find! Watch it while your cleaning or reading a book.