It’s mostly comics this week, but I wanted to mention a couple of TV picks first as well!
After a highly accessible episode of Star Trek : Prodigy last week, we’re going into full on continuity mode. In fact, it’s really the one we’ve been waiting for… Where Dall meets the real Captain Janeway… And of course messes it all up. The scallywag from the doomed star base they visited a couple episodes ago is still slandering them in an attempt to make himself look good, the crew of the Protostar he’s having a hard time connecting with Starfleet. It’s only made harder by the fact that they are ship has a weapon inside it just waiting to infect any other ship or Starfleet entity they come in to contact with. As much as I enjoy the standalone episodes, I have to admit, the payoff we’re getting here has been really good. This episode feels a little bit more Star Wars than Star Trek though, taking place at a remote outpost that feels like a frozen Mos Eisley. Still, they make it work, and leave us on a cliffhanger that just has me squirming in my seat waiting for more.
Stargirl too. Stargirl has at this point, gone full on soap opera continuity. Basically, the show is going to be in accessible to anyone newly discovering it, but then again, I supposed they can afford to be, considering they’re not getting a fourth season.
That’s what makes it so unusual to me that DC would pick this time to launch a new Stargirl miniseries. Stargirl : The Lost Children teams her up with Red Arrow, in a relationship that feels very much like her friendship with Yolanda on the Stargirl TV show. Together they’re out to investigate the disappearance of all of the kids sidekicks from the DCU. Not the current ones, but rather the classic ones… Truth be told I don’t recognize a lot of these guys. Airwave, definitely. But a lot of these are more obscure ones that I’ve only ever heard whispered of long ago in legends. Still, the amount of goodwill that the television series has built with me, it’s got me jumping into this to see where they go. Legacy characters have always been a thing for me, and mixing it with a hero that I’ve recently come to know and love is a great way of doing this.
Really, it feels like it’s teen sidekicks all around. this month.
I somehow missed issue eight of Worlds Finest, so I grabbed that and issue nine together. We still have that kind of kryptonian refugee from another world or dimension and their integrating him into the teen titans. I have to admit, I’ve never been a fan of the Titans, so this is a bit of a low point for me… On the other hand, it’s just nice to spend time here in a DC universe that I know and recognize, as opposed to what the DCU has become in the last five or six years. That’s probably worlds finest greatest strength. Pure superhero stories in a setting in style and at legacy readers. It’s why I’m still gonna be reading this thing even when they’re featuring characters like the Titans that I just don’t care about.
Speaking of characters I don’t care about, you can pretty much skip She-Hulk this month. It’s featuring a side quest… Setting up supporting characters or villains or something along those lines… But Jen really doesn’t show up, and this issue isn’t actually about her. I have to be honest. I didn’t buy this one. I was going to, but it’s just not worth it to me this month.
On the other hand, Nightwing just continues to be stellar. I was an issue behind on that one as well, so it’s a back to back read. That’s not necessarily a bad thing. Issue 97 is kind of some loose ends with a good straightforward adventure, and one of the great bits of banter that I’ve really been enjoying between dick and Barbara regarding this month’s villainous psycho whos carving out vital organs from his victims.
You may or may not know that I am a fan of bat mite. I mean, The characters in general always appeal to me. Spider ham is another one on that list (no curiously enough, Mr. missile pic isn’t. I always found him frustrating and annoying rather than fun) well it seems like Batman’s not the only one out there in the DC universe who can attract a fifth dimensional imp… And issue 98 introduces us to Nite-Mite.
It’s not all over the top goofiness, but just enough of it, and Nite-Mite is illustrated with just enough cartoonish joy to make him fun but not to push him over the top into irritating. It’s well balanced and well handled, and I love it. I don’t want to see it every issue, but this was a wonderful surprise, and one of the reasons why I still feel like Nightwing has got his groove back. We’re back to the heights of the Chuck Dixon run back in the 90s. It’s just that good. Honestly, they should just bite the bullet and rebrand this as Nightwing and Batgirl… Because it’s just the perfect team the way it’s being written right now.
I Hate Fairyland is back and I have mixed feelings about it. See, the thing is I really enjoyed I Hate Fairyland during its original run. There’s something about that juxtaposition of the hyper violent angry a little girl hacking and slashing her way through a fairy tale universe. It was great fun. But if you want a return to I Hate Fairyland it has to get us back to basics. It has to reestablish the character… And as such we we see what happened to poor Gert after she returned to the real world. It’s not just that she can’t adjust, I don’t think she ever was meant for this world in the first place. She’s a drunken slacker loser. That kind of breaks my heart. Somebody once said that if you really love the characters and survivors of a horror movie, the last thing you want is for a sequel to come out… Because much worse is coming their way if they have to return. I almost feel like That applies to I Hate Fairyland. I liked seeing the psycho little girl, but it feels different watching that grown-up version of her stumble through adult life. Maybe it’ll be better once we get into the thick of the series. I hope so, because this first issue re-introduction was just a downer.
New Star Trek this month too. I guess Star Trek Resurgence is based on a game? I know nothing about this. But it’s taking place in the TNG movie time period, and that’s a definite plus for me. It’s life on a starship outside of the Enterprise… And that’s actually also something I enjoy. An unknown unique ship, a peek into the workings of a crew that we don’t normally see, I’ve always dug that. It’s nicely illustrated and it’s actually got me feeling a lot more goodwill to it than I did with the new Star Trek ongoing featuring Sisko and Paris and Scotty and what not. I almost feel like this may be the Star Trek series to follow… Will definitely find out. But I’m glad that IDW comics are leaning into the license. I’m especially glad that we’re getting stuff outside of the Bad Robot “prime” timeline, the Abrams “Kelvin” timeline, and instead getting back in that separate original Paramount universe. More of that please
I’m still behind on Iron Man and ghost rider I think. By the time I can get into that part of the stack, they’ll probably be a new Spider-Man out too… All stuff I can talk about next week. But before I go I’d be remiss if I didn’t point out the Gambit miniseries that’s already in its fifth issue. How did I not know about this? I suppose probably because most of the X books are dreck, and a shadow of their former glory. But this is good. This is really fun. The premise is that after a recent encounter with the villians Nanny and Orphan Maker, storm was de-aged back to childhood. That messes with both her power… and her memory. Remy rescues her from the Shadow King and they head off on their own adventures. See the thing is, the storm was a thief when she was a kid, back in Cairo. It’s something that she has in common with Gambit, making him an ideal mentor for her. Marvel is describing this as an untold chapter in Gambits life, which means I have NO idea when this is set and that’s cool with me. Because what we get is a really rollicking adventure with gambit and little storm… And the chemistry between the two is just amazing. I’m a little late to this game, so I’m hoping to get this collected in trade, but either way, it’s definitely worth your time and attention. Go check this out.
There’s times when I think I’m really enjoying Sventoonie even better than Svengoolie. There’s something to be said for blowing through some of these old Public Domain movies and encapsulating them into a half hour show with host bits rather than trying to present the whole thing and watch the same old movies again and again (it’s one of the things that really burned me out with online Horror Hosts like you see on the Monster Channel). Indeed, it worked way better for Bucket of Blood and Santa Claus Conquers the Martians. The quick summary and visit on those was everything I needed to feel satisfied, almost like watching the movie without actually watching a movie (I have similar feelings about movie trailer compilations). It’s even better though last week, because the subject was Night Tide… A killer mermaid movie that I’ve never seen. And yet, I still feel like I’ve pretty much seen the whole thing. The show makes good use of jaws parodies and general schtick , and it’s just in enormously fun to watch. On the other hand, you have nights like this week where they screen clips of Brother from Another Planet. It’s another one I’ve never seen, and now I feel like I must go seek it out. I absolutely have to know what this is about! Again, the real beauty of these kind of shows. I’m gonna actually be pretty sad when I finish up this quickie season.
Stargirl remains solid. Actually, you kind of expect them to be better than solid, you’d expect them to be really good considering we’re entering the end of the series. But this week really felt more like part two, a good follow up from last week and the attack on the elder icicles. Seth Greens Thunderbolt continues to be the high point of the series for me. I feel like they’ve gotten into the right groove with him now. They don’t overuse him… That character could get annoying really fast if overexposed. On the other hand they don’t underuse him either… The way they did all of last season. He is a genuinely good character, and watching him and the two boys kind of do their own mini Scooby gang thing… The young All-Stars instead of the JSA, it’s really been fun. For me that’s the perfect B storyline. A group of young burgeoning superheroes to balance out the teenage jSA that really keeps the show together. Like I said, solid. I will admit though, we got some killing at the end that really took me by surprise. It shouldn’t, considering that since this is the end of the series, anything goes. But still, I was a little shocked and sad. You never know when they’re going to kill off the character that you like.
Speaking of solid, the only comic book worth mentioning this week really was Amazing Spider-Man #13 which resolved the current goblin story nicely while setting up more stuff happening down the line. They are still maintaining that interesting feel with all of the supporting characters, and that’s really the thing that’s been keeping me coming back to this book during this run.
Solid is also the word to describe Nailed It. I know I’m using that description a lot, but average television is still better than bad TV, so I’ll take it. I only have a minor quibble with this particular season. As much as I like the fact that they’re going Halloween this time around, I wish they pick different subjects. Look, I’m familiar with the Witcher, and I’ve heard of the umbrella academy. I don’t watch either of them. Yes, I Realize it’s basically cross series promotion on the same network, but only having a passing familiarity with these series makes me wish they had picked something with a wider familiarity. Do Dracula and Frankenstein instead of just hitting your other network shows. With that said, there’s not a whole lot to complain about. Really if that’s my biggest beef, then I’d say the show is still doing pretty good. Honestly, I wish they’d have longer seasons and more of them. This one’s been a perennial favorite in our home since the kids discovered it and it’s really the only context I enjoy Nicole Byer in!
Speaking of my kids, I recently noticed something strange. My younger daughter is obsessively watching the 100. My older daughter just finished seven seeds and is considering going back to the hunger games. My wife is watching a series called the society. Basically they’re all watching TV shows set in fairly post-apocalyptic settings where the kids are left on their own to try and build some sort of a society. They’re all nihilistic and depressing. I on the other hand and obsessively watching Star Trek Prodigy. It’s also about a bunch of kids left to their own devices, but in the best traditions of Star Trek, it’s hopeful and optimistic!
The Trek Culture channel over on YouTube made an interesting observation this week. They pointed out that this weeks episode actually acts as a great jumping on point… A good introduction to anybody who has been watching the series. You’re absolutely right about this. Aside from the opening where Jayne was still trying to get information about the lost Protostar from a semi catatonic diviner, the story is actually. A nice straightforward adventure for the crew of the Protostar. It begins with some narration from Dahl, explaining that the Protostar has a weapon hidden on it, one that is designed to infect Starfleet if they ever come in contact with them, or even open up a hail. Until they can figure out how to get rid of it – a task that is driving Jayne come mad – they’re going to continue to try and Explore space, and help people. To that end, they’re answering a distress call (And doing it in uniforms by the way. As much as I’m not a big fan of these uniforms, I’m so glad to see they they are staying in them most of the time now. Uniforms are a PART of the Star Trek aesthetic, even if this current production team seems to hate them.).
What they discover is an unknown planet populated by people with very familiar names like Keurk and Suoo-looh, wearing a stitched together facsimiles of original series uniforms. Turns out, the shuttlecraft Galileo somehow got lost and crashed here with a supporting character from a single episode of the original series, Ensign Garrovick, from the episode “Obsession.” Garrovick accidentally First Contacts them… mostly to warn them away from the forest where fuel is leaking from the shuttlecraft . It’s a fun episode, and good storytelling. There’s a lot of ‘member berries in this one though, and I know that’s something I’ve complained about in the past. The thing is, it works here. This is a story that is built around all those callbacks. It’s designed around the exploration of a society that came into contact with Starfleet, but nobody knew. 100 years later, these characters are the stuff of legend, passed down through oral tradition… Well, oral tradition with a theater kid twist. It makes these callbacks feel organic. We have a crashed shuttlecraft, images of the bridge, and all these characters being able to imitate the motions and the controls of the Enterprise. At no point do I feel like it’s just ‘member berries for the sake of “hey remember this?? You love this!“ It’s not patronizing, like watching Mariner on Lower Decks suddenly whip out a batlith to cut someone’s arm with just because it’s random and funny and “remember Klingons? You love Klingons!“ This works. It just feels right, Especially considering it doesn’t happen every week.
I was crushed to learn that the Big Bad B Movie show with Leopold and Lenora has met its end. Change of management means no third season, but you can still catch Lenora on her YouTube show up on the found footage fest channel. Check out Lenora’s Midnight Rental and see what you think.
We’ll be back with more television and comics next week! (Probably).
Stargirl is totally gearing up for a spin off. I swear it is. This weeks episode of infinity Inc. part two, resolves the whole story about Jade searching for her brother obsidian. I’m not sure if I’m completely on board with the look they’ve given him sit in here, it’s really just black and smoky… And they’re really leaning in to the idea that he is shadow and that she is light. I literally said to myself “they’re really trying to go for their own version of Marvel’s Cloak and Dagger aren’t they?“. Still, there’s worse directions they could go. The other thing that really amuses me is how the episode kept the shade and stripes he trapped in the Shadowlands for most of the hour. The thing about the Shadowlands… You know how the CW kinda has this thing where you’re constantly seeing “attractive people standing in dark hallways talking about their feelings“? Well that’s basically what the Shadowlands is. It’s the ultimate dark hallway for people to sit and talk about their feelings as their deepest fears and regrets are probed. It amuses me to see The CW double down on this… They’ve practically gone meta with It.
But all around, it was a nice little side quest. This two episode story doesn’t really feed into the whole rest of the seasons whodunnit theme, but rather, as I said, seems to be setting up a spin off series. As Jenny and Todd leaves The asylum – the helix house, Mr. Bones ponder as whether or not he should put together a team of his own, just like Stargirl has. Jade and Obsidian on the other hand, are heading out to find the son of the Sandman. He’s having dreams that for tell the future, and may need help. It’s a heck of a loose end that they’re just dangling there. Series biz. Watch and see if they don’t throw together an infinity Inc. series to be announced next summer or fall (especially since Stargirl has now been cancelled), once the CW And Warner Bros. have shaken out their transition. It may not be on the CW, but I bet it’ll still show up SOMEWHERE (And feature bits of the Stargirl crew too).
I was delighted to see that Star Trek Prodigy was back. I knew it was coming out sometime in late fall or winter, but never had any real indication of when. I’m grateful that there’s actually Star Trek out there that I can watch, and this continues to be the best of all the modern Star Trek series. We see the kids pulling up the Protostar to the nearest star base… Basically a relay station on the edge of the known galaxy. I’m actually kind of delighted to see that the uniforms look pretty correct. They’ve added black to the shoulders, but otherwise it’s the future uniform from all good things, including thesame. com badge. I always liked this look, and the black gives it a bit more of a transitionary look… Like they’re eventually going to be a solid color rather than the TNG style they are evoking. And also confirms that strange and ugly pajama like uniforms the kids are wearing were specific to the protostar. How do we know? Because we get flashbacks to the Protostar’s launch and Janeway sending off Captain Chakotay. It’s good stuff, and I don’t think I’ve ever enjoyed these characters as much as I do in this show. it’s not just nostalgia, Chakotay is given an actual role here, and Janeway just feels right in both her admiral role and in the mentor role that we get on the ship.
It’s also great to see the crew back. We get a little bit more information on their races. Even with Dall, we get clues to his identity… Some thing that’s been a minor subplot throughout the whole thing. Of course, it can’t go smoothly… Drednok, the robot bad guy from last season has been hiding his consciousness in the ships computer, and is now ready to emerge. He downloads himself into the star base and wreaks some havoc there, giving us a nice little adventure on the front end. In the b story on the other hand, we have Admiral Janeway on an expedition to figure out what happened to the protostar and find Kote. Well, she doesn’t find him… But she does find The Diviner (our head bad guy) floating in suspended animation. We’ll see what kind of answer if she gets from him in the next episode!
You know, with all of the talk about the television that I watched… There is a show I have neglected to talk about. It’s because I generally catch it late, and because it’s obviously just a bit of a Temporary fill in for Halloween. You may have noticed occasionally that I happen to be an old fan of horror hosts. In Cleveland we had big chuck and little John, but back in the 60s 70s and 80s almost every market had something. Elvira was probably the most well-known, managing to go national for a bit, and in Chicago, there was Svengoolie. Recently our cable package shuffled again, and I discovered that added METV to the lineup. I have been overjoyed to be able to watch Sven again, even thoguh I don’t usually talk abotu it in the blog since it’s mostly a movie show (Though from time to time, I do review the movies he screens!). This year, during spooky season, they’ve expanded his presence, giving him extra blocks of shows like the twilight zone to host, and tagging on a special exploring the hosts history. But the other thing that they’ve done, is added An after show… Sven Tooney. Like the old-fashioned local UHF stations, METV also has kids programming in the morning. It’s a block of cartoons, Tom and Jerry, Looney Tunes, that sort of thing. It’s hosted by Bill Leff and Toony. Toony is a puppet of a red tuna… And every now and then he’ll pop over to Sven’s show, to harass Svengoolie’s rubber chicken Kerwin. Well apparently last year, when I couldn’t watch the show, they spun Tooney off into his own spoof of Svengoolie show. Sventoonie! Apparently he’s returned this year, with his own parody of Sven’s show where he, his DJ blobby (A blob fish with an electric charge like an eel), and Trevor, a dead video store clerk, do some comedy bits and talk about old public domain movies. They cut the film up so that they can fast forward and summarize it, while still throwing in their own bits. I actually almost enjoy this more than Svengoolie! The thing is, with a horror host, in that two hour block, you get about 15 minutes of the host. The rest is the movie and commercials. That’s still fairly true here, but it’s a half hour show, so 50% or better is dedicated to the hosts and quite frankly that’s what we’re here to watch! It’s a great little thing to sit down and watch at lunchtime on Sundays, and a really nice companion to Sven’s show. Looks like it’s only going to be the six episodes this year, and that’s fine. It would probably grow old fast if it were overexposed all year, but I’ve really been having fun with this, and it’s been the highlight of my week this October.
With that said, Happy Halloween to everyone, and will be back next week, hopefully with some more thoughts on Netflix CGI he-man and the masters of the universe!
So, Nailed It is back, it’s a kind of Halloween themed series, but I gotta say I love the fact that this show has managed to hang in there this long. Netflix shows, even the quickie half-hour things like this are generally one to three seasons and done, but somehow, nailed it just keeps coming back. It’s an absolute delight for all of us in my family, and I hope this thing keeps going for many many years to come.
Then there’s Stargirl. We finally get to see Jade’s brother Obsidian… and he’s gay. It’s vitally important that you understand he’s gay. It’s terribly, terribly essential that they show you that he’s gay, and they have to do it within seconds of meeting him! It doesn’t actually have anything to do with the story, it never comes up again, and doesn’t drive the character thematically. In fact, now that I think about it, you could just as easily, (perhaps even more easily) have introduced him as a solo runaway before the rent-a-cops pick him up and deliver him to the Infinity Inc. guys, but no, it’s essential that we make sure you know he’s gay!
It’s one of the things that bothers me because Stargirl has, thus far, mostly been above this sort of ham-fisted virtue signaling. We got a little hint of social justice during summer school with Eclipso’s temptation of Beth, but it was mild, and organic to the story. This is just shoved in for no reason, very “in your face” and it pulls me out of the story. That kind of stuff is also the first sign of a CW show getting ready to jump the shark. Supergirl took a hard left turn into social justice first, and story as an afterthought. So did Legends, and Batwoman was basically defined by it from the word go. One of the things I’ve been enjoying about Stargirl (and for that matter Superman and Lois) is that they’ve been largely free of this sort of thing, and when it does show up, it’s nuanced and generally background… And organic part of a story. Perhaps I’m overreacting, but I’ve been enjoying Stargirl so much that it would be a real shame to see it go the way of a lot of the hyper politicized shows that the superhero genre seems to be plagued with. The rest of the episode is solid. We get some good green lantern action with Jade, and green lantern stuff is always welcome. There’s still some struggle as Courtney tries to regain her friends trust and we get a fairly shocking development with Yolanda right at the end of the episode. It’s super hero soap opera to be sure, but I’m a sucker for that sort of thing.
Got to close out by mentioning that The Food that Built America is back as well, although the format seems to have changed. It feels like they’re matching multiple episodes together… Building on The stories they’ve already told us. It’s very much a second season kind of feel to it… A continuation with some continuity to it. Interesting and unexpected for a documentary series like this. Still, I’m riveted, and it makes for good Sunday night viewing. It’s still a high recommend, if you haven’t seen this show, you should check it out.
As for me, I think it’s about time I pull out my copy of the great pumpkin!
I finally did it! I finally got around to catching up on Stargirl! I’m not sure why I dropped off exactly… I know that Maddie wasn’t really interested in watching it much anymore, but honestly, I thought I Was way further behind than this. There were only four episodes left in the Summer School season, and maybe it’s just because we’re at the climax, but wow, did they deliver.
So, where were we? Eclipse it was free, he’d blasted shiv into oblivion, and was now in the process of haunting each of the JSA members. That’s not too big of a problem, because they’re each dealing with her own baggage. Yolanda still has guilt over killing Brainwave Jr, Beth is watching her parents marriage fall apart, and her only solace is the slight contact she’s managed to get with the original Doctor Midnight. Hourman’s hourglass is broken, and for some reason he’s developing a bond with Solomon Grundy… All of this is fertile ground for Eclipso to work in. Nevertheless, they manage to come together to try and defeat a clip so… And the process, Stargirl is blasted away. It’s pretty shocking, considering how close to the end of the series we are… But we discover that what’s happened is she’s been banished to a shadow realm. a sort of purgatory where Eclipso can toy with her and others, to feed off their negative emotions. It turns out, Shiv is also there… As well as Dr. Midnight. With the help of the shade end guidance from Dr. Midnights goggles, Courtney’s parents managed to rescue them, and heading for the final showdown.
It’s really good, really well done. The characters are rich and complex, and current politics, while sneaking in around the edges, are kept to a minimum… Kind of feels like the good old days.
With that finished, it’s time to move from the summer school season into the Frenemies season. I don’t know if this will be a full 22 episode run or another 13… I have to admit, doing the 13 episode runs has really worked for stalker all. It’s giving them just enough time to do what they need without bogging everything down with filler.
If I have any real complaint about the Frenemies season… It’s that they’re building it as a murder mystery, but the title doesn’t feel congruent with it. Frenemies is a very high school kind of term, well this is leaning heavily into the sort of Agatha Christie murder mystery milieu. On the other hand, it makes sense because the beast storyline is an exploration of whether or not villains can really change… Whether they can truly reform and become allies. This is a very superman take. I pointed this out both and superman and early Supergirl… That part of what they want to do is take the bad guys, find them and fix them… Maybe turn them into friends instead of enemies. Courtney’s cut very much from that same sort of mold… Really trying to embrace shiv and incorporate her into the justice society. Of course sports master and his wife have also moved in right next-door to her, complicating things more than a little bit. Artemis also wants a spot on the GSA… And let’s just say, her mother is quite insistent. Hon
She Hulk on the other hand is a whole different story.
I gotta tell you, it almost feels like a chore watching the show now. Like, I don’t want to give up considering how far into the season we are, and I’ve managed to stick it out this far… But the show is just such a disappointment. This week sees Jen at a wedding, and it really reinforces the whole victim complex that she constantly revels in. Everybody’s mean to her, nobody’s nice except for her… Course the fact that she gets raging drunk and then gets into a fight with a super villain… Well that’s not her fault. Titania hit her first right? Of course back in the B storyline, the assistant and the lawyer from last week are taking over her current case… A “mister immortal“ who can’t die… So he gets married to unsuspecting people, then once he’s gotten what he wants financially or if it just starts to go to Dale, he dies, which terminates the marriage contract, and then comes back to life. It’s one of these stories that you could almost watch them going down a checklist. Seriously, it’s custom made… A “men are bad“ story with room to display a conveniently diverse group of ex-wives… And one ex-husband. Everyone’s different ethnicity, and everyone has a different beef… And it’s just so intentionally politically correct that it knocks you right out of the story. If it had been a group of white haired ladies in their late 50s and 60s, it would actually ring more true and feed into the stereotype they’re going for. I’d also be more convinced if they looked similar. Same race, same general figure. And you can’t make them all black… Because that would just mean Mr. Immortal is a racist. But seriously, most guys have a type… Just look at Hugh Hefner.(sorry, but he’s on my mind because of the trashy podcast Holly and Bridget from the girls next-door are doing). That sort of guy who can get just about anybody he wants is going to go for the same type repeatedly. Doesn’t have to be blonde and busty like Hefner, but skinny, fat, African-American, Latino, men… This is not a natural pattern, and again, it’s smacks of a diversity checklist Rather than organic chemistry, and it’s so jarring that it yanks me right out of the story.
Not there’s really much story here to begin with. She hulk shows up at a wedding, gets to complain about how they don’t want her to be Seahawk at the wedding and take attention away from the bride… She feels like everybody’s being mean to her, Gets into a fight,and then goes home. Seriously, I had a bridesmaid like this. We kicked her out of the wedding party. It is true, that most of the people in this episode are portrayed as jerks and pretty bad folks… The problem is, so is Jen. I don’t like Jen… But I’m supposed to be following her and rooting for her. And that’s kind of the root problem with she hulk in general. She’s just written as such a jerk, and that’s not the Seahawk that I know. It’s a shame too, because I like she hulk. The CGI model looks just fine to me, and I can’t wait to see her team up with the fantastic four. But man, this version is just a drag.
It’s no wonder the show is hemorrhaging viewers, and even though I’m sticking with it for the sheer masochistic duty of it, it’s not one I could recommend. Ugh. Just give me more Stargirl instead.
Man, it’s all finales all day over here! Admittedly, I’m a little late. It’s been a busy couple of weeks, but in the meantime I didn’t even know that Superman and Lois as well as the flash we’re both ending on the same week! When I referred to the penultimate episode in the last blog, turns out, I was actually accurate! There’s not a whole lot to say about Superman and Lois. They wrapped up the storyline, gave us a good climax, and then spent a good 15 minutes after all that tying up loose ends and resolving the whole thing. I enjoyed it. I also particularly enjoyed them slipping in what may be the most obscure Easter egg ever. If you know what that Miracle Monday banner actually refers to… You can absolutely be my friend.
The Flash on the other hand felt a little abrupt in it’s ending. The whole thing really sped along… No pun intended… In creating its own climax. I felt like I needed another two episodes or so, not surprising considering the season was only 20 episodes. The plague still affecting us and giving us shorter seasons I think. Nevertheless, it was a spectacular ending, with the ultimate fight between Flash and Thawn (Who’s your tailor? SATAN???) and you can genuinely see where this was designed to be a series finale. That may be one of the reasons it feels so rushed, because the renewal for this show came very late, and they were trying to tie it all off. Last minute changes had to be made so they could pull one more season out of this series, and I for one am actually glad. The Flash has actually really rebounded in the last season and a half, and I’m definitely up for one more ride. I swear, part of me thinks that the reason the movie keeps getting delayed is because the series just won’t die… Somewhere, somehow, Barry keeps messing with the timeline to make sure that the film doesn’t come out until the TV shows ready to end!
Ms Marvel may actually be the strongest of the Marvel shows right now. It’s almost as if Marvel discovered superhero action again… There’s still not enough of it mind you, but definitely more than what we got in WandaVision or Loki. Episode four gives us a pretty spectacular fight and chase, and they almost gave us a costume. Not quite, but almost get there. It’s back to a very talky story though once we hit episode five. It’s almost entirely made up of a flashback, going back to Kamala’s ancestors and more of the bracelets origins. It’s actually the exact sort of thing that would get cut if anybody was trying for anything resembling normal pacing. Indeed, I think the filler in these shows is a lot more onerous, because they’re such short series. When you got 22 episodes, yeah, give me a flashback episode. Let’s explore every bit of the history. When you’ve only got six episodes? Just put her in the mask and let me see her punching things. Still, the finale does that’s good. It’s a nice big chase, it’s a nice big fight, it almost feels divorced from a lot of the rest of the series. Come on was protecting the son of the ClanDestine leader… resolving in New Jersey the big adventure that we had in Pakistan. We also finally get the costume. Seriously, this has been one of the thanks it’s really annoyed and frustrated me in this series. Why do we wait till the very end, the last episode to get the costume? I was supposed WandaVision did a similar thing, but then again, it pissed me off there too!
Nevertheless, Ms Marvel seems to be the closest thing to getting it right that Marvel has done on television. It’s not there yet, and they still seem obsessed with a certain formula that isn’t quite working. I’m hoping somebody starts to fine-tune this a little bit more, because for the first time I really see the potential here. it doesn’t hurt that the actress playing Kamala is cute as a button and perfectly adorkable in the role. She gets the character and really pulls it off well. Indeed, I hope they jump straight into some more with her, because a big part of her charm is her youth. And she’s not gonna stay that age for very long… But much to my pleasant surprise, they may actually get me to watch the marvels just because of her! Imagine that.
Superman and Lois is back, and there’s something to be said for a series like this… Where every single episode feels like the penultimate episode. As bizarro world attempts to merge with earth, Superman is down for the count and powerless. It’s up to all of our second string heroes, including Jordan as well as stealing his daughter to protect Smallville. In the meantime, The evil doppelgängers are back, looking for their counterparts and looking to take out Clark while he’s still vulnerable. All of this goes on, Lana finds herself coping not only was just learning the job of being the newly elected mayor, but also dealing with an extinction level superhero crisis and trying to pull the town together in the midst of it.
The Orville has done an excellent job of really being Star Trek… Copying the aesthetic and the trajectory… And for the first time I wonder and worry if they’ve also swallowed the poison pill of modern Star Trek. The Orville hasn’t been without its social justice and political points… Although it’s generally been fairly evenhanded with them. But with this episode, featuring the election of the Krill… The bad guys, basically religious Klingons, I wonder if they’re getting a little heavy handed with their political commentary. We have an election that changed suddenly… mysteriously… almost overnight! And yet we have the leader who wins being very much A nationalist and an ideologue… All the things they said President Trump was. Of course one could also apply that to current President Biden, who governs every bit as an extremist as they all said Trump would be. The fact that there is suggestions of a stolen election… Or a challenge to it… Like I said. It’s heavy-handed and I’m feeling a little attacked. I actually chatted with us a little bit with one of my friends who does not share my political leanings. He’s not necessarily my opposite or even in the middle, but more of a cynic… and unlike other people who I hear frequently say “I hate all politicians“ and claim to be independent… He actually is. From his viewing, he saw a bit of skewering of both sides… And I’m content to leave it at that. I know my bias. Still, it’s clumsy and really not what I want to watch The Orville for. It’s a shame too, because the episode is gorgeous. The Krill homeworld is shocking how detailed and well realized it is. It’s just gorgeous and a monstrous bit of science-fiction design. Is everything you want from a future alien city.
The Flash kicks things off right this week, jumping right in showing a race between the flash and another speedster dressed like a ninja. It’s a funny coincidence, considering I spent the weekend watching a bunch of ninja movies…
The black suited speedster in question is Dr Mina, a scientist who seems to have developed a machine that can grant a person artificial super speed. Or is it really artificial speed force? Barry’s taking it upon himself to help train her, but things go sideways when he meets her partner… Ebon Thawn, the Reverse Flash. This is the blonde hair blue eyed version of Thawn, and he’s lost his memory. It’s suspicious enough to send Barry running to check on Tom Kavanaugh‘s reverse flash, still stripped of his power, and cooling his heels in iron heights prison. Together they realize that what Mina has created is a machine that Thawn designed 200 years from now in his own quest for super speed… But it’s not creating artificial speed force. It’s tapping in to the negative speed force. Much like an atom can have a negative charge and a positive charge, Barry is the avatar of the speed force and carries the positive charge. What Mina has discovered is the negative charge of the speed force, and a lightning bolt from her hand can cancel out Barry’s powers.
It’s just a great solid superhero adventure. Mina actually stopped just short of kind of becoming a female reverse flash… And indeed, Barry even says “Central City can always use more heroes“. No it can’t! What it needs is more villains! and I’d love to see her go full Reverse Flash here. When you’re at the eighth season like this, it wouldn’t really be just a gender swap replacement of an existing character, but rather a variant that moves right along in the continuity, not taking away from the already established character. let her be a reverse flash for an episode or two, and maybe even climax it with three reverse flashes after Barry. Either way, you can tell that I’m digging on this episode, because of all the speculation…
Moreover we get not one, but three stingers at the end, it seems that there wasn’t really enough time to dedicate to the b storylines, so they’ve got a cliffhanger us at the end here with glimpses of Cecile and her powers going off the scale, A potential resurrection for killer frost, and new devious plans hatching with the reverse flash. It gets me very excited for what the back end of the season has to offer. You also can never go wrong with a cameo from Ray Palmer. Even if it is just Brandon Routh skypeing in, I’ve said it before and I’ll say it again. Everything that Brandon Routh brought to the table with Clark Kent… All the charm and gawkiness without being… Well, stupid… (The way Christopher Reeve played him) it’s all dialed up to 11 when Routh plays the atom, and it just works so well.
But then we get to Ms Marvel. And see, I don’t understand Disney. They bought Marvel… A company mostly built on superhero adventure franchises. Colorful characters in colorful costumes punching people. Then they proceed to make these Disney+ shows with very few costumes, muted colors, and nearly no action, adventure or punching. I understood there wouldn’t be tons of action in the first episode because we’re basically getting an origin, but the second episode seemed even flatter. It’s Kamala’s got a crush, and somebody’s stealing shoes at the mosque. That’s basically what happens. There’s about 10 minutes of a superhero rescue towards the very end and quite the cliffhanger, but the 40 minutes or so that proceeded… It’s all just people talking. You know, I feel like I’ve said this before… Oh wait, I have. I said it for six weeks with Loki.
Part of me wonders if Marvel just hasn’t gotten The formula right… I mean, the Disney+ shows sure seem to be following a specific structure, but it’s not the right one. In a film, the first act is world building. You get 30 or 40 minutes of that before you move into the second act which is conflict, usually resulting in a big problem or falling out that has to be resolved shortly into the third act just before the climax. It’s a reliable structure, and when you deviate from that, you start feeling like the film is dragging. On a traditional 22 episode network television series, you probably get about 20%-25% of each episode divided world building, maybe a little bit more or less depending on the story, as well as character development all throughout, while never neglecting the action and adventure itself. For all of my talk about how the CW shows really do love their scenes of attractive people talking about their feelings in dimly lit hallways… They still understand that balance, And don’t deprive us of the important punching moments.
And yet every week I hear my friends gushing about “Marvel has done it again!“ And have the newest Disney Marvel show is the best thing ever! And I just don’t get it. I almost wonder if they’re reacting more to that shocking cliffhanger that they do seem to like leaving us with rather than the contents of the absolute self. That would make sense to me, but honestly, it’s not enough to run a series on that alone.
Fortunately, they haven’t forgotten about the action when it comes to making Obi-Wan. The imperial forces are bearing down on the underground railroad base, and it’s basically up to Obi-Wan to buy them time to evacuate… and get Princess Leia to safety.
We finally get some of Reva’s backstory… But it’s no exaggeration when I say literally everybody I knew, whether they were Star Wars fans or not, whether they like the show or not, EVERYONE ABSOLUTELY KNEW she was going to end up being one of the kids in the Jedi temple and that somehow she would’ve survived the massacre from Revenge of the Sith. Obi-Wan suggests that the reason she’s doing all this is really to able to get close to Vader to kill him… Which is weird, because she’s been serving Vader for a decade or two now, but it’s only now that Obi-Wan’s dreamy eyes are enough to convincing her to try and kill him? No, I still insist that this character feels very clumsily inserted into the story for purposes of padding out the length to get it to six hours, and to make sure that there’s some sort of diversity first. It’s not even that she’s awful, it’s just that she’s unnecessary. The imperial turncoat that’s been helping Obi-Wan and Leia escape…? The one that will occasionally don her old imperial officer uniform? You could have given Reva’s entire backstory to her and not missed a beat. She could have still headed up to confront Vader this episode and had a far more interesting death. And all the tracking and torture and villainous stuff Reva’s been doing? It’d all be WAY more interesting if that were Vader. I’ve said it before, but it bears reapeating. you have one of the greatest cinematic villians of all time at your disposal. Not just of sci-fi, not just of star wars….ONE OF THE GREATEST VILLIANS IN THE HISTORY OF ALL MOVIES….but you’d rather use Reva.
I can kind of see how Obi-Wan really did start off life as a film script. You can feel the pacing, especially now that we’re fully immersed into the third act, and this thing absolutely would’ve blown our socks off as a three hour film, rather than a six hour miniseries. In fact, I could go for a couple of two-hour Obi-Wan films with these kind of production values. Still, while this probably wasn’t the series best destiny, it’s still been the best of any of the Disney Star Wars that I’ve seen.
With no Superman and Lois this week, we’re rounding things out with the Orville. The thing is, I’ve never been a fan of imaginary stories. I don’t enjoy the stuff like Shore Leave, or the holodeck hijinx of Casino Royale or the Big Goodbye. Still, I’ve gotta admit, Seth MacFarlane is not gonna be able to fully realize his dream of doing a Star Trek series without at least one of these type of stories. He provides us with a sufficient McGuffin, and to his credit, the story actually gives us more of a twilight zone feel to them than a fantasy diversion. It’s an interesting aesthetic, but for me these still always feel like a waste of time.
McFarland also manages to tack on what Harlan Ellison used to refer to as “that dopey utopian bull$#@% that Gene Roddenberry loved” tm. McFarlane puts it in the mouth of the MacGuffin, a highly evolved creature, that’s at least 50,000 years beyond us… more really, since they learned how to manipulate and control their evolution. She suggests that humanity is on the right track, having left behind it’s gods and it’s myths and it’s nations, but when you become as involved as they are, you even move beyond any other identities… Explorer, captain, husband, even man or woman. Now, before people start pointing fingers and triumphantly exclaiming “See! Star Trek was always woke!“ Not only can I just kind of brush it off as one line of dialogue… (And being a student of history, I’ve noticed that every generation seems to think that they’ve evolved past a lot of those traditional concepts and identities… past ideas of God and nation and identity (and then history or reality reassert themselves and we find ourselves drawn back to those traditions). Sure I CAN address that myself, but I don’t actually have to, because in true Star Trek fashion, the show plunges forward to explore the statement further. McFarlane points out that while humans may not be as involved as our McGuffin, we’re old enough that we don’t run experiments on lower life forms the way the McGuffin has just done on us. It’s an interesting statement. It doesn’t necessarily contradict her, but it certainly gives you something to think about… and makes you wonder whether or not the McGuffin’s evolution is truly progressive and positive or not. The crew discusses it over dinner in the mess hall that night at the ship…
McFarland is pushing an atheist view here, that when you die there’s nothing, but that’s something to wrestle with. It’s an idea that we can’t truly wrap our heads around. Even the idea of it just being a formless black void after we die… We still have to be conscious in some way to perceive that… How do you perceive nonexistence? Bortus on the other hand suggests that death is noble. It’s a part of life and it has it hazards on virtue. McFarlane dismisses it as the traditional philosophical idea, but even in the dismissal, we get to listen to the point. Despite all of this, the first officer seems shocked that McFarlane would wish to live forever. He gives a marvelous justification though…
“I want to see what happens.”
I love this. I disagree with the primary tenant that McFarlane really wants to espouse, but he does it smartly – it’s classical liberalism which wants to debate the comcept, talk about it and chew it over and eventually come to a conclusion. It’s a difference between this and any of the modern Star Trek we see on Paramount plus which merely wishes to push it’s message, unquestioned. The Orville maybe stating its own opinion, but more importantly, they want to start the discussion. That’s why a single line can spark so much explanation from me here in this blog. That’s what Star Trek used to do.
Of course, you could justifiably say that I’m over thinking things here. But then again, hasn’t that always been the point of science fiction in general and Star Trek in particular?
See you next week.
Oh wow, Superman and Lois just went full on soap opera this week. I mean it. It’s nothing but drama… With a little bit of superheroics tacked on in the last 12 minutes or so. This may actually be the first bad episode they’ve had… And quite frankly, you can skip it. Anything that was important in this episode will almost certainly be recapped when the shower turns on June 22. I’ve got to admit though, for the series to have gone some 35 episodes or so and only so now hit a bad one, it’s actually pretty good. Supergirl jumped the shark almost immediately in her second season, and this is way better produced than that. It’s not enough to put me off, but yikes. They’re making up for turning the soap opera dial down a little bit the last couple episodes this week.
One thing that I am noticing though and it bears mentioning is the character of Kyle Cushing… Lana‘s husband. Lana and Kyle are currently separated because she discovered he cheated on her years ago while he was still drinking. In general, I don’t side with cheaters. I despise them. And even when I can understand the events that led to it, I am always on the side of the person who got cheated on. That’s mostly true here as well, but what impresses me is the links to which Kyle is going to try and win Lana back, as well as being a good father and try and keep his family together. Early in that first season most of us pegged Kyle as the “grown-up frat boy“ or “craft beer douche bag“, “former high school football hero”. It would’ve been very easy for them to just slip into the abusive husband or bad dad or dumb Republican kind of tropes. Instead, they’ve given him a great deal of nuance. The fact they’re showing him trying so hard and actually being a good father… The fact that they’re treating him as a character instead of a caricature – they absolutely deserve props for that.
One of the criticisms I’ve been hearing about Obi-Wan is how much it’s reminding people of the last Jedi… Specifically comparing sad Luke Skywalker in exile and saying Ewan McGregor is kind of sad Obi-Wan also in exile. I can see where they’re coming from on this, but at the same time I think things like the Last Jedi, and the constant bait and switch tactics we’ve seen ramp up over the last few years, and a lot of the diversity stunt casting rather than organic diversity… I think all of that has made us more sensitive to things we probably would’ve dismissed 10 years ago. I think we really wouldn’t be looking at this quite so critically if it had come out say, right after the Force Awakens. Imagine this and rogue one coming out within a year of each other… and then giving us the second sequel, making us wait three years instead of two. In any event, I think some of those criticisms have been answered here. Because in episode four, Obi Wan is driven, and singularly minded. He is on mission and finally giving us the Jedi action hero that we’ve been waiting to see. It also restores something that’s been missing from the D+ SW shows. For me, growing up, I could never figure out who was the actual hero of Star Wars. Was it the space pirate Han Solo or the cosmic mystic Luke? I think that this balance of those two aspects was really the key to Star Wars success. When the prequels came out, we were really missing this as they overfocused on the Jedi, and they never quite figured out how to strike that balance in the sequels. at first it looked like Finn would become the new streetwise space cowboy, but then Disney couldn’t figured out what to do with him so they shrunk his role and his space on the poster (because China doesn’t like Black people) and basically turned him into little more than a damsel in distress for Rose Tico – really a disservice to both characters.
With the release of the Mandalorian, we finally had our gritty shooty bang bang space western hero back, but now, the Jedi were all but absent. Oh sure, we’d get a guest appearance here or there, but for the most part, they weren’t a big part of that story. Obi-Wan feels like the other side of that coin. Like we’re getting a little bit of each depending on which series you watch. I’d love to see the balance achieved a little bit more, but it seems that we may actually be getting somewhere here. I sure hope so. There’s a lot of people who have lost their love for Star Wars because of how mishandled it’s been, and Obi-Wan should’ve been a good step towards getting them back… If it’s not too far gone already.
Ms. Marvel premiered this week as well, and I’m of two minds about it. They definitely have their target audience… Leaning heavily into the fangirl, convention fiend sort of element. Indeed, the entire episode really centers around Kamala Khan and her friend trying to figure out how they’re going to get to avengers con, in the heart of the city. I recognize a lot of myself in this, especially recognize a lot of my daughter in this. I’m surprised however, at how much I also relate to the parents… And they are of course, cast as the unreasonable bad guys. That I don’t like. But then again, we’re not the target audience. (However, people my age also weren’t the target audience for Stargirl….and I was completely all in on that show pretty much from the word go)
Ms. Marvel is one of those characters that is moderately popular, but that Marvel wants to make way more popular… Much like the way they hype Captain Marvel. And this first episode is very much a Captain Marvel hype machine. I’m not sure how successful that’s gonna be, but then again, I’m not seeing a ton of stuff here that bothers me or that I’d object to in the first place. It’s also very early in the story, and we haven’t gotten much happening yet except introducing our characters and learning the source of Ms. Marvel’s powers.
The Orville seem to be full of homage this week. Every time we turn around, I kind of felt like I was watching something lifted from a bit of one episode of next generation or another. That’s not necessarily a bad thing. We’re watching the Orville because it’s the best Star Trek out there right now… Which is saying something considering it’s not Star Trek.
The ships get permission to cross through Krill space… Those were the white and scaly bad guys from last year. Crossing through there and gives them access The areas of the galaxy previously unexplored… And everyone’s excited. Everyone but the Krill. When they learn that the Orville will be going through a dark expanse… Let’s just put it this way; they pray the last rights over them before they leave. They have legends about that area… Demons that possess people and hide unimaginable terrors.
That’s quite a set up. And it’s worth noting… They’re gonna pay this thing off in spades.
Just past Krill space, they come across an area that just seems like a void. There are no stars. It’s hard for sensors to penetrate, but undaunted, they had in. Inside this large dark cloud they find a bizarre looking space station. They’re explorers, it’s time to explore. Shuttlecraft is dispatched and the whole thing has a very Star Trek the motion picture feel to it. The tiny ship as it penetrates the black clouds, and then enters the looming space station. Watching the bizarre hatchways open in a sort of star/claw formation… And the essential alieness of it all.
Inside, I actually start to get extremely strong Borg vibes. The best of both worlds, where they’re exploring the ship and trying to figure out what different nodes and lights do in signify. what those notes do, is infect visitors. One of the away team is infected with a virus that completely rewrites his DNA and turns him into… Let’s just call it a monster. It’s very reminiscent of the episode of TNG where Barkley turns into a spider… Only there’s more of them, and as monsters go, they’re pretty horrifying. Perhaps too intense for broadcast television, but then again, the Orville no longer have to worry about that. Being on Hulu allows some fair that’s slightly more R-rated.
It’s interesting, because I’ve seen a lot of people complain about the sort of horror violence that we’ve seen in modern Star Trek… Myself included – though not quite so publicly – and yet here, it doesn’t bother me quite so much. Perhaps it’s because we’re dealing with monsters. There’s always been monsters on Star Trek… As opposed to watching people get their eyes gouged out by other people or watching a bunch of Falcons see a vision so horrible they blast themselves in the head with tasers… here, it’s just not so mean-spirited. Modern Star Trek is Saw, whereas the Orville is still the old-fashioned 80s slasher movie style or a 50s Wolfman flick. monsters, not cruelity. All of our characters get a chance to be heroic, and despite the other horror of the situation, the show and the crew still managed to retain an optimistic outlook. This is great stuff, and I am totally on board for the season. The weekly episodes… Honestly it’s the highlight of my week, much of the way Doctor Who used to be.
Another thing that’s striking me about the Orville is how distinct its ships look. The union ships them selves still have a lot of the Starfleet clean look to them… Definitely that same color scheme, But the design itself… Well, you’ll never mistake it for Star Trek. The same is true with a lot of the computer consoles, though everything else about the show really could be another TNG era spinoff. That of course is what has made this thing so strong. But I do sometimes find myself wishing for prettier ships… Then again, I was never a big fan of the look of the Enterprise D. The Orville is filmed exquisitely, almost to the point where I may actually like it better than the TNG flagship. Isn’t that strange?
The Flash is in a weird place this week. They kind of need half an episode to use as a bridge episode, connecting us to the greater storyline, but they also insist on throwing a big storyline that’s unrelated… And quite honestly, not that compelling. The B storyline involves the temporary editor at the central city citizen… And it’s another example of this show really dying to be and ensemble show, the problem is it’s not. The main character of the show… Well quite frankly his name is in the title. And he’s off on a secret mission… so in the mean time, the show is trying to push the supporting cast. Even worse, it’s the new supporting cast, not the characters that we really got attached to over the years. I understand, with this many episodes you do have to shuffle a little bit, but… they’re not pulling it off. We’ve had a really great run this season, but now, it’s almost like it’s catching up to them. Between this and the cast turnover, I know I keep vacillating back-and-forth, but it’s swung me back towards this should be
Spider-Man number three is just depressing. It’s nice to get a recap of tombstone‘s origins, but man, that beat down Spidey takes… It bothers me kind of the way the beat down in Superman Returns bothers me. It’s just not what I want to see.
I tried to get the Poison Ivy issue this week a chance, but… Just ugh. I don’t recognize these characters anymore. And none of the politically charged pride books, or the new and improved justice league full of anything but what we’d actually like from justice league… Say Superman, Batman and Wonder Woman? (And the real ones I mean, not the great value brand that DC is currently trying to pass off). I mean, seriously, if Grant Morrison could get this right while hopped up on whiskey and amphetamines, chain-smoking a dozen clove cigarettes at once, this can’t be that hard.
At least Archer and Armstrong is still interesting enough. It’s really more of an alternative comic… And I like the direction they’re going this time around. And the current stories are trying to find a way to restore Armstrong’s immortality, and it’s been a lot of fun. Exactly the sort of weird alternative Loopy fun that this title has never gotten enough credit for.
Hopefully we get better next week.
One of the things that always bothers me about serialized shows over episodic are these kind of in-between shows like we had on Superman and Lois this week. It’s not really filler… Well, the subplot about Lana‘s daughter and her music might be, but for the most part, these are all story threads that need to get into the series but can’t necessarily be wrapped up in a solo adventure. There’s not so much a story going on this week as there is connective tissue being developed.
Nevertheless, we’ll see what happens next week.
Not much to speak of and comics last week so I may as well tag it on here. I did pick up Deadpool bad blood… This is sort of Rob Leifield‘s triumphant return to the character he created. Thing is, the Deadpool that Rob Leifield created is not really the Deadpool we know today. There’s significant differences in tone and in general zaniness and all that’s fine. But life is treating him the way he always did. That’s his prerogative, he’s the creator. But what the sense of being, is very much a Rob Liefeld book for Rob Liefeld fans. And boy, is it ever Liefeld. I mean, Liefeld on steroids. It’s a little jarring, almost enough to make me rethink my constant emphatic defense of the man’s style.
Still, I expect that Liefeld fans will really dig this, but I got admit, it’s just not for me. Issue one didn’t do a whole lot for me, and I’m jumping off this title with issue two.
Ghost Rider on the other hand, continues to blow my mind. I’ve dipped my toe in Ghost Rider here and there over the years. He’s a staple of the Marvel universe, but he’s usually treated mostly as a superhero. Perhaps supernatural superhero adventures, or Scooby Doo – kids Halloween party levels of spook. But it’s always comic book spooky. It’s always super hero affair, it’s always comics code levels of terror.
That’s not what we’re getting from this Ghost Rider series.
This Ghost Rider book is straight up horror. Not dark fantasy, not horror edged or supernatural heroics, this thing feels like straight up horror. Not even comic book horror, like Man Thing or Tomb of Dracula… Reading this book gives me very similar vibes that I get from old Garth Ennis Hellblazer back in the day. We’re constantly seeing unspeakable monstrosities slither into existance. The writer knows he can’t pull off a jump scare but he can definitely shock you. He can create imagery that just lingers and disturbs and that’s exactly what he does. There’s a real brilliance to it and I feel like this is what Ghost Rider always should’ve been… What it always wanted to be. This one’s a book you absolutely need to go out and pick up.
Episodes like last week are really the reason I keep defending the Flash even after a lot of my friends have dropped off. We open with the flash running through Central city stopping Miner Street level crime. A robbery here, maybe push your grandmother out of the way of a truck… All before running home for game night. This he is actually the kind of stuff I’d like to see more of. Especially with such an established casting concept.
The rest of the story is a really straightforward standard adventure with a villain looking for eternal life, and draining the energy from the people of the city. We get to watch the flash grow old as he battles this guy, and it’s just a fun story.
While this episode doesn’t really connect to anything else in the series, it’s very much standalone but still doing the sort of farewell Thing as well, bringing back familiar faces. This time around it’s Captain Singh from the earlier episodes. He stepped down two seasons ago or so, it was never a big character… Always more of a background one. That’s what makes it so weird to bring him back like this. He’s got a substantial role in the story, helping Joe settle into retirement, and it’s weird because he probably gets more screen time in this one episode than in any given season.
Still, the standalone for me is good. And it doesn’t feel like filler. It doesn’t give me the same exasperation in the last couple of episodes have. It’s just a reminder of why I genuinely do enjoy the show.
The first episode actually starts off with about a 5 to 7 minute recap of the prequel series. Not only is that smart, it’s actually better than watching those three movies in full. We get all the salient data, we get the best of the performances, and you basically get to know everything we need to know going into this.
It’s interesting, normally I’d roll my eyes at the idea of yet another prequel series, but this is exploring that’s strange imperial. Between revenge of the Sith and a new Hope. It’s not something that’s ever been explored before, and quite frankly, Ewan McGregor is one of the absolute best things about the prequel series.
I am intrigued by the show. McGregor is actually a surprisingly proficient action hero, and I almost wonder if we really needed this story earlier. A lot of the bloom is off the rose is off Star Wars, but fans have been clamoring for this year well over a decade. Ewan McGregor has basically made the role his – more than Alec McGuniess ever did, and it’s nice to see him back in the saddle.
The portrayal of a child Leia is also interesting. I actually see it. they’ve made her up in a way that REALLY evokes Carrie Fisher, and I can totally see this little girl growing up to be her in another ten years. Likewise, the whole Star Wars world feels right. In fact, the only thing that feels out of place is the Inquisitor Reva. That VERY 2022 hairstyle takes me right out and it feels like there’s more attention paid to her story than to Obi-wans’s….of course they DO have six episodes to fill here, and adding more subplot with her may be one of the ways they stretched out that original two hour film idea into a six hour mini-series.
That’s at the core of any problems they are going to have here. I could see the filler stretching out Picard, Wandavision and Loki. Obi Wan is starting out strong, and very watchable – maybe the best of the modern Disney Star Wars. But filler may well kill it. I hope not. This one has enough of my intrest to keep me around for another four weeks.
Nothing much worth reading last week other than ghost rider. I’m really digging the spooky vibe they’re really trying to confuse here… It’s street horror spooky. Gothic spooky, not comic book spooky. Two issues in and I’m digging it.
On the TV front, I gotta say, the flash went full CW this week. Literally the bad guy was defeated by the power of “attractive people, standing in hallways talking about their feelings“. I don’t know. I heard we just got renewed for a full ninth season, except I also heard Grant Gustin isn’t appearing in every episode. Look, this is not an ensemble show. You’ve always had a good string a supporting characters, but this is a show driven by the title character… You know, “THE FLASH”???? If we were going to push it more ensemble, well, this point. That ship has sailed. If this wants to shift into a show with more of a rotating cast of characters, it may be time to scrap the flash, in favor of something like “showcase“ or “ The brave and the bold“. Still, the flash generally makes me happy as long as I keep my thumb on the fast forward button.
Superman and Lois has. But here’s the thing, I like these characters. I care about them, I’m invested in them… So I’m not really upset by it being that way. It’s strong enough to survive an entire episode without Superman. These characters that should actually really kind of annoy me… Especially these two teenage boys… No. They’ve consistently kept me engaged and it genuinely surprises me. Even more surprising is the fact that they’ve got me rooting for Sam Lane. Seriously? General Lane was always a jerk in the comics, and they translated that pretty well in the first season. Yet, I’m kind of digging him… Watching him try and do better. Watching him train Jordan into the superhero that he’s obviously becoming. Indeed, the show hasn’t just gone. Brother, it’s gone full Smallville. Watching Jordan this last few episodes it’s very much a similar feeling to watching Clark find his wedding as his power started to develop in the show. It’s interesting, I watch Lois‘s reaction to Jordan wanting to go out and help people, and I genuinely wonder… Is this way Martha would’ve acted? In a lot of ways, I feel like Jonathan and Martha had an easier time… Clark was a fundamentally good kid who wanted to do right by his parents. Jonathan and Jordan aren’t the same way, and yet they also kind of are. It all makes for really interesting watching… Really interesting comparison and contrast, but absolutely feels like it is the successor to Smallville. And that’s not a bad thing. Smallville was some of the best Superman of its era… Superman and Lois is definitely the best around in our modern period.
I also finally took the time to sit down and watch the Netflix Texas chainsaw massacre. But I think I’ll save that for a little bit later.
It was finally time last week. The moment I’ve been waiting for, one of my most intense anticipated books in a good long while. Worlds Finest finally hit The shelves. You basically have my attention, just by putting the yellow oval behind the bat symbol. In fact, I really like the general character designs that were seeing for both Batman and Superman here. Very traditional, very much my generation.
What we get, is part one of what promises to be a fun adventure, featuring more than a few familiar faces, all designs like Lex Luthors Super Powers battle armor and traditional Batman villains. It’s all good, it’s all solid, and quite frankly, it’s the first time in a very long time – years – that I feel like I’m sitting down and reading a new comic book that was written for me. I’m really enjoying this already, and I am hard and fast on this series all the way. If DC still offered subscriptions, I’d already be there.
Also in the black label line is the flashes rogues book. This one I’m not so sure how to feel about. It’s in the future, kind of an old man Logan take… I’m hot and cold on it. Not sure if I like it or not yet. I really don’t like that Boomerang is dead (basically my main gateway to the Rogues) though the take on the young Trickster is actually pretty interesting. Not really enjoying Bronze Tiger being cast as a villian this time around though. I’m hoping we see him wrestle with his violence and morality, the way John Ostrander used to so intelligently write him. The whole thing is a real jumble that has me off balance. I’m willing to give it one more issue though.
I even took a peek in this week’s Harley Quinn.
The art is AWFUL. It’s so wierd and loopy and cartoon and it just feels cheap. Also I know that they’re kind of trying to sell Harley as a hero these days because of her popularity, but really I feel like she’s lost a lot of her edge. The Harley Quinn I know wouldn’t be heading to jail trying to be cute and avoid any confrontations. The Harley I know would saunter in with a joke and a cute smile, and then stab a chick. Ugh. Such a disappointment.
It goes about as you would expect, and it’s really cute as a fun little one shot. Of course, even as I’m writing this, my daughter has informed me that it’s NOT a one shot… And in fact just A few days ago, they posted part two… where Spider-Man is cat sitting this time.
You know what? This was fun the first time, but comes off as a little silly and excessive going any further. Still, definitely catch up first one.
That’s right, they put out an Alligator Loki comic book! Thor stumbles across our scaly friend as he tumbles out of a portal, and in an attempt to bond with this version of his brother, he takes him to an asguardian amusement park. It’s just the best thing ever. I don’t know what delights me more. Watching poor little alligator Loki try and hold on as they ride the roller coaster, or just the sight of him in one of those across the chest baby harnesses as Thor carries them around. Seriously. It was my absolute favorite thing all last week.
There’s an interesting approach to the Shadow Man, trying to treat him almost as a priest rather than just a warrior or a superhero. This is interesting, it’s a good and natural evolution of this character as we have added progressively more voodoo and horror elements to the series over the last couple of decades. Here we find him battling the incarnate spirit of the Deadside, in attempt to prevent the land of the dead from merging with the land of the living. I feel like I just saw a bunch of the story in Legend of Korra, but it remains solid. It’s one of those though that I think I might rather wait for the trade then chasing down individual issues. I’m still a little lukewarm on this version. I like it, but I feel like it needs more. Honestly what this really needs is a good supporting cast… I was so hoping that this dead side goddess would end up being Jack’s old housekeeper Nettie. I’ve been keeping with the sort of slight paranoia and twists that we used to get from the book. There’s still a solid foundation here, what it really needs is someone with a good long-term vision – I mean five years or so who can create a supporting cast around Jack figure out a good nightmare and bring back some recurring arch enemies. (in the previous issue, we got a brief appearance by master dark in Sandria and I was so excited for half a millisecond until they just use them as a throwaway villain… Such a bummer!)
Now. How about television?
The Food That Built America is back on, and I am enjoying that, there’s definitely some stuff about Dairy Queen in Carvel that I never knew. There’s a new show with Adam Richmond on after it too – Adam eats the 80’s which explores lost and changed food and candy from the 1980’s it’;s been far more interesting and fun that it has any right to be. It’s a good thing too, because I had an opening in my TV schedule – Superman and Lois was on a break last week and the Flash… I don’t know what it is the season. I almost feel like the mandate is “show the flash as little as possible“ after these last two episodes. I mean it’s fun to see Barry trapped in the locked down police station and I guess they’d have to take away his powers to make that work, but seriously. We’re getting two or three minutes of costume time each episode and I feel like I’m back in the 80s again where are these type of programs we’re still trying to pretend they weren’t superhero shows.
You know, as I looked at my stack of comics last week, I feel a little bad that there’s only one DC title. Then again, marvels kind of dominating things right now with their Devils Reign event and all of its tie-ins. I suppose I make up for the lack of DC comics by focusing on their television instead. I did manage to catch up with Superman and Lois, and my opinion hasn’t really changed. It feels like the last three or four episodes have really just been about cramming as many confusing and heartbreaking emotions in to the viewer as possible and it’s beginning to wear on me a bit. It doesn’t help that they are also indulging in the same, played out “the government is evil” trope that Star Trek Picard is beating into the ground as well… But at least Superman and Lois is watchable The Flash is back as well, after a reasonably strong start with the Armageddon miniseries. I know, technically that’s supposed to be a arrow versus crossover, but considering that we’re crossing over with two canceled shows, and one that nobody’s watching… It’s really just a flash show. In fact, this is turning into the best way to showcase some of these characters. Since justice league tied up the rights to most of the main line DC heroes after the flash, The CW is had to pursue increasingly obscure characters… And it stopped working a while ago. Bringing them in as guest heroes though, that’s actually not a bad idea at all, it has been a lot of fun. It’s helped The Flash kind of reinvigorate the series, after a very slow start to the last season (but also very strong finish)
Actually, that sort of makes sense considering The Flash showrunner Eric Wallace revealed to Comicbook.com that he’s currently writing the Season 8 finale as if it also needs to be a proper sendoff for the series. If that’s true, then I’ll tell you this much, I expect a spectacular season this year, with the show trying to go out on top.
Like I said. Weird.
It makes me wonder how much of both of their canon has been dropped in the face of the constant DC reboots… New 52 to rebirth to whatever this currently is. It’s a shame actually, because these desperate attempts to shoehorn girl power and strong female characterization into these characters feels forced, mostly because they already WERE strong female characters… and this kind of stuff actually deconstruction chips away at that. It’s a step backwards, not forwards. Whatever, I’m still going to enjoy Steph and Cass bantering back-and-forth.
It’s a straightforward story. Moon Knight gets himself caught and thrown in jail to get at a particular con in there… making his way to him and his bloody revenge through a trail of broken bones and beaten down prisoners. It’s a solid one-shot adventure for people who like this sort of thing. I’m not a huge Moon Knight guy, so it’s hard for me to say what the appeal would be to his fans, but I really enjoyed it despite not being a fan.
Got a Harper show coming up this weekend with lots of longboxes to dig through. Maybe I’ll start looking for just that sort of thing Sunday!
So, I finally caught up on Stargirl, and got through the first five episodes over the weekend. It’s a show that I watch with my teenage daughter, so schedules frequently don’t mash and I’m perpetually behind. Even now, I’m a single episode behind… That is until the new one premieres tonight!
Stargirl was really the highlight of my television last year. Not only are you pretty much guaranteed to get my attention by invoking and flashing back to golden age DC with characters in the Justice Society,, but it’s also just generally good rollicking superhero fun, heavy on characterization and action, and light on ideology… Sort of the opposite of what the CW’s pattern has increasingly been. Courtney, Stargirl herself is a good character, but even more daring is the fact that instead of going through the bad Dad trope, they actually explore her complex relationship with her stepfather, played by Luke Wilson who steals every scene he’s in. There is resentment there but there’s also some genuine affection there, with a Dad who’s just trying to do the best he can, and isn’t portrayed as bumbling or stupid… But perhaps a little overwhelmed sometimes.
After defeating the Injustice Society last year, series kind of has to start fresh this year, and giving it the whole “Summer School“ hook was a delightful idea. It probably would’ve worked better if the show had managed to premier back in July or so, but I understand that the plague has wreaked havoc on shooting schedules so I’m willing to give them a little slack… Especially when the end result is as fun as this.
The evil daughter Shiv is back, trying to rebuild her parent’s Injustice Society with the kids of the original members. Obviously, that’s going to be the main baddie this year, right? Except there’s something awfully familiar about the black crystal that she’s using and channeling for power. The first episode opens with one of the creepiest little kid sequences I’ve seen in a long time, and even my daughter immediately realized… Eclipso was coming. The Shade also arrives this season as well. The Shade’s been a regular villain when it comes to this legacy, I’ve just finished reading James Robinson‘s excellent Starman run from the 90s, and the Shade is all over that thing. True to form, he’s a villain, but sometimes he’s not… Again, complex. Serious props for challenging writing here.
In the meantime, the gang is all back, and facing their own issues. Hourman still feels isolated and is feeding something that I suspect is Solomon Grundy related in the woods. Dr. Midnight is dealing with her parents divorce, and Wildcat is still trying to reconcile the fact that she killed Brainwave Junior. I know that’s a lot of gobbledygook to throw at you all at once, but it’s genuinely good stuff and propels the whole series developing forward. Despite this, there’s actually a noticeable lack of attractive people standing in hallways talking about their feelings. It’s still there, but not nearly as present as in say, The Flash.
Once we hit episode five though… remember how in the last third of Superman and Lois, it seems like every episode I was saying “this feels like a season finale cliffhanger… Or a penultimate episode right before the season finale“. Stargirl goes right ahead and does it in episode five, with a face off of the new injustice society versus the justice society which results in Eclipso being freed. And man, Eclipso does not disappoint. The make up and look is dead on, increased in detail for television, and every bit as terrifying as I remember him from those crossovers in the mid 90s. It’s shockingly effective. I guess that means I really got a find a good way to bribe Maddie to sit down and catch up on last week and this weeks episode… Because I’m dying to know what happens. Perhaps if I bribe her with more episodes of He-Man…
What if continues to be the strongest of all the marvel television series. Perhaps it’s because it’s not truly bound to continuity (yes, I know some stupid editor said “it’s all in continuity”. That’s not really the case, even if you rationalize multiverse nonsense.) but also because it very much feels like episodic MCU. Really, that’s what the movies have been trying to do for a while now, but to get it chopped up and served in bite size half hour portions every week, with different elements of the MCU, played by the same people and featuring the same look in environments… It’s actually really satisfying.
I once said I prefer Doctor Strange in other peoples movies rather than his own, I’m beginning to wonder after his What If episode, if it’s just that I prefer him in smaller doses. What if Doctor Strange lost his heart instead of his hands actually feels like it could be its own standalone thing within continuity, if they just tweak the end. It’s actually a nice visit with a good doctor in that world, and takes some chances with some of the dark themes it uses. Of course it’s not nearly as dark as Marvel Zombies. My daughter is a huge fan of marvel zombies, she’s collected all the comics, and this is actually the episode they got her into What If. I agree with her assessment, Watching this episode just makes me want an animated marvel zombies series on it’s own. It’s that good. It captures an interesting variety of heroes from different films, and while there’s a decision with the vision that I don’t entirely agree with, it’s really nice to see Tom Holland’s Spider-Man here, as well as getting to see Doctor Strange’s cape, with it’s own distinct personality, acting on its own again. That of course brings us to last weeks episode… A little bit of light-hearted fun before things get serious in the last two. What if Thor never had the maturing influence of a rival like Loki… and had just essentially grown up to be a giant frat boy. I feel like I should take some offense of this, but it’s so much fun and has us laughing so much through it… Also it manages to feature Howard the Duck, and Darcy; two of my favorite characters in the MCU. Can we please get a Howard the Duck series? Put it on right after the marvel zombies series… That’s all I’m asking!
It’s been a fun week, and if you get tired of superhero stuff, pop over to Netflix… There is a new season of nailed it up there, which is the most entertaining (if a bit mean-spirited) baking show you’ll ever see.
First and foremost, I’d like to thank The Flash for not making me wait two weeks to resolve a cliffhanger the way that Superman and Lois has. The Godspeed war has been consistent, fun, intense, and genuinely good stuff. I still wish they’d stop race swapping characters, but at least Impulse was fairly well done.
Over on Superman and Lois, my biggest observation is that Elizabeth Tulloch just keeps getting better. I look at her, and I just see Lois Lane. She may be the best Lois I’ve ever seen… and that’s saying something. It’s a hard role. You have to balance softness and femininity and the occasional damsel in distress role with being hard-nosed, persistent, brilliant, and brave enough to give off a vibe of this isn’t the first time I’ve had a gun in my face. Some Loises veer too soft, like Amy Adams, Noelle Neil, and even sometimes Teri Hatcher. Others just get way too hard, like Margot Kidder, or Kate Bosworth. Phyllis Coates may have been the only one I ever saw balance it perfectly for her era, but Elizabeth Tulloch’s version is unprecedented in how well-rounded it is.
It may help that she’s at a different time of life. She’s emotionally grounded with her two sons, and we don’t have the on-again off-again, will they won’t they, Superman or Clark debate. She’s chosen Clark, and in fact, was never so shallow as to be infatuated with Superman. I like that. And either way, knowing that they end up together and have established this long lasting relationship, it adds character and depth and just makes her more likable. But she’s still tenacious, she’s still a reporter, and a force to be reckoned with.
I put all this out there, because this week is really her episode. We do get some stellar stuff with John Henry Irons as Steel, but with Superman being mind controlled on the other side of the planet, this episode is really all about Lois taking charge, convincing them not to kill Superman, and trying to support Lana’s family as they suffer the backlash from the community that got possessed by alien beings. The series is just so good, and Steel looks great (although he needs a better helmet). But I got plenty of resolution, in fact, once again I almost feel like it’s the end of the season… Even though I know it’s not. Edge is imprisoned and still planning something nefarious.
As good as the Flash and Superman were, we then have… Loki. Seriously, what happened to Loki?
After such a great episode last week, we come back for the series finale, and… nothing happens. This episode is literally just people talking at each other. Mostly people talking at each other from one side of the desk to the other. It’s an oral history of the marvel multi-verse. That’s all. Nothing happened. Even during a brief sword fight, it really is only there to mask the fact that they’re still just talking back-and-forth. I am utterly disappointed, and genuinely bored. And I’m getting an enormous amount of heat from Loki STANS online, not just because I think it was a wasted opportunity, but because I didn’t think it was the greatest thing since sliced bread. Literally. I tried to find nice things to say about it, amazing music, beautiful imagery, and I mean that. It IS a gorgeous show, with some of the best music I’ve ever heard in television. There was also one cute bit that made Miss Minuets, the animated clock girl look very sinister – but after that intro, nothing happens! Not a single thing happens in this episode! It’s all just exposition… and me saying that seems to offend some people. The common response is “it’s setting up phase 4!“ I’ve heard that 1000 times. I understand. I agree actually, Kang is the big bad and it’s setting up the multi-verse. But there still was no story to this series! Iron Man set up the MCU. So did Thor, so did Captain America. And all of them manage to tell individual adventures while setting up the universe. They didn’t just info dump us and walk away. I literally had somebody tell me “I’m tired of adventures, I just want to see the set up for the new movies and the character development!“ Well that’s not really what the MCU is it? It’s comic book adventures. You want a balance between worldbuilding and story (interestingly, episode five hit that balance perfectly). Say 80% story and 20% world building. Loki has that ratio flipped on it’s head, completely backwards. Of all the MCU TV shows, this one has had the absolute LEAST story.
Moreover, there’s no character development here. Loki is the same person at the end of the series that he was in the beginning. He’s not even a character, he’s a sounding board for exposition who occasionally provides positive affirmation for Girl Loki. And Sylvie? She’s also the same character from the beginning to the end. She is the best Loki ever, and that’s all. There’s no heroes journey, there’s no great awakening, the series just… Is. Someone tried to tell me this is a masterclass in storytelling. (You’d have to tell a story for that to be true). Someone actually told me I need to read Shakespeare and I’ll appreciate it more (Shows how little they know about me. Also, try Wagner instead. Loki is far more rooted in the epic northern tales than in Elizabethan England).
I don’t hate Loki (although the MCU stans are really making me dislike it more every day) but I am disappointed. This could’ve been so much more. This could’ve been Doctor Who and Rick and Morty on crack. And it should’ve been. Instead, all we got was a history textbook. A D&D source book. Tom Hiddleston (Who is still brilliant in the role – pity he isn’t given anything to do) staring charmingly at the camera, but no storytelling, character development or adventure of any sort. I could cut this thing down into a 100 minuet film and still get all the necessary world building and character introductions in with better pacing and less filler. (About 80% of episode one, the Sylvie stuff from two, all of episode five and about ten minuets of three, four and six).
All I can say, is I hope What If and Hawkeye are better.
All I can say about The Flash is that I really wish it had started off the season this strong. The whole Godspeed War they’ve got going on has been really good stuff. Even though we’re going back to the kind of tired old trope of Barry losing his speed, this show feels dangerous again. I’m enjoying it. Throwing Diggle in for an episode also brings back some of that magic from that original Arrow crossover. With Arrow being over, any further crossover seemed as impossible as it did when the Flash first started. Nice to see Diggs again, and to keep the Arrow flame burning.
The surprise this week though, what is Loki. It’s the first episode of the series that’s really grabbed me and held onto my attention The whole way through. We’ve got multiple variants this week, along with consistent action, and a lot less needless exposition. Oh they still talk, it’s just that when they do it’s actually there to move the story along. Also, Alligator Loki is superior to all other locations. Much like the Flash, I wish the series had started out this good, running along at this pace. Considering how short this run is going to be, it really needed to kickstart itself right off the gate, and it kind of didn’t do that. If it had, I would’ve probably been an instant devotee, instead of reluctantly jumping on the bandwagon at this late date.
So. Who went out to see Black Widow this weekend?
With no Superman and Lois last week it was up to the Flash to pick up the slack – and it did with a vengeance! The episode opens with Barry dreaming of his dead future daughter (Look, either you’re watching the show or you aren’t. I’m not explaining that one for you!), just before team Flash is drawn into a conflict with an army of Godspeeds. I know the show has been derailed by the plague, but it’s kind of been dilly dallying all season and this is the first time I’ve really felt stakes. It’s a great episode that grabs you and holds your attention all the way to the shocking cliffhanger. It’s a good reminder of why I’ve stuck with the show for so long, when all the other CW shows have fallen away.
Loki on the other hand….
I do not get this show. All of my friends tell me it’s the best thing since sliced bread, but I’m bored out of my mind. I’m still convinced that this was originally conceived as a film that they just filled out. 2/3rds of every episode is just talk- info dumps, and the frequent favorite, attractive people sitting in offices talking about their feelings (as opposed to the CW model where the attractive people talk about their feelings in HALLWAYS). This sort of stuff works when there’s a good “B” storyline to shift to, but this…..it’s ALL the “B” storyline. We get a plot point or two dropped in each episode, but this thing just moves so slow, it’s infuriating, and survives entirely on it’s brevity and on Tom Hiddleston’s charm. I only hope Hiddleston makes it to the end (He’s booked for all six episodes, despite the cliffhanger last week). I’m not certian he will – it’s just too tempting in this current political climate to swap him out with Lady Loki as the main version of the character in the new MsheU. Sophia Di Martino is perfectly fine in the role of the variant doppelganger, but she’s no Tom Hiddleston.
AND WHAT OF MISS MINUETS???
Getting the reviews in JUST before it’s time to watch this weeks new episodes!
I have repeatedly said over the years that Superman works better on television than he does in film. The thing is, counterintuitive as it may be, Batman works better in movies because Batman is all about spectacle. Superman on the other hand, isn’t. For him, it’s all about character. It really is. It’s about reconciling the man with the super and the exploration both of him and he is supporting cast – one of the things that Superman and Lois has really gotten right. That balance, that exploration, all wrapped up in a slow burn. Last weeks episode paid off set ups I didn’t even noticed had occurred. It was all about exploring the past for half of the episode, and then crashing straight into the newest crisis. But it couldn’t of done it properly without the previous nine hours of set up and character exploration.
There’s also a wise effort to homage what’s come before without explicitly connecting to it. We begin the episode with the creation of the fortress of solitude… And it’s obviously trying to evoke the first Superman movie. Of course in a world where that first Salkind Superman film exists, anything else is going to feel a little hollow… And indeed, the same is true of Jor-el. I feel like this actor is miscast, certainly he doesn’t stand up well against luminarias like Marlon Brando and Russell Crowe. The less we see of him the better. Perry White, he is similar miscast, or perhaps we’re just not getting enough of him for me to judge fairly. That’s OK, because they dangle just enough of that Superman and Lois relationship budding that I feel good about it. I feel like I’ve seen everything I need to (and it’s the most realistic one we’ve ever seen – a natural evolution of thier working relationship, as opposed to a meek Clark trying to get the attention of a callous Lois who is preoccupied with an unattainable Superman). We’ve got the whole Lois and Clark vibe, every bit as much as we get the Smallville feeling every time we’re back in town. Overall, this show is about expanding the mythology, and building on everything that has come before.
Building. You know, that’s an interesting turn of phrase. And it perhaps best represents what I’m really liking about this series. It’s building. Instead of falling into the trendy habit of deconstructing, this one’s trying to build and expand, and that’s what makes it the best Superman we’ve seen in nearly 2 decades. And they’re not done with us yet. We’re only halfway through the season. At the end of the episode, when Lois calls John Henry Irons, to tell him things are beginning… I had chills.
Good thing that Superman was so good, because the Flash… UGG.
Seriously, is it just me or has this season of The Flash been a little bit light on… Well, THE FLASH??? Barry and Iris are off to some deserted island with no cell coverage to go make babies, which leaves Team Flash alone to deal with the villian of the week. Except, it’s not really Team Flash anymore. I mean we’ve got all these minor characters that have kind of gotten promoted in the wake of Wells and Cisco and eventually Caitlyn leaving. We’re going to do this Flash-lite episode just with them? This isn’t Legends of Tomorrow where it’s a pure ensemble, this is a show with a clear lead and all of these jumped up minor characters just doesn’t do it for me. It’s almost as if, let’s say in the fifth or sixth season of Star Trek the next generation… What if they decided to replace Geordie Laforge with Barkley, jettison Troi and just give Guinan a full-time role on the show… Maybe Nurse Ogawa gets promoted to doctor and we get rid of Crusher, throw Ensign Sito into the main security role on the bridge… heck while we’re at it – let’s make a depowered Q second in command!
My buddy Mike says it sounds like an interesting alternative universe, while my friend Bobbie says it makes her eye twitch. But either way, as the prime timeline, as the main series, how weird with this be? That’s kind of what I feel like happening on the flash right now, and I really don’t dig it. I’ll be honest with you. I didn’t even finish this episode.
Loki was similarly disappointing. Again we have a lot of X position, a lot of talk, but it feels like so much filler. I almost feel like they had more material than they could fit in a simple movie, but not enough to fill a proper series or miniseries, so it’s getting stretched out. In a film you’d get rid of a lot of the stuff and just hit the two or three plot points that were given Each episode expeditiously. On the other hand if it were a full TV series, or even say a full Netflix run Dash 10 to 12 episodes, we spaced this talky stuff out a lot more instead of dumping it into 2/3 of each episode. Of course that would also necessitate a B storyline, which is also really lax. Low-key just isn’t all that, and it’s being driven on the sheer likability of Tom Hiddleston. I’m not sure if that’s enough, but considering we are already halfway through it, I’m hoping things will really start to pick up. Otherwise the next few weeks are going to be a bit of a slog.
The main thing that struck me about Loki this week, was how slow it was. The episode was mostly filler (and two episodes in? That’s not a great sign). Don’t get me wrong. We had one or two key plot elements revealed, and that’s good stuff. But 80% of this episode… If this were a feature film, this would be the stuff that got cut. Of course the big reveal that the variant was a female version of lucky, well let’s just say I called this before the series started. At this point, in modern day politics, it was practically a requirement. That said, you’re doing it the right way. Girl Loki is very much her on character, and doing her own thing. Interesting
Over on Superman and Lois, @&$# just got real. Stakes like I’ve never seen before on a CW show, and an explosive climax that was… completely Superman. Not just brutalizing Zod like he did in Man of Steel , not just moping his way through it like in Superman Returns, but an intelligent, clever solution to a world ending problem… Absolutely Superman.
It is not an exaggeration for me to say this is the best Superman I’ve seen in 20 years.
We’re definitely getting more Superman than Clark now. Almost like the first few episodes were frontloaded with Clark story, and now it’s a lot more superman story. It’s an interesting disbursement, and it works. Because as things grow more dire as we move towards a climax, we need Superman more than Clark. Of course now that we’ve hit that climax, one almost wonders where do we go from here? We’re about halfway through the season, but there’s still a lot more to go… and yet this totally felt like it was a season finale. It really gets me eager for what we have in store…
Flash is leaning a little more heavily into intrigue the season. We’re trying to discover things like why the new police chief hates Metas, but we’re also dealing with a lot of B story stuff – like Barry and Iris trying to get pregnant in strange places (like the lab warehouse?), and Black Cisco trying to catalog and dance in his lab. It’s a real effort The show is making to help us accept Chunk as Cisco Ramon‘s replacement… And, it just doesn’t work for me. Cisco was adorkable, where as Chester is just gawky… and not really his own character. He’s just another carbon copy of the archtype, very similar in fanboy inclinatons to Cisco….It’s just feels like a mulligan to me.
Still, it’s a rollicking good adventure with a familiar face, if not exactly a returning villain. But the adventure really feels secondary here. This episode is not really about team flash beating bad guys, as much as it is about really trying to integrate Black Cisco onto the team and more importantly, picking up on some of the threats they been dropping about Cecile. That turned out nicely creepy, and it’s a pleasant change to have attractive people talking about their feelings and padded rooms instead of attractive people talking about their feelings in hallways. Overall, this is a bridge episode. It’s not filler, but it doesn’t quite stand on its own either. It’s necessary to push the long-term storytelling to the next plot point. Still, if you’re keeping up on the series, it’s fun.
There’s a lot of familiar tech and Easter eggs dropped throughout it, stuff that reminds you why we love the flash and jumped on board with this show in the first place.
And what is this I hear about The Food That Built America having a PODCAST??? I’m going to have to check that out today while I’m on the road. The story of chewing gum was less compelling last night than last week’s potato chip episode, but I’m really still riveted. I hope the podcast isn’t just the narration from the show or something dumb like that. We’ll find out and report back next week!
It’s a weird week when the Flash is on the top of the discussion list, but we had a really good episode this week. Cisco is leaving… I mean, he kind of left the show a couple times already, but this time it’s official. This time they’re really committing to it, and giving us what is very much a farewell story. Sure there’s actually a fun villain in it that does some cool stuff, but that’s not what this one’s really about this very much is Cisco story… And it underscores where we’re at with the Flash. It’s time to end it. The series still has enough heart and momentum great episodes like this really resonate. We had a fairly shocking farewell to Wells, and we know that Caitlyn‘s leaving this year too. All of this at once, it feels like if we were to keep pushing another year, that it would just be a mistake. One by one bid farewell to these beloved characters, and maybe just time to put the chairs on the tables and call it a day. After Crisis, the Arrowverse really was over.
Of course, that doesn’t seem to apply to Superman and Lois (or Stargirl for that matter). Then again, it’s hard to tell if it’s proper Arrowverse or not. It’s not cast or paced like an Arrowverse show, and indeed, we’re even reusing a villain from Supergirl season one – you may remember, back when Alex was straight, she even went on a date with him to get information. Then again, I’m not entirely certain if this is really Morgan Edge after all. This weeks episode ended with a bang and a twist and a cliffhanger that has me very eager to see what happens next.
I guess the big news this week is Loki. I’m gonna admit that I enjoyed it. This may be the strongest MCU TV show… At least the strongest opening for one of them that I’ve seen. That’s not surprising, Tom Hiddleston is effortlessly charming, and Owen Wilson is actually very good when he chooses not to do the Owen Wilson/Matthew McConaughey thing. I am intrigued to see where this goes, although I might be a little bit disappointed if the big bad doesn’t turn out to be Kang the Conquerer!
I almost feel like Superman was a filler episode this week. Then again, when Superman does the filler episode, they still do it right. We’re getting some linking material to bridge between the first part of the season and the next – getting to really know John Henry Iirons, and seeing some of lois’s neuroses in the bargain. We get a good perspective on what it’s like to be the unpowered part of this family – not just her, but for Jonathan as well. It’s good stuff and actually gives us a lot of Superman rather than just Clark. I’m actually really digging this.
No new episode of the flash this week, but I did manage to catch up with the new installment of the Food that made America. This week they are focusing on the invention of the chicken nugget. That I get, it’s actually kind of cool. I’m at just the right age to remember this being new and cool and an interesting innovation. On the other hand, the same episode demonstrated that the egg McMuffin was first introduced in 1976. That means I’m older than the Egg McMuffin… And I don’t think I’m OK with that.
My youngest daughter came to me and requested LEGO Masters. That’s right, the series has started up again, and this was actually a big family favorite for us last year. Will Arnett (better known as Lego Batman) is still chewing the scenery and we’ve got an interesting cast this year. There’s one couple that reminds the kids very much of their grandparents, and I think that’s going to be the family favorite this year. If you haven’t watched the series, it’s worth your while to look it up. I’m not a Lego guy, but I kind of wish I was. It’s the sort of interesting creation play that appeals to me, but requires a certain level of dedication and focus that I lack. It’s amazing to see what they create, and while I doubt that will talk much more about that in future columns, you can rest assured that we’re gonna be glued to the television for the next 15 weeks or so for this series.
But the real thing I wanted to talk about, was the Friends reunion. I know, I don’t necessarily look like a Friends guy… I’m really not. For me, must see TV was Seinfeld, and Friends with just kind of the thing that came on after it. Nevertheless, like everybody of a certain age, I have long memories of the show and the reunion was genuinely interesting. I always had certain problems with the show, I was felt like Rachel treated Ross like garbage, and was pleased to discover in the reunion, that everybody agreed… They were on a break!
I always understood the chemistry between the cast and how perfectly they were each seated for their roles, but I came away with a greater appreciation for your physical comedy and the relationships developed… Brilliant to find out that there was a genuine attraction between Schwimer in Aniston… (who very much looks like she’s had a face lift around the eyes…) and how that translated on screen. It was fascinating to hear the casting decisions, but more than anything I came away with a greater appreciation for Matt Leblanc. Look, Joey was always one of my favorite characters, he’s what I wish I was instead of being a Chandler. But the thing is, watching this reunion, watching these interviews, of all the actors there he comes across as the most… earnest. He’s genuine. Everyone else is still themselves, but they’re their own Hollywood selves. Matt Leblanc on the other hand, seems to give no care. I appreciate the fact that the dude has let himself go gray, and let his gut come out, the man has no pretension and it’s so refreshing. He’s really on here, and just seems so happy to be back with everyone. Of all the cast here, he’s the one I’d like to sit down and just hang out with. I have so much more respect for him now… And quite frankly, I’m one of those guys who still kevtch about the fact that he got passed over in favor of Keanu Reeves for the Matrix.
One of the most insightful things though that I really heard tonight, was listening to Lisa Kudrow talk about how if there was ever be any sort of sequel, any sort of a continuation,… The thing is they left everybody in such a good place. We knew they were safe, we knew that their lives were going forward in a good place. To create any sort of continuation would necessitate unraveling all that… And who wants to do that? I saw the producers nodding in agreement. It was really their words spoken through her mouth, and I couldn’t be happier. There’s talk of a Night Court reboot these days, and I’m horrified. Night Court is my absolute favorite sitcom of all time, and I don’t wanna see it rebooted. It ended with everybody in good places (no mean trick since they only got word that they were cancelled a few weeks earlier and had to scramble to cobble together a half hearted series finale), and I don’t see where retreading that all the ground ever produces something worthwhile. I want to live with my good memories, and the people who created Friends are wise enough to do that. This is a good way to handle it. It’s nice to see everybody back together again, and in some ways it makes me nostalgic for a time that never really existed. I’m certain I haven’t seen every episode of friends. In fact, I probably haven’t seen most of them. I dropped off when I went to college, along with all my other television… And it was right around this time that the show really pissed me off with the way that Rachel is treating Ross anyhow. But it’s still an undeniable cultural phenomenon and this sort of behind the scenes, reunion, memoir storytelling is always exactly my kind of thing. Absolutely worth watching if you got access to HBO max. It’s probably even more worthwhile watching if one of your friends has access to HBO max and will let you come over and hang out for a couple hours.