I saw the box for The Dead Hate the Living on the shelf at record exchange. The gruesome monster on the cover combined with the trusty Full Moon logo left me feeling pretty good about snatching it up. Truth is, it has become of my favorite Full Moon films.
The plot is straightforward. An aspiring horror film director sneaks his crew and himself into an abandoned hospital to make his dream movie. When exploring the basement, they discover a dead body and do what any sane, rational person making a movie in an illegal location would do… They decide to use the body in the movie. While fiddling with the equipment, they accidentally resurrect the corpse, a mad scientist who summons two more undead friends and the trio set about our helpless filmmakers, intent on murdering them all and converting them into zombies.
The Dead Hate the Living is one of those films that’s actually grown better as it ages with me. When I first bought this, I liked horror movies but I wasn’t as knowledgeable – and this film is packed full of references, some more obscure than others. They’re not ham-fisted homages like “Dr Craven” or “Police Officer Romero” showing up. It’s more stuff like the main character running from zombies and asking “What would Bruce Campbell do? “. The references are fun in the context, jokes made at the characters expense rather than a wink and a nudge to the audience.
You can tell that Parker really loves the genre as well, it’s evident in every frame of the film – the hurdles and difficulties of making a horror movie and being in one comes off nicely, the perils of filmmaking and the expertise behind make up effects… It all pulls from real life experience.
Most of all, this has the fun that Full Moon Features are known for. It has the manic, almost comic book feel to it, complete with an ending that homages The Beyond (an ending I didn’t care for actually until I was older and understood what it was the referencing).
Fun characters, well done gore, and great looking monsters, and of course, a good behind-the-scenes featurette that really makes you love Parker all the more. It’s a great first feature.
It actually really bothers me that it would be another nine years before he’d get his next turn in the directors chair.