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Archive for May, 2017

599

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

599


Joysticks

directorsgjoysticks I should like this film way more than I do. It’s a video game film, and as a retro Gamer, I really love old video game films. In a lot of ways it really does capture a lot of the arcade feel, and we see tons of classic games – it gives you a great concert video game vibe.

The thing is, this film is less like the wizard, and more like Porkies. It’s definitely a raunchy teen sex comedy, set against the backdrop of an arcade. The thing is, for me the arcade itself is way more interesting but it really is very little more than background noise – the setting itself and the motivation, but not the story.  The premise is simple, a parent thinks that video games are destroying you and is trying to shut down the local arcade – they even invoke the old “there is trouble in River city, and that starts with T ends that rhymes with P which stands for pool”then they take on “or in this case, it rhymes with V which stands for video games “.

The characters are fine, and the pacing is lighthearted – though it’s a lot more fun, if you realize that you are going into a kind of trashy sexy comedy rather than just a video game narrative. The sets are pretty incredible though, much like what I said about the film Arcade, man do I wish I had a video game arcade like this when I was growing up. I have seen they existed somewhere, but not in the Cleveland area, we had little hole in the wall in the malls and local bowling alleys, but that was about it. This one is beautiful, with exciting lighting, snack bars and a bustling throng of activity. Graydon Clark captures the feel of the youth culture from that period excellently and it’s very rare that he stretches the suspension of disbelief here. It’s the camaraderie amongst our heroes that is infectious and genuinely makes you want to root for them.

Despite being maybe just a touch rowdier then the kind of comedies I prefer, this is still definitely a buy. It’s entertaining and the video gamer in me absolutely cannot resist seeing these things played and loved as they are here on the big screen.


598

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

598


Thank you Linda Larkin

Autographs

We’ve been focusing on princesses for the girls, but I have to say, Disney princess Autographs can be fun…

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597

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

597


Prision Bridge

commissionsSo I was contacted by filmmaker Douglas Waltz at 3/4 Time Productions about doing some special FX for a web series he was producing. The idea was to create a bridge that was also a prison- streched aross the grand canyon. I took a couple diffrent passes at the bridge and finally created a model we both liked, then ran a few animations off of it.

Not sure whatever became of the project, but the trailer was spectacular.


596

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

596


Slipstream

boxftdslipstream894I saved this one for last, because I knew it was going to be difficult. I’ve had a copy of slipstream for a good long while – it’s on VHS and I’m pleased to be able to replace that videotape with this DVD collection. I tried to watch this movie a couple times – I was initially excited about it, I remember reading about it in Starlog. Still, every attempt that I’ve made to sit through it has been unsuccessful. The first two acts are basically Waterworld with sailplanes instead of boats. I think somebody had a session with these aircraft and decided they had to make a film surrounding it. It’s late 80s Mark Hamill – which gives you an idea of the quality this sci-fi film has. Because we start the film with Hamill, I assume he’s the hero of the piece, not so.  He gets more and more unlikable throughout the film and by the end he is playing the character as a little too hard edge, it’s a bad fit for him.

The real hero of the film is Bill Paxton’s character. Sometimes his “Aw shucks” charm routine works. In here it comes up as mostly annoying. It’s all combining the wrong elements and gets dated quick – it’s 1989 and it really looks like it. The film can’t decide if it’s 80s or 90s – indeed, especially when we get into the third act it certainly attempts to turn into Blade Runner.

They say no one ever intentionally makes a bad film, and usually you don’t realize you’re making a bad film what are you doing it. That’s especially true here as we have a future lawman chasing after the hunter trying to grab the renegade prisoner he has in his custody. Along the way we encounter a hidden society living down in the valleys and clefts of the mountains. It’s a little confusing, I thought we had fewer people alive than this… particularly when we get to this last group – and elegant community with a very upper-crust high society look to their clothing and environment. It’s remarkably out of place. Then out of place seems to be the order of the day. I mean, I really don’t know what this film is doing in this collection of “fear the dead” films. I suppose the post apocalyptic theme lands it here… we’ve got a lot of those kind of films in this collection, but this one is especially sci-fi and not at all horror. It’s possibly the highest profile movie in the collection, but it may well be the worst as well. I’m glad I finally managed to force myself to sit through it – albeit on fast forward, but really, I always suspected that I wouldn’t dig this film and I’ve been proven right. It may get another chance for me… I really want to like this but so far I’ve just not been able to.

This one is an avoid, even if you see it in the dollar bin, the only reason that I’m holding onto it is because it is part of an otherwise really fun collection of films.


594

essentialPosting the best strips from the series, in order from the beginning.

Every Wednesday and Friday

594


Without Warning

directorsgmv5bmwjmnzq0mtmtzthjmy00yjflltg2ntktnwrlmjcxotu5ywe1xkeyxkfqcgdeqxvymtqxnzmzndi-_v1_ux182_cr00182268_al_When asked to describe the film “predator “, Arnold Schwarzenegger asked the reporter “have you seen this little film called “without warning”? “. Graydon Clark himself frequently compares Predator to his film Without Warning, so it was only natural that this is what I was expecting. Not necessarily the production value, but an isolated group of people being systematically stalked by an alien hunter? Yeah that’s really what I was looking for here.

Comparing this to predator does the film a disservice because it’s a very different kind of story then what predator was– not a worse story, but a different one. Beyond the whole alien stalking humans, there’s not a whole lot in common here and honestly – aliens have been stalking humans in films since the dawn of cinema. In this case there is a small town setting and something fiendish is going on – something is indeed stalking the citizens but nobody knows quite what it is. It could be some think paranormal, it could be something alien, or it might simply be a deranged lunatic on the loose. No one is really sure. Indeed, it does turn out to be an alien though despite being featured on the poster art and box covers, we only see our beastie for a couple minutes at the very end of the third act – good thing too, because it’s nothing more than a tall guy and a mask. It’s a Rick Baker mask to be fair, but still the look of the alien is very much a traditional grey… Perhaps a little bit inspired by Bealock from Star Trek or one of the many bubbleheaded monsters that paraded through episodes of the outer limits. Clark wisely kept him in the dark, and there are plenty of ridges for the light to play around – not just airbrushed streaks but detail that someone with some experience can light effectively to create menace.

The real alien here, the star of the movie, are the parasitic a little ninja throwing stars that the alien sends after people. In the original script Clark noted that the alien was killing people with a bow and arrow, and he wanted something a little bit more otherworldly. These things are visually striking, stunning and gross – and absolutely scary. There is elements of the facehugger (from Aliens) to them, elements of a mutant starfish, with horrible pulsing green blood and the ability to inflict massive pain and yet still can send you into a zombielike state. It’s a brilliant innovation and the real monster at the film.

I genuinely enjoy without warning, and on rewatch I think I’ll like better now that I know exactly what it is I’m going into. It’s definitely a buy, but you may find that difficult – it’s only very recently found its way onto DVD in one form or another, with the rights being weirdly tied up over the years. Still, absolutely grab this if you find it, you won’t be sorry.