Over the weekend I caught the Alejandro Jodorowsky Dune documentary. It was not what I expected. I had thought I was going to be overwhelmed with this visionary film concept. Instead it felt overblown and over important. And that’s really curious. I think that people get caught up in the concepts that were presented here, and the beautiful concept art. The problem with the concept art, is that it bears very little resemblance to the finished product. We frame these images in the context of modern film. But I remember film from the 70s, I remember science-fiction from the 70s. A great time capsule is the making of Star Trek Phase 2 book that came out many many years ago, chronicling the attempted launch of the first Star Trek sequel series. The look of the ship, the concepts that we see, They all change significantly from page to screen. They just do. There’s a look in the 70s that wasn’t quite Star Wars yet, with it’s modular, busy, liney look up on the hulls of spaceships. There is still a soft pastel, white, silverish look to them. Not quite the forbidden planet of the 60s, but certainly not the Millennium Falcon of the 80s.
I imagine this film would’ve ended up looking for great deal more like Dark Star then 2001. Once run through the filter Jodorowsky’s madness, it would not have ended up looking as slick or as fantastic as we really imagine. We’re dazzled with names like HR Geiger, and Dan O’Banion, and Mobius. But those names alone do not necessarily mean success. They do not necessarily mean quality, and the degree of their involvement is really hard to say. It makes for great documentary fodder, but in the real world with all these different artists, and different visions, how involved with they really be? Would they be there all the way from page to screen? I doubt it.
My end analysis is that this is a good documentary. It’s a fun film and a fun way of wondering what might’ve been. But it doesn’t inspire the longing that I get from something like say, Harlan Ellison script for I robot (Another hopeless cause). No I don’t see how this film ever really would’ve gotten made. And the sort of underdog that this documentary tries to paint it as seems forced. I definitely recommend a watch on this, and make sure you got subtitles involved because there is a lot of French going on here. Judge on your own and I’ll be interested in hearing what conclusions the rest of you draw from this film!
Sure that seems weird to start an article with, but I mean it. You can’t possibly understand what this means to me. See, when other kids my age were playing Star Wars, I was playing Captain Video. When I was a teenager drawing my own comics, my go-to was to create Captain Video comics. When I was a kid playing out in the woods behind my home, or my grandparents home, I was pretending to be Captain Video. I have been imagining and talking about this character all my life…without ever seeing the source material.
See, here’s the thing, when I was a little child, my father would tell me stories about The Shadow, The Green Hornet….and Captain Video. Out of nowhere he’d bellow “Who knows what evil lurks in the hearts of men?”. If I saw Green Lantern on Superfriends, he’d talk about the Green Hornet. Captain Kirk? Let me tell you about Captain Video! and his Video Rangers!
The big difference between characters like The Shadow and the Green Hornet vs Captain Video, is most of the adventures of the Hornet and the Shadow survived over the years. Captain Video was on TV for over 1000 episodes, but the vast majority of those tv shows were destroyed decades before I was born. As a kid I longed to see something of the character, ANYTHING of him. I was about twelve when I got my first glimpse – the trailer to the serial was included in a copy of Zacherly’s Horrible Horror, a compilation of old public domain film clips and serial trailers. I wore a hole in that part of the tape trying to eke ever ounce of Captain Video that I could from those two minuets. I wouldn’t get my hands on a copy of that serial until I was in my early thirties. About five years ago I found ONE episode of the TV show…up until then I had thought it must have only existed as a serial.
This book changes everything.
In his foreward, Roy Thomas points out that the TV show was the source material, one of the few TV shows to ever have a serial made from them (it was more common for the serial to come first). I had no idea so many episodes were produced, yet to this day, only 12 survive. Eight of them can only be viewed at UCLA, the remaing four were released on an Alpha Video DVD (and float around Youtube). Not only that, there was a spin-off planned, featuring the robot Tobar. I had NO idea. It completely changes my perspective on the series!
But that’s not the most amazing part. There were comic books.
Do you have any idea how I LONGED for Captain Video comic books when I was a kid? No, forget I asked. You can’t possibly imagine wanting something as much as I wanted Captain Video comic books, so much so that I was driven to create my own with no more reference point than a grainy trailer and my fathers fuzzy memories.
Only one other time in my entire life have I been more excited to discover a book exists, when I discovered that my favorite author Roger Zelaznay had written a second cycle to his Amber series. It’s a strange feeling, to discover a book you never even knew existed, and yet to know with utter certainty that you have been waiting for it your entire life.
Robots, laser guns, space cars (oh, and according to Roy Thomas, the inspiration for Ultron – this summer movie seasons biggest bad guy) and my Fathers greatest sci-fi hero – now in the palm of my hands.
In fact, why am I sitting here wasting time writing this post? I’m off to read my book! (and write Roy Thomas a REALLY embarrassing thank you letter)
Go read some Violent Blue.
I was still happy to seethe return of our rogues and the real introduction of the Golden Glider. I do love how this series goes on and even though this episode wasn’t even remotely a worthy follow up to the previous week, it’s still better than a whole lot of the dreck on TV.
iZombie came out with a strong second episode, although I really would prefer if it was a less-sexy series. I don’t know that it needs the sensuality, particularly with the intrigue that we got set up with the intrduction of our new zombie friend. I’m really eagar for the next episode of this….and i’m going to be pissed if we have to put up with a stupid mid season break with this series as well…..
The Walking Dead. Man, I love a quarter staff. Who knew Morgan was going to turn out to be such a tough guy??? That was a great opening, to say nothing of the rescue he makes later on. On the other hand we start right off hating the people of Alexndria again. It doesn’t really go away either does it? The Mayor, Pete, Nicholas, you just want to grab them by the shoulders and shake them while yelling “What is WRONG with you?” Carol’s right, these people are children. Nicholas beef with Glen, and just the fact that they even let someone like Pete exist (not to mention his tantrum(s) this episode), these are the actions of self interested children. They don’t deserve Rick and his group.
I think the image of Sasha laying in the pit of zombies was beautiful.Over-the-top and pointless, but beautiful. And Father Gabriel…I wonder. Has he finally woken up? Does he finally get what this world has become?
I’m not sure how I feel about Daryl’s new adventures out in the wilderness, it’s an interesting direction though and it looks very much like they have a plan.Still, there’s just a sense of dread, especially with the wolves out there. It’s a whole new threat…and the trap with the trucks full of zombies only serves to showcase just how big of one.
By the way, we have the name now for out Walking dead spin-off. “Fear the Walking Dead”. Let’s look at some of the real positives, AMC has shown they understand the soul of the show and I’m interested in seeing if they can duplicate it. The idea of exploring the early days of the outbreak is fascinating, and it also provides a built in expiration date just in case the series isn’t received as well – indeed I think this kind of a show would be better served as a mini-series anyhow, but we’ll see.
New Violent Blue tomorrow. Stop watching TV and check it out.
Head to the Capitol this Sunday morning to see the Marx Brothers 1933 classic Duck Soup on the big screen. Admission is just $5! Enjoy discounted brunch afterwards at any of our partner restaurants: Luxe Kitchen & Lounge offers 2 for 1 Bloodies, Bellini’s or Beers, Latitude 41n, Reddstone Cleveland & STONE MAD PUB, RESTAURANT AND BOCCE offer 20% off brunch menu entrees.
Hey guys, I’m also blogging over at the Kreepy Kastle! Check them out, today we’re talking about Prince of Darkness!
Oh and when you’re done with that, check out Friday’s Violent Blue!
Every Wednesday and Friday
This is a reare via venue shot. I’ve had no success getting him through his agency, but when “Dads” priemered last year I checked the production schedule and knew he’d be on set through October, so I got a coupel of pics and sent them off.
I have a special affection for Mull, not only was he in Sabrina (which I was pretty obsessed with when I was younger) but he’s also local. I don’t just mean Ohio or Cleveland, no he grew up in North Ridgeville, the city adjacent to Elyria where I live. I go to Church in North Ridgeville. I’ve worked in that city. I’ve acted on the same stage as Mull did (twenty years removed). So very cool I managed to get his one back I always wanted him!
Every Wednesday and Friday
This is not quite a commission, this was originally done up as a get well card for a sick friend, but the image was just to cute not to share.
After a week of nearly nothing but repeats, last week’s Walking Dead really kicked off some amazing TV in a shockingly brutal way.Seriously, the death of Noah was shocking and the gore level rivialed any of the Romero films that started the genre. Walking Dead has really kept us guessing lately, even people like me who are familiar with the source materials,so I anticipated last night’s episode with some small amount of dread.
I like that we really focused on the situation, front loaded with a lot of exposition. It’s important to remember, especially in a series like this, that words and interpersonal relationships are just as dramatic as killing zombies and nobel self sacrifices, not that we don’t take a uber-creepy turn towards the end with the tied up girl and random zombie parts…mild gore, but the context is what really makes this creepy. That, and what it foreshadows.
But seriously, DOES IT NEVER OCCUR TO ANYONE HERE TO CONSERVE AMMO??? Seriously, where does everyone keep getting bullets and cigarettes? I’d think those would be the first things to go.
Oh and Sasha? Eat a snickers. You’re not you when you’re hungry.
We knew the fight between Rick and the doctor was coming. We did, but I just remember it being more…noble in the comics.Here, it’s played for a completely different effect, underlining the friction between Rick’s ground in Alexandria. I really wish it had been more heroic, because Ricks rantings seemed almost insane. If anything though, it does make me very eager for the season finale. Interesting that on the Talking Dead, Chris Hardwick clled it one of the most intese episodes of the season. he’s right, andagain, I feel compelled to point out it was with so little gore or zombies, especially compared to last week.
By the way, that commercial for Mission impossible? I’m sold. I haven’t liked that series sinceMI2, but man, this new one looks good!
ANOTHER rerun for Gotham…I’m getting a little frustrated with this. I miss the days when 22 episode seasons ran mostly unbroken, with only a preempt and perhaps one rerun to catch up,but otherwise straight through .these two and three week breaks, sometimes a month, they kill the momentum.
On the other hand, absence makes the heart grow fonder, we’ve been waiting for new Flash and the latest episode went absolutely batcrap crazy. Sure we’ve known who the Reverse Flash was from almost day one, but to see Cisco dead and Iris finding out the secret…
except it’s a huge mulligan. Time travel at the end blows my mind sure, but it also means, the whole thing is just going to get reset to status quo this week doesn’t it? I mean it’s kind of like that Family Guy episode where Stewie simulates killing Lois and the conversation at the end…
Brian: Yes, but, theoretically, if someone watched the events of that simulation from start to finish, only to find out that none of it really happened, I mean you don’t think, that would, j– be just like a giant middle finger to them?
Stewie: Well, hopefully, they would have enjoyed the ride.
Brian: I don’t know, man. I think you’d piss a lot of people off that way.
We’ll See Flash. We’ll see.
Oh my God, how good was iZombie?
I guess I shouldn’t be surprised, I did pick up the first four issues or so of the comic back in 2012 or so and really enjoyed it, but drifted away for some reason. Now full disclosure, the TV storyline is NOTHING like the comic, at least the pilot isn’t. The circumstances, the situation is very different, but what they get right, what they get VERY right, is the character of Gwen and the way they display her powers.
I may actually like this better. Working at the morgue and teaming up with a detective works a bit better for TV than digging graves and facing a huge cosmic threat, and who knows we still may get to the comic story about Cthulhu’s kid brother later on as the season progresses. Whatever, I’m really loving this, and it’s actually another show my wife can watch with me (the fact that she watched two zombie shows with me in the same week is nothing short of shocking to me)
And they SyFy decided to show Max Payne insted of Wizard Wars. Syfy, you suck so very much.
There better be new Gotham tonight dagnabit.